Let No Man Pass Judgement (2022 Compilation)

Following Being for the Benefit of Equality, Food Desert Recordings‘ fundraiser from earlier this summer in support of the transgender community (and especially trans youth) of Texas, the Maryland (USA)-based digital label is at it again.

Once again guided by their mission statement of “supporting charities that uplift and empower maligned communities,” this month a second benefit compilation has dropped, this time in support of reproductive rights and bodily autonomy, in light of a recent plague of legislation all over the country whose sole purpose is to restrict or remove those rights.

 

Various Artists – Let No Man Pass Judgement: A Compilation to Support a Woman’s Right to Choose (Food Desert Recordings, 02 September 2022)

 

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Being for the Benefit of Equality (2022 Compilation)

Earlier this year, an anonymous, benevolent soul from Maryland (USA) proposed the launch of a new digital record label for charitable purposes. And hence, Food Desert Records was born. Named for the concept where more impoverished communities frequently lack easy access to affordable higher-quality, higher-nutrition foods, this new entity has set out to engage in activities that will raise awareness and generate mutual aid — not only for literal food deserts, but more broadly for any underprivileged or marginalized communities.

The label has cited their mission as “supporting charities that uplift and empower maligned communities,” further explaining that “Friends and allies are welcome; racists, fascists, homophobes, and transphobes are not. Together, through love and music, we will help to build a better world.”

 

compilation cover art

Various Artists – Being for the Benefit of Equality: A Blade with Which to Defend the Trans Youth of Texas (Food Desert Recordings, 04 July 2022)

 

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Old Iron – Lupus Metallorum (2017); Old Iron / Verdun – Split (2022)

Good afternoon, readers!

Just a quick shout to let you all know about this brand-new split record that came out last Friday — half of which is by a doom troupe from Montpellier France, whose 2016 album we had written about back when it came out; the other half features a sludge trio from Seattle whose 2017 album really caught my attention at that time but somehow I never got around to writing about that one, an oversight which is being rectified right now…

 

Old IronLupus Metallorum (Good to Die Records, 18 August 2017)

 

Old Iron / VerdunSplit (Satanik Royalty Records, 25 February 2022)

 

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NŪR – Negative Transfer (2021); Mountaineer – Giving Up the Ghost (2022)

We’re back! No new posts yesterday because I was celebrating “Two-sday” (2/22/22 or 22/2/22 depending on your local date formatting tradition) a little too hard.

Or to put it a different way, I found myself swamped with upwards of 70,000 email messages and about twelve hours of meetings (in just a nine-hour day, somehow) at work yesterday, which left very little time to think about anything else.

But like I said, we’re back! Today I have two different takes on post-metal to share with you, starting with an Israeli quartet’s second EP that came out late last year, and then we’ll check out the fourth full-length (and second as a six-piece band, following one I wrote about two years ago) by a Californian ensemble.

 

NŪRNegative Transfer (Suicide Records, 15 October 2021)

 

MountaineerGiving Up the Ghost (Lifeforce Records, 25 February 2022)

 

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Eight Bells – Landless (2016), Legacy of Ruin (2022)

Hey there! We’re embarking on a pretty busy week as far as new releases are concerned. I’ve already touched upon a couple records due out this Friday (here and here), with more on their way.

Including one of the two I’ll be sharing with you today! And if you enjoy that one I promise you also won’t want to miss the band’s previous release, which came out almost exactly six years earlier! Here we go…

 

Eight BellsLandless (Tartarus Records, 23 March 2016)

 

Eight BellsLegacy of Ruin (Prophecy Productions, 25 February 2022)

 

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Corpsegrinder – S/T (2022)

Mr. George Fisher — most famous to denizens of the internet as an aficionado of cuddly stuffed animals (see here, here, here, here, and here for just a few examples) — has apparently decided to try his hand at death metal vocals.

While I’m not completely sure what prompted this new hobby (although I’m curious whether it might have resulted from a coincidental similarity in appearance to Dethklok vocalist Nathan Explosion from the hit Adult Swim show Metalocalypse, particularly when Mr. Fisher is depicted in cartoon format, as evidenced in the cover artwork shown below), for whatever reason he has assembled himself a brand-new band he calls Corpsegrinder which will release its self-titled debut album one week from today!

 

CorpsegrinderCorpsegrinder (Perseverance Music Group, 25 February 2022)

 

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Norna – Star Is Way Way Is Eye; Abraham – Debris de Mondes Perdus (2022)

Good day, readers. Here to start off the week properly I’ve got a pair of albums that live somewhere in the vicinity of post-hardcore, both by Swiss bands (well, one of them is more of a Swiss-Swedish hybrid), and both of which are coming out very soon. Get ready!

 

NornaStar Is Way Way Is Eye (Vinter Records, 18 February 2022)

 

AbrahamDébris de Mondes Perdus (Pelagic Records, 25 February 2022)

 

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Krvvla – M, N (2017); Ø, E (2018); T (2019); X (2022)

Last Friday — Bandcamp Friday — I got a notification that this Belarusian band, whom I have been following for quite some time, had just released a brand-new album: their first full-length after a long series of EPs. Realizing that this was now the band’s sixth entry into my music library, it feels long overdue that I should write something about them here, to share the tidings with all you lovely people reading this. And so here we are.

So just to be clear, YES, you are reading the title of this post correctly. Although each of their names are just one letter long, YES that’s a total of six different releases (spanning four and a half years), and YES we’ll be covering all of them today.

So absolutely no time for any bullshit, let’s dive right in!

 

KrvvlaM (self-released, 11 August 2017)

 

KrvvlaN (self-released, 11 August 2017)

 

KrvvlaØ (self-released, 09 February 2018)

 

KrvvlaE (self-released, 01 August 2018)

 

KrvvlaT (self-released, 05 July 2019)

 

KrvvlaX (digital self-released / physical Brucia Records, 04 February 2022)

 

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Kurokuma – Born of Obsidian; Vinterdracul – The Murnau Nocturnes (2022)

Hello, dear readers!

Here we have two brand-new albums you might enjoy — if you do, they’re both scheduled to come out TOMORROW, which also happens to be the first Bandcamp Friday of the year!

 

KurokumaBorn of Obsidian (self-released, 04 February 2022)

 

VinterdraculThe Murnau Nocturnes (Canticle Throe, 04 February 2022)

 

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Fere – Visceral; Daxma – Unmarked Boxes (2021)

Hey there. Here we are, midway through yet another week. And time once again to catch up on a couple releases from late last year. The first comes from a Portuguese instrumental post-rock/ambient/doom quartet, the other from a Californian post-doom/ambient/stoner-doom quartet — and both are absolutely worth checking out (otherwise why would I waste the effort talking about them or expect you to do the same reading about them)!

 

FereVisceral (Raging Planet Records, 15 November 2021)

 

DaxmaUnmarked Boxes (Blues Funeral Recordings / Majestic Mountain Records, 19 November 2021)

 

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