Tag Archives: Canada

The Great Sabatini – Dog Years (2014), Goodbye Audio (2018); Greber – Cemetery Preston (2018)

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Today’s Célébration Canadienne continues! Catch up here if you missed the first part, otherwise feel free to keep on reading…

 

The Great Sabatini – Dog Years (Solar Flare Records / No Why Records / Sludge Hummer, 02 June 2014)

 

The Great Sabatini – Goodbye Audio (No Why Records / Ancient Temple Recordings / No List Records / Pink Lemonade Records, 16 November 2018)

 

Greber – Cemetery Preston (No Why Records / Ancient Temple Recordings / D7i Records / Hibernation Release / Pink Lemonade Records, 02 February 2018)

 

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Swarm of Spheres – Invest in Your Death (2013), Brother Take Five (2021); Cell Press – S/T (2020)

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It’s Friday, and we’re firing up the way-back machine. Got a lot of ground to cover, so there’s no time to waste… Here we go!

 

Swarm of Spheres – Invest in Your Death (self-released, 18 October 2013)

 

Swarm of Spheres – Brother, Take Five (No Why Records, 15 October 2021)

 

Cell Press – Cell Press (Ancient Temple Recordings / No Funeral, 27 November 2020)

 

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Natalie Zina Walschots – Hench: A Novel (2020/21)

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Hello out there! Time once again for a quick excursion outside the music world and into the realm of the written word.

That’s right, we’re doing another book report…

 

 

Natalie Zina Walschots – Hench: A Novel (William Morrow / Harper Collins; hardcover and digital 22 September 2020; paperback 09 November 2021)

 

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Mors Verum – The Living (2021)

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Hey gang — it’s Bandcamp Friday! Let’s talk about death metal! Again!

Mors Verum – The Living (Total Dissonance Worship, 05 November 2021)

 

 

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Wolf King – The Path of Wrath; Discarded Self – S/T (2021)

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Wolf King – The Path of Wrath (Prosthetic Records, 05 March 2021)

 

Discarded Self – Discarded Self (Sarcophagus Recordings, 30 April 2021)

 

Hello again, readers! Hard to believe how quickly another month has flown by…

I’ve got another pair of albums to share with you today, each filled with darkness and nastiness, from two groups who both reside somewhere out west. Let’s dive right in!

 

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Sarin – You Can’t Go Back (2021)

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Sarin – You Can’t Go Back (Prosthetic Records, 05 February 2021)

 

Sort of like a response to this article from earlier in the week where we covered an album entitled A Way Back, today we’re featuring You Can’t Go Back — the latest from Canadian post-metal group Sarin, named for the chemical compound that has historically been used (and sometimes rumored to have been used) as a nerve gas weapon due to its extreme toxicity.

 

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Raphael Weinroth-Browne – Worlds Within (2020)

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Raphael Weinroth-Browne – Worlds Within (self-released, 24 January 2020)

 

Good afternoon! Hope everyone out there is doing their best to maintain a positive outlook on this gloomy mid-May Monday.

If not, perhaps it would help if you took a moment to listen to this album from earlier this year: you may remember Raphael Weinroth-Browne as the cello player who comprises one-third of Musk Ox and half of The Visit, both of whom we really enjoyed listening to when we had written about these groups’ previous output.

Well, Worlds Within is Mr. Weinroth-Browne‘s first solo full-length, and it nicely showcases the wide-ranging versatility his instrument (occasionally augmented by effects pedals) is capable of.

 

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Resent – Crosshairs (2020)

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Resent – Crosshairs (Dry Cough Records (UK) / Nerve Altar (US) / Rope or Guillotine (NL), 01 May 2020)

 

Things are looking pretty bleak right now — every day the news being reported sounds worse than the day before, and nobody can agree on how we can fix anything or when we’ll ever get back to a state resembling normalcy.

So with that in mind, perhaps you are looking for something cheery and uplifting to distract you and take your mind off the misery of your daily existence. If so, you’ve come to the wrong place, buddy.

Here is Crosshairs, debut LP by British Columbia’s Resent.

 

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Völur – Disir (2016), Ancestors (2017)

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Völur – Disir (Prophecy Productions, 24 June 2016)

 

Völur – Ancestors (Prophecy Productions, 02 June 2017)

 

Hey folks! The Shadow Frost festival that we talked about recently starts tomorrow and runs through the next day. Whomst among you are headed to Maryland for this event? That’s a pretty enticing line-up, huh?

So having said that, today seemed like an appropriate time to delve into a pair of albums by Torontonian trio Völur that I’ve been meaning to discuss ever since they first caught my attention several years ago. Not an ideal time to write about them, of course, as that would have been actually in 2016 and in 2017 (respectively) when they came out — but nevertheless, an appropriate time. Here we go!

 

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The Night Watch – An Embarrassment of Riches (2019)

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The Night Watch – An Embarrassment of Riches (self-released, 15 November 2019)

 

Hey, everybody. It’s time to check in on instrumental quartet The Night Watch, whose members include violinist Evan Runge and guitarist Nathanael Larochette (both of whom are also part of the neo-folk trio Musk Ox, featured here), plus Matthew Cowan on bass and Daniel Mollema on drums/percussion.

As you may recall, we wrote about Boundaries, the thirty-plus-minute piece of music that was their second album (here), when it was released back in 2016.

Anyway, that same cast of characters is back (with the drummer sometimes hitting the ebonies and ivories as well, this time around) with a third full-length, just released last month: An Embarrassment of Riches. Still essentially an instrumental venture, although this one does occasionally feature some choral vocals — credited to all four instrumentalists plus a host of guests, this record is sequenced a little more traditionally than its predecessor, in that it’s broken into several individual tracks rather than a single album-length composition.

 

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