Steel Bridge Promotions Presents: FISTER / UN / GIF FROM GOD (Pittsburgh, 15 October 2017)

 

Steel Bridge Promotions Presents:

Fister (Saint Louis, MO) / UN
(Seattle, WA) / .GIF from God (Richmond, VA)

local support by Sarlacc (Pittsburgh, PA)

Sunday 15 October 2017

at The Rock Room, 1054 Herron Ave, Pittsburgh (Polish Hill) PA 15219

Doors 9:00 – Show 9:30 | $5-10, door only (no advance sales)

 
http://www.facebook.com/events/1377974022309542/

 
Steel Bridge Promotions — who have been responsible for putting together all sorts of really solid shows in the Pittsburgh area over the past few years, as well as being among the most genuinely nice people you will EVER meet — recently announced that their final shows will be taking place this October. While that’s terrible news for this city, SBP will definitely be going out with a bang! Here, we’ll be sharing some information about the one of those final shows.

 
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Psycho Las Vegas 2017

 

Psycho Las Vegas 2017

Thursday 17 August through Sunday 20 September 2017

at Hard Rock Hotel and Casino, 4455 Paradise Rd, Las Vegas NV 89169

 
This weekend-long party in Sin City will feature some folks that you’ll recognize from previous mentions right here at Valley of Steel (Neurosis, Conan, Fister, Melvins, Hollow Leg, North, Ruby the Hatchet, Slomatics — just to name a few). Some other highlights will include Inter Arma, Black Anvil, Minsk, Goya, Manilla Road, Mouth of the Architect, Pelican, Vhöl, Year of the CobraYOB, Pentagram, Corrosion of Conformity, Sleep, Psychic TV… oh yeah, and King Diamond performing the whole Abigail album!

More details:
http://www.vivapsycho.com | http://www.facebook.com/events/1636267026703732/
 
Tickets:
3-day (Friday through Sunday) passes, and single-day tickets for Thursday Pre-Party, Friday, Saturday, and Sunday currently available at http://psycholv2017.eventbrite.com

 
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Northless – World Keeps Sinking (2013); Primitive Man / Northless – Split (2016)

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NorthlessWorld Keeps Sinking (Halo of Flies / Gilead Media, 23 August 2013)

 

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Primitive Man/NorthlessSplit (Halo of Flies, 04 March 2016)

 

As the end of the week draws near — if you didn’t have enough of Primitive Man after Tuesday’s post, maybe this will do it. Like Fister, whom we discussed on Monday, these Denverites tend to keep themselves pretty busy. Actually, it’s not that surprising to learn, those two bands did a split record together once upon a time! But that’s not what we’re here for right now — rather, I wanted to let you know about a much more recent release: a split that Primitive Man did earlier this year with Milwaukeean band Northless. And that reminded me that a full-length of theirs has been on my to-do list for quite a while (as it happens, 2013’s World Keeps Sinking was that band’s last release until this newer split record). Buckle up, this might be a bumpy ride …

 

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Fister / Teeth Split; Fister / Dopethrone Split (2016)

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Fister / TeethSplit (Broken Limbs Recordings, 29 April 2016)

 

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Fister / DopethroneSplit (Riff Dealer Records, 11 May 2016)

 

It’s Monday and I’m tired and crabby and I don’t really want to be here and I just want to punch everything and everyone right in the damn face. It probably wouldn’t be advisable to do so, because there’s a good chance I’d end up losing my job — and despite what you might think based on how much bitching and complaining I do, that would probably not be a good thing. So as per usual, I’m stuck keeping all that annoyance and rage bottled up inside, with no real outlet through which to channel it. The best I can do is try to calm my nerves by grabbing a pair of headphones and blocking the whole world out with something loud and angry and particularly ugly. In fact, looking ahead at the schedule for the rest of this week, #SpoilerAlert, there’s going to be a lot of angry and ugly going on. So stay tuned for that.

To start off the week, we’re going to visit with St. Louis ultra-doom trio Fister. It’s been nearly three years since I wrote about their Gemini album on the day they were coming here to Pittsburgh with their friends and neighbors The Lion’s Daughter. At that time I had mentioned that there was quite a bit of stuff in the Fister discography, including a split record with The Lion’s Daughter, and that I had chosen to listen to Gemini (and share it with you folks) simply because it had been their most recent release at the time. Well those guys have continued to be pretty active since then, both touring and recording, and I figured it’s about time we checked back with them.

In particular, I thought we could take some time to check out a couple more records that have come out over the past two months. (There’s much more out there on Bandcamp, if you’re curious, but for practical reasons I had to limit myself to two releases to discuss today.) The first will be a split 7″ with Teeth from California, and the other is a split with Dopethrone from Montréal.

