Psycho Las Vegas 2017

 

Psycho Las Vegas 2017

Thursday 17 August through Sunday 20 September 2017

at Hard Rock Hotel and Casino, 4455 Paradise Rd, Las Vegas NV 89169

 
This weekend-long party in Sin City will feature some folks that you’ll recognize from previous mentions right here at Valley of Steel (Neurosis, Conan, Fister, Melvins, Hollow Leg, North, Ruby the Hatchet, Slomatics — just to name a few). Some other highlights will include Inter Arma, Black Anvil, Minsk, Goya, Manilla Road, Mouth of the Architect, Pelican, Vhöl, Year of the CobraYOB, Pentagram, Corrosion of Conformity, Sleep, Psychic TV… oh yeah, and King Diamond performing the whole Abigail album!

More details:
http://www.vivapsycho.com | http://www.facebook.com/events/1636267026703732/
 
Tickets:
3-day (Friday through Sunday) passes, and single-day tickets for Thursday Pre-Party, Friday, Saturday, and Sunday currently available at http://psycholv2017.eventbrite.com

 
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FREE SLEEP TICKETS FOR SOLD-OUT PITTSBURGH SHOW. THIS IS NOT A JOKE.

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Opus One Productions Presents:

Sleep

featuring Windhand

Wednesday 22 June 2016

at Mr. Smalls Theatre, 400 Lincoln Ave. Pittsburgh (Millvale) PA 15209

ALL AGES, 8:00 show / 7:00 doors

 

As you are all surely aware, tickets for this show have been completely sold out for MONTHS. Since basically like twenty minutes after they went on sale. But as a special treat for our loyal readers, we have a pair of tickets to give away for FREE, thanks to the nice people at Opus One Productions.

 
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Clouds Taste Satanic – To Sleep Beyond the Earth (2014), Your Doom has Come (2015)

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Clouds Taste SatanicTo Sleep Beyond the Earth (Kinda Like Music, 01 May 2014)

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Clouds Taste SatanicYour Doom has Come (Kinda Like Music, 01 September 2015)

 

Well as I had predicted, I didn’t manage to get any writing done yesterday. I still don’t know if I’m fully recovered from the night before last, but in any case, here we are. I will just say this: it was totally a surreal experience, and if you happen to live near any of this tour‘s few remaining stops, or if either of these bands should come anywhere near you in the future, DO NOT miss the opportunity. Seriously.

So anyway, speaking of things that are surreal, today I’d like to talk to you about a pair of albums that have been released over the past two years by my all-time favorite band-whose-name-was-adapted-from-the-title-of-my-second-all-time-favorite-Flaming-Lips-album, namely, Brooklynite instrumental doom ensemble Clouds Taste Satanic.

 

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Pallbearer – Foundations of Burden (2014)

In the VIP section (balcony) at Mr. Small's Theatre (Pittsburgh), February 2013

In the VIP balcony at Mr. Small’s Theatre (Pittsburgh), February 2013

EDITOR’S NOTE: for nearly two years, the Arkansas melodic doom quartet Pallbearer has been among my wife’s absolute favorite bands. I know she’d been eagerly snapping up every available bit of information leading up to the release of their second album; now that it’s been released, we listened to it together, and she had some strong reactions and opinions — so I asked whether she wanted to write something about it. So here is her review of Foundations of Burden.

 

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PallbearerFoundations of Burden (Profound Lore Records, 19 August 2014)

reviewed by Asya Yanyo

 

I first heard Pallbearer in December of 2012 on accident. I was scrolling through Facebook and saw a video that someone had posted, which I thought was something else. I clicked on it, I listened and I had no idea what I was in for ultimately. I have to admit, I felt an immediate kinship to this music. For much of my life, I have felt an attachment to a darker side of my personality; I often embrace being melancholy and don’t always see it as the burden that some people do with those types of emotions. Pallbearer definitely tapped into that for me. I felt instantaneously connected to each riff and sludgy chord. I can tell you without a shadow of a doubt, this band is mainly responsible for so much of the music I have discovered in this journey with my husband over the past three years. It’s clearly felt personal to me and I am sure, with all the recent hype, that I am not the only one who enjoys dwelling in the despair.

