Agruss – Morok (Code666 Records, 26 April 2012)
There seems to be a growing trend in the American Black Metal scene that revolves around combining atmospheric post-black-metal sounds with a pro-nature, anti-technology attitude. This has been discussed ad nauseam all over the internet (perhaps best exemplified here), and frankly, I don’t give a shit. This may seem like an oversimplification, and you might say I’m being too broadly dismissive, but I say to hell with all of it. That whole movement comes across (to me) as a bunch of whiny neo-hippies saying yay to peace and love and flower power, with all the conviction and determination of that whole stupid “Occupy Wall Street… Until it Starts Getting Cold Outside” slumber party that was such a big deal last year, while it was the cause du jour.
Well, here’s a review of something totally different: a band who use black metal as the medium for expressing their rage against modern technology and the destruction of nature!
How is that different, you ask? Well for starters, the band Agruss is from the town of Rivne (Рівне), Ukraine, just a short distance away from one of that country’s nuclear power plants. Furthermore, that town is only about 400km away from the town of Chornobyl (Чорнобиль), or more commonly known by its Russian name Chernobyl (Чернобыль). As you are probably aware, that town — now almost completely abandoned — was very close to the site of another Ukranian nuclear power plant, until an explosion occurred there, releasing nuclear contaminants all over the surrounding area. That disaster occurred in 1986, on the 26th of April. (See what they did there?)