Cantharone – Sons of the Crow (2015); Mine Collapse – S/T (2016); Livid – Beneath this Shroud… (2017)

CantharoneSons of the Crow (self-released, 06 June 2015)

 

Mine CollapseMine Collapse (Nefarious Industries, 22 July 2016)

 

LividBeneath this Shroud, the Earth Erodes (Prosthetic Records, 14 July 2017)

 

Today we’ve got not one, not two, not five… but three different bands to talk about, each of which has come across my radar screen within about the past year or so. Cantharone is a four-piece from Minneapolis who have been around since about 2009, and their most recent release was their second EP which came out in the summer of 2015 (and which I’ll be sharing with you today). But despite that relatively low rate of recorded output, the band has kept pretty busy, between putting together their yearly Canthrammer Music Festival featuring a blend of metal and outlaw country bands, as well as frequent touring around the region. Down below in the comments section I’ll include some info about this year’s festival (coming in late August) as well as a list of shows they’ll be playing over the next week or so.

The other two bands that will be included in this article will be sharing a stage with Cantharone at some point in their upcoming travels, and each is equally worth checking out. Mine Collapse (Chicago) dropped their debut EP almost exactly a year ago, while Livid (Minneapolis) saw their debut LP released just days ago — both of those will also be discussed here.

 

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Pilgrim – II: Void Worship (2014); Blizaro – Cornucopia della Morte (2016)

Pilgrim - Void Worship

PilgrimII: Void Worship (Metal Blade Records, 01 April 2014)

 

IVR056 - BLIZARO - Cornucopia della Morte

BlizaroCornucopia della Morte (I, Voidhanger Records, 15 April 2016)

 

Hey! Did you enjoy Monday’s post about old-school occult/doom metal? I hope you did, because [[SPOILER ALERT]] there’s plenty more where that came from. Today we’ll be taking a look at another pair of bands who fit that description: Pilgrim and Blizaro.

As it turns out, each of these bands will be joining together with Castle on a handful of their upcoming tour dates (which we had discussed yesterday); one of the shows Blizaro is scheduled to play (July 31st in Pittsburgh) also will feature Brimstone Coven; a few lucky people will get the chance to see both Blizaro AND Pilgrim together. Further details about all this will be tucked into the comment section below, so be sure to check that out. But first, let’s talk about some music …

 

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Pallbearer – Foundations of Burden (2014)

In the VIP section (balcony) at Mr. Small's Theatre (Pittsburgh), February 2013

In the VIP balcony at Mr. Small’s Theatre (Pittsburgh), February 2013

EDITOR’S NOTE: for nearly two years, the Arkansas melodic doom quartet Pallbearer has been among my wife’s absolute favorite bands. I know she’d been eagerly snapping up every available bit of information leading up to the release of their second album; now that it’s been released, we listened to it together, and she had some strong reactions and opinions — so I asked whether she wanted to write something about it. So here is her review of Foundations of Burden.

 

Foundations_Of_Burden_Cover_FINAL

PallbearerFoundations of Burden (Profound Lore Records, 19 August 2014)

reviewed by Asya Yanyo

 

I first heard Pallbearer in December of 2012 on accident. I was scrolling through Facebook and saw a video that someone had posted, which I thought was something else. I clicked on it, I listened and I had no idea what I was in for ultimately. I have to admit, I felt an immediate kinship to this music. For much of my life, I have felt an attachment to a darker side of my personality; I often embrace being melancholy and don’t always see it as the burden that some people do with those types of emotions. Pallbearer definitely tapped into that for me. I felt instantaneously connected to each riff and sludgy chord. I can tell you without a shadow of a doubt, this band is mainly responsible for so much of the music I have discovered in this journey with my husband over the past three years. It’s clearly felt personal to me and I am sure, with all the recent hype, that I am not the only one who enjoys dwelling in the despair.

 

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Devouter Records Does It Again: Solar Halos’ Self-Titled Debut (Review)

Artwork

Solar HalosSolar Halos (20 January 2014, Devouter Records)

 

When halo rings the moon or sun, rain’s approaching on the run.

