Hey folks — a very Happy (Belated) New Year to all of you! 2013 definitely turned out to be an interesting year for me, with lots of big changes, new projects, new responsibilities, etc., but an unfortunate side-effect of some of that was (as you’ve surely noticed) that the amount of time I’d been spending writing really tapered off as the year went on, to the point where I didn’t post
anything here for the last few months! Well, as you may have seen, I’ve started writing reviews of some new 2014 releases — and as time allows I promise I will also be sharing plenty of older stuff I’ve missed writing about, because believe me there has been a TON worth sharing!
But more on that later. As I started doing last year, I’ve once again put together a collection of various people’s “best of” lists from 2013. Admittedly I sort of got a late start on this (I didn’t even put out the open invitation until after most websites had already finished with publishing all their year-end stuff), but several people have answered the call and contributed some really interesting lists that you’ll want to check out…
Six Questions with Grisly Amputation/Vulture Guitarist Gene Fikhman
by Asya Yanyo
My second Person or Persons Unknown is with Gene Fikhman, guitarist for Grisly Amputation and Vulture (one of my personal favorite bands EVER), horror and gore movie enthusiast, and all around cool and collected kind of guy. I must admit that I don’t know Gene very well, but in my personal interactions with him it has always seemed like he was the type of person who knew lots of information once you scratched the surface. I’ve had a lot of men in my life that are like this — in fact, I am married to one — and it’s been my personal experience that you are never disappointed when you get to know these kinds of guys. They are usually extremely intelligent, full of useless knowledge, helpful in all kinds of situations and hell to play trivia against. This is what made me want to interview him, not about just GrisAmp or Vulture, but about him personally so I could see if I was correct and I think you’ll see from this interview that I wasn’t disappointed. I hope you won’t be, either.
Good morning, folks! Winter’s Wake 2013 officially starts tonight! Words cannot describe how excited I am. I hope you feel the same way. I’ve still got a few more bands to talk about, so I’ll continue posting these throughout the day.
First up this morning is the “Steel City Sludge” band Vulture! You might remember that I had an interview with their drummer Kelly Gabany a few months back (you can read it here), but I checked in with her once more to find out what’s new in Vulture-land, and here’s what I found out:
Well, friends, here we find ourselves in the waning moments of 2012. It’s been an interesting, eventful year that’s had lots of high and low points — a ton of excellent new music has been released and quite a few brand-new bands have emerged that I’d fully expect to be making some serious waves in the near future.
One of the best things about 2012, for me personally, was that I found myself (and my wife) going to lots more shows than in recent years, and as a result I’ve been fortunate to meet a lot of new people — as well as starting to take a way more active role in the local music scene.
Anyway, a few weeks ago I had a suggestion from one of those people I’ve gotten to know in the past year (I won’t say who — he said he preferred not to be given credit for the idea, although I will say that it’s somebody who contributed to this). The idea was to collect top-ten lists from various folks in the Pittsburgh metal community.
So I put out an open invitation for any musicians or other people who are involved in the scene in some way — I was looking for anything, whether it was the traditional “Top Ten Albums” or something totally off-the-wall like someone’s ten favorite sandwiches they ate during the year. Really, the only rules were that it had to be a list, and involve something from 2012.
Hello folks, and a happy Friday to you! Just when it felt like it would never happen, the weekend’s finally here. I’ve got a feeling this is going to be an especially good one, because there’s a ton of amazing shows and events happening! I’ll have more on that later, so stay tuned.
One of them in particular stands out, though — tomorrow night at the 31st Street Pub is the first date on the joint headlining tour between Relapse Records artists 16 and Tombs. That by itself is reason enough to get excited, but opening the show will be two of my absolute favorite local bands, the heavy doom armada that is Molasses Barge and Steel City sludgelords Vulture!
I’ve only seen Molasses Barge once before (and it was over a year ago! — read more about that here), and (believe it or not) although I’ve been listening to Vulture for a long time, I’ve never had the chance to see them play live yet! So needless to say, I’m really looking forward to this show. I’ve already got my tickets (they can be ordered here) but if you don’t, it’s just twelve bucks when you show up at the door. More info on the show itself can be found here.
Anyway, in anticipation of this event, I decided to get a couple of interviews lined up. If you’ve been reading my reviews for a while, you may have picked up on the fact that I often tend to focus on drumming while listening to music. It’s just the way I hear things, I guess — and I don’t know if it’s because I play drums (occasionally) or if I chose to play that instrument because it’s something I pay a lot of attention to.
In either case, the drumming in each of these bands’ genres is one of the main things that attracts me to those particular styles. So, it only seemed natural for me to talk to the two bands’ drummers. Here, then, are the questions and answers from Molasses Barge’s Wayne Massey and Vulture’s Kelly Gabany…
Vulture – Oblivious to Ruin (27 March 2012, Innervenus Music Collective)
I’d to apologize to you in advance for the following review, because what I am about to bring to your attention is going to seriously fuck up the rest of your day.
Today marks the official release of Oblivious to Ruin, the debut LP from “Steel City Sludge” purveyors Vulture. These Pittsburgh natives have been around for a few years now — they had previously recorded a self-titled EP at the end of 2008 with a different singer (this was recorded in Virginia with the assistance of Gwar‘s late guitarist Cory Smoot). The following year, though, they swapped for new frontman Justin Erb, and soon started working on new material.
The first material anyone heard out of this revised line-up was the track they recorded in early 2011, exclusively for the Iron Atrocity Vol. 1 compilation: “Prick of Misery” . That song was definitely one of the highlights from that collection, so of course I was excited not long after that when I learned Vulture had teamed up with Innervenus to put together a full-length album.
The band returned to the same studio in Akron, Ohio, where “Prick” had been recorded, and once again they worked with Complete Failure‘s James Curl. After hammering away at it through August and October 2011, Oblivious to Ruin is now ready to be unleashed upon a thoroughly unsuspecting public.