Well, friends, here we find ourselves in the waning moments of 2012. It’s been an interesting, eventful year that’s had lots of high and low points — a ton of excellent new music has been released and quite a few brand-new bands have emerged that I’d fully expect to be making some serious waves in the near future.
One of the best things about 2012, for me personally, was that I found myself (and my wife) going to lots more shows than in recent years, and as a result I’ve been fortunate to meet a lot of new people — as well as starting to take a way more active role in the local music scene.
Anyway, a few weeks ago I had a suggestion from one of those people I’ve gotten to know in the past year (I won’t say who — he said he preferred not to be given credit for the idea, although I will say that it’s somebody who contributed to this). The idea was to collect top-ten lists from various folks in the Pittsburgh metal community.
So I put out an open invitation for any musicians or other people who are involved in the scene in some way — I was looking for anything, whether it was the traditional “Top Ten Albums” or something totally off-the-wall like someone’s ten favorite sandwiches they ate during the year. Really, the only rules were that it had to be a list, and involve something from 2012.
Fist Fight in the Parking Lot – Fist Fight in the Parking Lot (21 February 2012, Innervenus Music)
Good evening, readers! Sorry for the tardiness of this review — I totally meant to publish it this morning, but then I got distracted by something shiny. It happens. Actually it was an announcement that the new self-titled album by Corrosion of Conformity was streaming in full over at AOL Music. I hadn’t heard it yet, and I don’t know how long it’ll be available, so I wanted to jump on that. I’m sure you can understand. If you haven’t heard it yet, you’ll probably want to check it out, too.
From what I’d read about it, the new COC album is supposed to appeal to fans of their earlier, more hardcore-oriented work, as well as those who prefer their more recent foray into Sabbath-inspired stoner metal. So I was curious to see what it was all about. What I found surprised me: I heard very little of the sound mainly associated with either era of the band’s history, instead feeling more of an old-school doom vibe — along the lines of some of Wino‘s earlier work, or any of a slew of his bands’ imitators. A style I enjoy, to be sure, but one that can also seem monotonous at times, over the course of an entire record. This was one of those occasions: despite some higher points, the album really didn’t reach out and grab my attention at any point. Missing here were the truly memorable songs that make you want to sing along, or hear them again and again.
Well, all of that soon changed, because a little later in the day I switched gears to the brand new release by Pittsburgh’s Fist Fight in the Parking Lot, made available today through the Innervenus Music Collective.