So goes the old saying. The atmospheric phenomenon known as a halo (which could be solar or lunar) involves the refraction of light through ice crystals in the air; as a beam of light strikes the crystalline structure at just the right angle, it is refracted as if passing through a prism, and the rays end up being bent into an arc shape that appears (to the viewer on the ground) to encircle the source of that light (i.e. the sun or moon). Traditionally this has been seen as an omen of approaching bad weather — which makes sense because, as people discovered when they started learning more about the science behind meteorology, the conditions that produce this optical wonder involve a certain amount of moisture being in the air as well as the approach of a warmer front which would generally precipitate (pun intended) impending rainfall. A quick Google image search shows that these halos are beautiful to look at, even though they may be foreshadowing that things could soon turn dark and unpleasant.

There’s another truism that says an email that comes from Devouter Records is a sign of excellent music on its way. Although not nearly as old or well-known, I’ve found this statement to be 100% accurate, dating back to the 2012 LP Trephine by MAKE and through every release since then. Added just a week ago to this impressive list is the debut album by Solar Halos, who just happen to come from the same North Carolina town (Chapel Hill) as their labelmates.

 

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The List of 2013 Year-End Lists

Photo Collage - 2013 Shows - by Asya Yanyo

Click for full-sized image

 

Hey folks — a very Happy (Belated) New Year to all of you! 2013 definitely turned out to be an interesting year for me, with lots of big changes, new projects, new responsibilities, etc., but an unfortunate side-effect of some of that was (as you’ve surely noticed) that the amount of time I’d been spending writing really tapered off as the year went on, to the point where I didn’t post
anything here for the last few months! Well, as you may have seen, I’ve started writing reviews of some new 2014 releases — and as time allows I promise I will also be sharing plenty of older stuff I’ve missed writing about, because believe me there has been a TON worth sharing!

But more on that later. As I started doing last year, I’ve once again put together a collection of various people’s “best of” lists from 2013. Admittedly I sort of got a late start on this (I didn’t even put out the open invitation until after most websites had already finished with publishing all their year-end stuff), but several people have answered the call and contributed some really interesting lists that you’ll want to check out…

 

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VOS Videography 2013: A Mid-Year Retrospective (Part 2)

VOStube

 
 

Mr. Smalls Theatre (Millvale, PA), 01 February 2013

 
Enslaved – “Riitiir” and “Ruun”

 
Enslaved – “Allfǫðr Oðinn” and “Immigrant Song” (Led Zeppelin cover)

 
Pallbearer – “An Offering of Grief” and “Foreigner”

 
Royal Thunder – “Shake and Shift”

 

31st Street Pub (Strip District / Pittsburgh, PA), 09 February 2013

 
Slaves BC – “Lucifer Bound”

 
This show originally included Supervoid in the line-up, but due to an emergency they had to cancel at the last minute, so some of the members of VEGA agreed to fill in. Here they are performing with their then-guitarist Lee playing drums. (For the record, this band has recently reformed as Dope Lake.)

VEGA – “Steal Your Light”

 
Meth Quarry – “Flatline Divinity”

 
NAVIGATION
 
Part 1 (28 December – 18 January)
 
Part 3 (16 February)
Part 4 (22 February)
Part 5 (23 February)
Part 6 (02 – 09 March)
Part 7 (10 March)
Part 8 (14 March)
Part 9 (16 March)
Part 10 (22 – 24 March)
Part 11 (28 – 29 March)
Part 12 (02 – 11 April)
Part 13 (12 – 19 April)
Part 14 (20 – 26 April)
Part 15 (04 – 05 May)
Part 16 (11 – 17 May)
Part 17 (18 – 27 May)
Part 18 (31 May – 20 June)
Part 19 (23 – 30 June)

The Huge List of 2012 Year-End Lists!

Well, friends, here we find ourselves in the waning moments of 2012. It’s been an interesting, eventful year that’s had lots of high and low points — a ton of excellent new music has been released and quite a few brand-new bands have emerged that I’d fully expect to be making some serious waves in the near future.

One of the best things about 2012, for me personally, was that I found myself (and my wife) going to lots more shows than in recent years, and as a result I’ve been fortunate to meet a lot of new people — as well as starting to take a way more active role in the local music scene.

Anyway, a few weeks ago I had a suggestion from one of those people I’ve gotten to know in the past year (I won’t say who — he said he preferred not to be given credit for the idea, although I will say that it’s somebody who contributed to this). The idea was to collect top-ten lists from various folks in the Pittsburgh metal community.

So I put out an open invitation for any musicians or other people who are involved in the scene in some way — I was looking for anything, whether it was the traditional “Top Ten Albums” or something totally off-the-wall like someone’s ten favorite sandwiches they ate during the year. Really, the only rules were that it had to be a list, and involve something from 2012.

 
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