Tag Archives: Philadelphia

Drones for Queens Hitting the Road This Weekend / Free EP Download!

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When I heard the name Drones for Queens, my immediate thought was that there are two different directions this band might be taking. On one hand, they could specialize in slow, drawn-out, ambient, meditative music that’s specifically targeted to homosexuals. The other possibility is that the name refers to worker bees who devote their entire lives to serving those at the top of the social hierarchy — perhaps using this concept as a metaphor for the conflict between the proletariat and bourgeoisie classes in human society.

Then, a quick peek at the cover art from their recent EP Health (see above) led me to believe that perhaps the second case was more likely.

But you can hear for yourself — in person, if you happen to live near the spots in Pennsylvania, New York, New Jersey, and Virginia where the band will be making appearances over the next few days (starting with a hometown show in Philadelphia tonight) — or if it turns out you aren’t able to make it to any of these, you can still download your very own copy of Health for any amount you choose to pay!

 
First, here’s some more information on these guys, courtesy of Catharsis PR:

The two-man outfit is comprised of brothers Shane and Evan Madden (also of Rifflifter Touring) who spent years exploring the realms of doom and black metal in bands like Woods of Ypres, Woe, and The Green Evening Requiem before succumbing to a mutual desire to make raw, real, pissed off music. The result? Four tracks of virulent, noisy, thrashy grindcore, spat out with DIY fury but backed by label-hardened savvy; Health is fast, furious, and fucking intense. Recorded and mixed by Brian McKay at Audiolux in Philadelphia and Audiolab in Millville, New Jersey and mastered by Dan O’Hare, Health is a shotgun blast echoing out into a stale scene.

 
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Out Today: Power Theory – An Axe to Grind

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Power Theory – An Axe to Grind (29 June 2012, Pure Steel Records)

 
So who out there is heading out to the Warriors of Metal Open Air Festival today (or tomorrow, or both days)?

Well, I suppose if you were going today, you’d be there already. But I dunno, maybe you’re heading out later in the afternoon, or maybe you’re catching up on the latest Valley of Steel updates in between bands or something…

Myself, although I’ve been reporting about it for months, unfortunately I’m stuck here at work, which is pretty shitty because it sounds like it’s going to be an awesome time! (Although the heat and humidity are forecasted to be pretty brutal this weekend — hell, when I left home at 5:30 this morning the air was already difficult to breathe — so anyone who’s attending, have fun, but be sure to drink lots of water!)

Although it sucks I’ll be stuck inside a boring office all day with no throngs of screaming metalheads (and no alcohol), at least I can try to make myself feel better by listening to some heavy tunes. No matter how high I turn the volume on this computer, I know a pair of headphones will never compare to a huge stack of speakers on an outdoor stage, but sometimes you gotta do what you gotta do.

Anyway, when I was trying to decide exactly what I should be blasting into my ears today, the perfect choice suddenly became obvious: the brand new Power Theory album! Not only is German label Pure Steel Records releasing An Axe to Grind today, but the band will be celebrating that release when they take the stage at WOM this evening!

Maybe I won’t be there to see it live, but I can at least experience it vicariously through the studio version — and for all those readers out there who are also unable to make it to the Frontier Ranch in Pataskala Ohio, I’ll tell you where you can hear some Power Theory too, and where you can get your own copy of this album.

 
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Just Released: Pharaoh – Bury the Light

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Pharaoh – Bury the Light (6 March 2012, Cruz del Sur Music)

Good evening, Readers. How’s it going? I’d like to take a quick poll, if you don’t mind. What’s the first thing that comes to mind when someone says “power metal”? Is your first impulse to run away screaming? It wouldn’t surprise me much if that were the case, because that would be the reaction of many people — including myself, sometimes.

Why is that? Well, because somewhere along the line power metal got its name blemished pretty badly in the eyes of most listeners. Somehow the genre got associated with bands who, when they heard “Run to the Hills” for the first time, fell in love with the lightning-speed galloping part towards the end, but thought the song would be better if they had cut out all the stuff that builds the tension up to that point, and creates dynamic contrast, and holds the listener’s attention. Bands whose favorite album of all time is Rising Force, but they never realized that their turntable was switched to 78 RPM instead of 33-1/3.

It’s no wonder most people turn their noses up at the thought of this genre, when its most visible representatives are a bunch of over-the-top, ultra-cheeserrific fuckwads whose primary goal seems to be to constantly outdo themselves in terms of speed and wankery, much more than giving any thought to making good quality music.

Of course, this stereotype didn’t just spring into existence overnight; there have been bands that have incorporated cheesy schtick into their repetoires (whether intentionally or not) for decades. It’s almost as if everyone had forgotten it was possible to put together a group of talented musicians and play music that strikes a balance between heavy and powerful but also emotional and melodic; and to tackle lyrical territory that is epic and grand but not corny and overblown. Almost.

A certain group of Philadelphian gentlemen (who, by the way, come from the eastern side of my home state – just a few hundred miles from here) who call themselves Pharaoh haven’t forgotten. And just one listen to their newest album (their fourth full-length, and fifth release overall, dating back nearly ten years) Bury the Light, which is on Cruz del Sur and was released just last week in North America, is all it will take to ensure you don’t forget, either.

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Congratulations: Code Orange Kids Sign with Deathwish Inc.

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Some more big news out of the Pittsburgh music scene exploded onto the internet yesterday, as Deathwish Inc. announced its signing of local hardcore up-and-comers Code Orange Kids.

Code Orange Kids join the DW Family, on tour now, new album later in 2012
Deathwish are proud to welcome Code Orange Kids to our affiliated family.

Fresh out of high school and with an average age of 18 years old, Pennsylvania’s Code Orange Kids remind us off our own embryonic days in the aggressive music scene. They do things their way, creatively cutting their own path through it all. Unconcerned with the direction of other artists, their brand of gritty hardcore/punk is simply refreshing to hear. Merging cryptic melody, dirty hardcore power, and intense dirges into their own uniquely inspired sound.

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