 

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Person or Persons Unknown: Six Questions with Slaves BC Bassist Jason Cantu

Hey there, folks! I hope your week is going well. If it’s not, I guess you can be glad that it’s almost over! Personally, I’m just about totally recovered from last weekend’s Winter’s Wake festival, and sometime soon I’ll probably even start writing again.

In the meantime, please enjoy this BRAND NEW feature which will be running periodically here on Valley of Steel — courtesy of the lovely and wonderful person to whom I am fortunate enough to be married!

 
Person or Persons Unknown

Six Questions with Slaves BC Bassist Jason Cantu

by Asya Yanyo

 
Greetings and salutations! Many of you know me, or have met me, or at least know of me. My name is Asya (aka “Mrs. Valley of Steel“). I’ve been married to Eric (aka “Mr. Valley of Steel“) for about five years now — tomorrow [01 March] is our five-year anniversary, in fact.

I’m sure most of you have seen Eric‘s many posts about shows that are occurring in the Pittsburgh area. Well, he doesn’t just post about them; he actually attends — we both do, actually. [Editor’s note: at least, as frequently as physically possible!] Well, through the course of attending these shows, we’ve met some great people and it occurred to me that you (the general public) might like to hear a little bit more about these interesting people, the bands that they are currently in, and what brought them to the musical path that they are traveling down.

I will be doing these on occasion: they will always be six questions, just enough to give you a sense of the person and their tastes (as opposed to the same old stale band questions you’re always reading). So I hope that you will join me on this new journey in getting to know these wonderful and unique people, and — who knows — maybe you’ll find a new band that may change your life, too!

My first “Person or Persons Unknown” interview is with Jason Cantu, the bassist for Slaves BC, whom Eric and I have already seen three times this year. Jason, while just one part of this great band, has an infectious enthusiasm that really enhances their live show. His love and support of music in general is also infectious, and it has inspired me to do these interviews.

Everyone should have a friend like this: someone who’s always posting about records you’ve forgotten about, or wearing t-shirts you would kill for (specifically, I am referring to the Ten Years After shirt he sometimes wears), and someone who is supportive of not only his own band but all local and non-local bands. He is the type of fan that makes you want to be a better fan, too.

Check out his band Slaves BC on Bandcamp, and then come out to see them FOR FREE this weekend [Saturday, 02 March] at Kopec’s Bar. You will not be disappointed.

 
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VOS Interview: A Drummer Double Feature! Molasses Barge vs. Vulture!

Hello folks, and a happy Friday to you! Just when it felt like it would never happen, the weekend’s finally here. I’ve got a feeling this is going to be an especially good one, because there’s a ton of amazing shows and events happening! I’ll have more on that later, so stay tuned.

One of them in particular stands out, though — tomorrow night at the 31st Street Pub is the first date on the joint headlining tour between Relapse Records artists 16 and Tombs. That by itself is reason enough to get excited, but opening the show will be two of my absolute favorite local bands, the heavy doom armada that is Molasses Barge and Steel City sludgelords Vulture!

I’ve only seen Molasses Barge once before (and it was over a year ago! — read more about that here), and (believe it or not) although I’ve been listening to Vulture for a long time, I’ve never had the chance to see them play live yet! So needless to say, I’m really looking forward to this show. I’ve already got my tickets (they can be ordered here) but if you don’t, it’s just twelve bucks when you show up at the door. More info on the show itself can be found here.

Anyway, in anticipation of this event, I decided to get a couple of interviews lined up. If you’ve been reading my reviews for a while, you may have picked up on the fact that I often tend to focus on drumming while listening to music. It’s just the way I hear things, I guess — and I don’t know if it’s because I play drums (occasionally) or if I chose to play that instrument because it’s something I pay a lot of attention to.

In either case, the drumming in each of these bands’ genres is one of the main things that attracts me to those particular styles. So, it only seemed natural for me to talk to the two bands’ drummers. Here, then, are the questions and answers from Molasses Barge’s Wayne Massey and Vulture’s Kelly Gabany

 

 

 
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