 

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The Lion’s Daughter & Indian Blanket – A Black Sea (2013)

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The Lion’s Daughter & Indian BlanketA Black Sea (Good Die Young Music, 12 November 2013)

 

Hello out there, hope you all are having a good afternoon! If you caught the article I wrote yesterday, you would have been treated to an unsettling combination of folksy Americana (Bask) and grimy, noisy metal (American Heritage). Writing about those two bands together reminded me of another incredible album — one which actually combines an American folk band with a heavy, sludgy metal band (Indian Blanket and The Lion’s Daughter, respectively), both of whom are from Saint Louis. This album was released nearly two years ago, and I’ve been in love with it ever since, but somehow never got around to writing about it.

I was actually excited about this album from the first time I heard that it was being made — before I ever heard any of the music on it — because I was already familiar with one of the bands involved. The Lion’s Daughter had been on tour with another band from St. Louis, the amazing Fister, when I wrote about that band’s album Gemini on the day that they both came here to Pittsburgh — which, by some remarkable coincidence, was exactly two years ago today! It may have been because I’d listened to Fister a lot prior to the show but hadn’t really known anything about their tourmates at the time, so I didn’t really have any particular expectations before seeing them, but The Lion’s Daughter completely blew me away that evening. I feel like both bands managed to bring equal amounts of intensity and sheer volume (and for those of you who’ve seen Fister, you’ll know that is no easy task!)

Anyway, several months later a collaborative effort with their friendly neighborhood folk band came to fruition, and it was every bit as cool as I had hoped for — in fact, it has seemed to grow on me even more with repeated listens, to the point where I ended up including it among my favorite albums of 2013. Check out A Black Sea for yourself, and I think you’ll see why.

 

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Black Tar Prophet – Deafen (2014)

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Black Tar ProphetDeafen (Domestic Genocide Records, 22 April 2014)

 

Hey, folks. How’s it going? I’ve got some more music here I’d like to share with you. I think you’re going to like it.

A lot of times when I write about a band, you may have noticed I will include some kind of anecdote about how I first heard about them — whether I’d seen them perform live at some point, or sometimes it’s someone I get introduced to through another website or another band. But the vast majority of the stuff I have here to write about came to me as the result of being contacted by either the band themselves, or their record label, or the PR person who represents the band or label. I get a TON of stuff emailed to me — seriously — and it can sometimes be a bit taxing to sort through it all. But in the end it’s completely worth it, because I’ve discovered some amazing stuff this way that might not have come to my attention otherwise. In fact, some of the bands I would consider to be among my favorites to listen to (not even exaggerating) were ones I had never heard of until I’d been contacted by their label or PR company.

For this reason, I make it a point to listen to absolutely everything that anyone sends me. Because there’s no way of knowing whether something might end up surprising me and being awesome. In fact, I go into every new album with as little knowledge as possible, and with the hopes that it’ll be something that completely blows me away. Of course, this leaves me feeling pretty disappointed much of the time, but occasionally I come across some real gems. When I do, that’s when I generally will go back to the original email (and then Facebook or Bandcamp or the band’s own website, wherever they have some sort of online presence) to learn more about the band — such as where they’re from and a whatever history I can learn about them.

This is sort of what happened when I first heard Black Tar Prophet‘s new album Deafen, which came out earlier this year. When I started listening, I knew nothing about the band other than their name, but before I reached the end of the first song, I was already rushing back to find that email, to see where these guys were located — and not just from curiosity. This time, I needed to know how close to here (Pittsburgh) they lived, so I could gauge the chances of them ever playing in this area. Once I found out they were from relatively nearby (Tennessee, which is just three states away, or about 8-9 hours driving), I immediately started considering the possibility that they could someday be on tour somewhere in this direction, and furthermore I decided that if this happened, I needed to get them a show here in town, and that my own band Last should open for them.

Well… I’m very excited to tell you that in just a couple of weeks, both of those things will be coming true! This instrumental heavy sludge/noise duo will be hitting the road in October, and I’ll include all the details about that right after I’ve told you some more about this album that had piqued my interest so much when I first heard it…

 

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The List of 2013 Year-End Lists

Photo Collage - 2013 Shows - by Asya Yanyo

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Hey folks — a very Happy (Belated) New Year to all of you! 2013 definitely turned out to be an interesting year for me, with lots of big changes, new projects, new responsibilities, etc., but an unfortunate side-effect of some of that was (as you’ve surely noticed) that the amount of time I’d been spending writing really tapered off as the year went on, to the point where I didn’t post
anything here for the last few months! Well, as you may have seen, I’ve started writing reviews of some new 2014 releases — and as time allows I promise I will also be sharing plenty of older stuff I’ve missed writing about, because believe me there has been a TON worth sharing!

But more on that later. As I started doing last year, I’ve once again put together a collection of various people’s “best of” lists from 2013. Admittedly I sort of got a late start on this (I didn’t even put out the open invitation until after most websites had already finished with publishing all their year-end stuff), but several people have answered the call and contributed some really interesting lists that you’ll want to check out…

 

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