Hello, and welcome to another installment of the “Signmeto” Unsigned Band of the Week feature, where I post a profile of a band I’ve discovered on the “Sign Me to Roadrunner Records” website. As always, the material here may be of varying quality, but each week you’ll have the opportunity to listen to music from a different band; my hope is, maybe you’ll find something you really dig. Then one day, when they explode in popularity and sell a million records, you can scoff at all the bandwagon-jumpers, saying you’ve been a fan since their first demo recording or whatever.
Today’s featured artist is Victorian, a symphonic/gothic metal band from Indonesia. As I understand it, they have been around since January 2008, and started out with only male vocals. After some lineup changes and about a year of inactivity, the band was reignited in mid-2010, deciding to instead feature a female vocalist. Their first demo single “Beginning of Sorrow” was released in early 2011, and the band has stated that they are hoping to expand their reach beyond their hometown of Bandung (West Java), especially using the internet as a means of promotion “with hope of acceptance from the metal lovers in Indonesia and abroad.” I first heard these guys in early 2011 and fell in love with that first single. Then, they contacted me in September saying they had added a second single, called “Weak” and they were looking for some opinions. After the jump I’ll tell you more about these two songs and you’ll get a chance to discover them for yourself.
Well, folks, here’s a pretty cool surprise that showed up in my inbox this weekend. I get updates at least once a week from Pittsburgh-based promoters Opus One Productions, but since they deal in events that range literally all across the musical spectrum, the majority of the information they contain usually is not of any interest to me. This time, however, the update pertains exclusively to metal shows, and (as you can tell from that headline) it includes some pretty huge names in the metal world, all coming to Pittsburgh!
All three shows — a co-headline ofDying Fetusand The Faceless in early March, GWAR on Saint Patrick’s Day, and Behemoth in mid-April — are taking place at Mr. Small’s Theatre in Millvale (just a few miles northeast of the city on Rt. 28). If you haven’t been there before, I’d highly recommend catching a show there. It has been converted from an old church, and has a lot of the original architectural features including a real high cathedral ceiling; I don’t know if that’s the reason why, but in any case, the place has pretty great acoustics. Plus, it’s got a pretty intimate feel to it (only holds a few hundred people) but at the same time it’s big enough that you usually don’t feel too claustrophobic (for all-ages or 18+ shows, there is a wooden half-wall barrier that separates the bar from the rest of the floor area; I usually end up hanging out behind here, since you can get a great view of the stage but it’s usually not too crowded).
After the jump, catch all the details of the events. If you aren’t local to Pittsburgh, take heart in knowing that all of these great bands are currently touring the U.S.; check out their Facebook pages or websites (most of which are linked in the information below) to find the full tourdates and see if there is also a show in your area. If you live outside the U.S., then piss off! You surely have awesome tours and festivals in your area all the time! Let me savor the thought of having these few visit my city, this time.
Brutal death metal band Nephelium formed more than ten years ago in Dubai, United Arab Emirates. Although they have long since relocated to Canada, they never left their roots far behind, as is apparent from the music they create, which blends technical death metal with exotic Middle Eastern melodies and flavors. Their debut LP Coils of Entropy is scheduled to be self-released in just over a week (7 February 2012), but as an appetizer they have served up samples of all the songs, including one full song you can download for free!
Some more big news out of the Pittsburgh music scene exploded onto the internet yesterday, as Deathwish Inc.announced its signing of local hardcore up-and-comers Code Orange Kids.
Code Orange Kids join the DW Family, on tour now, new album later in 2012
Deathwish are proud to welcome Code Orange Kids to our affiliated family.
Fresh out of high school and with an average age of 18 years old, Pennsylvania’s Code Orange Kids remind us off our own embryonic days in the aggressive music scene. They do things their way, creatively cutting their own path through it all. Unconcerned with the direction of other artists, their brand of gritty hardcore/punk is simply refreshing to hear. Merging cryptic melody, dirty hardcore power, and intense dirges into their own uniquely inspired sound.
As I said in the last post, after spending yesterday talking about shows that I will never get a chance to see, it’s time for some updates for the local (Pittsburgh) area. If you live somewhere else, NOW YOU CAN SEE HOW IT FEELS!!, but also, hopefully you’ll learn about a couple bands that might tickle your fancy.
The second of today’s two updates features Dethlehem, who will lay siege to Stage AE on Pittsburgh’s North Shore in a little under a month (Saturday, 18 February 2012). Continue reading →
Okay, after spending yesterday talking about shows that I will never get a chance to see, it’s time for some updates for the local (Pittsburgh) area. If you live somewhere else, NOW YOU CAN SEE HOW IT FEELS!!, but also, hopefully you’ll learn about a couple bands that might tickle your fancy.
First of all, next Saturday (4 February 2012), “sleazy muppet rock” band Ernie and the Berts will be making their first live appearance of 2012 at Altar Bar in Pittsburgh’s Strip District area, as one of the opening acts for Greek-American Punks Barb Wire Dolls.
Chicago based metallers ION VEIN will be making their return to the stage in a big way, opening for the legendary TESTAMENT at The Fuel Room in Libertyville, IL on Friday, February 10th. In a statement released from the band: “We’re very excited to announce that our first show in support of IV v1.0, and our debut show with Scott and Rob, will be sharing the stage with the mighty TESTAMENT and Chicago’s upstart thrashers DIAMOND PLATE. This is the perfect way to kick the IV v1.0 release cycle into high gear and we can’t wait to dial everything up live with all of you once again!”
Keep on reading for more information, including a free “DR” (Digital Release) download of the first three songs from the band’s upcoming album!
Yesterday morning, the King DiamondFacebook page offered some welcome news: after more than a year away from performing (besides a brief appearance with Metallica during their anniversary festivities last month) while recovering from triple-bypass heart surgery, the renowned Danish vocalist is finally ready to return to the stage.
Normally when I read about upcoming tours and festivals, I get pretty grumpy about the fact that they are so far away from here and it just depresses me. But in this case, I don’t care where the shows are located, I’m just happy to hear the King is healthy and able to get back out on the road again.
Hello, and welcome to the second installment of the “Signmeto” Unsigned Band of the Week, the weekly profile of a little-known unsigned band for you to check out. As I have said before, the material here will be of varying quality, but in every case you’ll have the opportunity to listen to whatever music the band has available at this point in their career; my hope is, maybe you’ll find something you really dig, which you might not have heard otherwise. Then, when they explode in popularity and sell a million records, you can scoff at all the bandwagon-jumpers, saying you’ve been a fan since their first demo recording or whatever.
Once again, for those who might not have been paying attention: “Signmeto” is a division of the Roadrunner Records website, where unsigned bands get the chance to upload their recordings for other users to hear and rate, as well as (hopefully) to catch the ear of a label representative (hence, “Sign Me To Roadrunner Records”). I don’t know if anyone who uses that website has ever gotten a record deal out of it, so I don’t have any idea how useful it is from that perspective. However, as a music fan, it can be a good resource for seeking out new things to listen to, and perhaps in that way it can be good for the bands as well. That is, maybe they won’t be picked up by Roadrunner, but maybe putting their songs out there will help attract some sort of attention anyway, and get a little bit of publicity for themselves. That’s how I intend to use it, at least; I’ll be digging through the Signmeto archives for some hidden gems, and then sharing them with you, dear reader.