The Crazy World of Arthur Brown – Zim Zam Zim (2014)

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The Crazy World of Arthur BrownZim Zam Zim (Bronze Rat Records, 28 July 2014)

 

For those who may have missed the announcement, about two months ago, the highly influential and iconic Arthur Brown will be performing a series of live dates with The Crazy World of Arthur Brown — for the first time since that group’s earlier incarnation had disbanded after (or during, depending on which account of events you hear) a U.S. tour back in 1969! This new run of shows will be kicking off tonight(!), and we’ve got the details for you down in the comments section. But before we get there, I’d first like to call your attention to The Crazy World‘s newest album — 2014’s Zim Zam Zim

 

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Zgard – Reclusion (2012), Astral Glow (2013)

ZgardReclusion (BadMoodMan Music, 30 January 2012)

 

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ZgardAstral Glow (BadMoodMan Music, 25 February 2013)

 

Hey everyone. As promised yesterday, here’s a new review for you. Prior to that, almost a month ago, I wrote a quick little synopsis of last year, including some updates on artists we’d previously discussed, and what new and exciting things have been going on during our little hiatus throughout the last few months. One thing I had forgotten to mention, though, was the fact that during that downtime — about mid-October, in fact — this website reached its five-year anniversary! A lot of things have changed in five years, but a lot of things have also stayed the same.

One thing that hasn’t changed is our main mission, which has always been to discover music that’s worth listening to, and then publicizing it here in hopes of helping it to reach more people’s ears. Another thing that has remained relatively constant is the fact that the second part of that statement (writing about the music) has often lagged behind the first part (finding stuff worth sharing). Sometimes, alarmingly far behind.

Case in point: today I’d like to tell you about one of the earliest submissions we received when this site was still in its infancy, an album that came from the esteemed Russian doom label Solitude Productions, and one that has just reached the fifth anniversary of its release date. While this 2012 record and its follow-up from the next year have long graced my MP3 player as well as my to-do list, I’ve inexplicably neglected to get anything written about either of these. Until now.

 

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Happy Groundhog Day!

XXX F CADDYSHACK 04 S GLF

 

Hey! I know I promised recently that we’d be getting back to reviews soon. That was before I spent the majority of January just getting caught up on listening to stuff from 2016 so that I could belatedly finalize my list of the year’s best releases! But that’s finally online now, and our first review of 2017 is scheduled to be published tomorrow. First, though, it’s time for another quick news update.

In this edition: charity donations at Bandcamp; tour news from Katatonia, Conan, and North; album release news from Ever Circling Wolves; plus more news about new videos and shows!

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Happy 2017(?)

2017

 

Well folks, here we are, starting another new year. 2016 was quite an eventful one, both on a personal level (Valley of Steel headquarters has relocated within the past few months! — which is why we’ve been so quiet for a little while; we’ve been hella busy between finding a place to move to, moving there, getting settled in, etc. — although for those who may be worried: we’re still in a valley in a former industrial area outside Pittsburgh, so the website title is still accurate, it just happens to be the valley of a different river than our former location), as well as on a sociocultural level (politics, both domestic and foreign, has really been a mess lately, hasn’t it??).

Of course, like every year, tons of great music got released in 2016 as well — and like every year, I’ve failed to write about everything I’ve wanted to share with you folks (or even half of it). We’ll be diving back into the reviewing and sharing of new (and some fairly not-so-new) music very soon. But today, I’d like to hit a few other items as we briefly glance over the year that was…

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Green Elder / Pensive Ceremony – Split; Twilight Fauna – Fire of the Spirit (2016)

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Green Elder / Pensive CeremonySplit (self-released, 11 August 2016)

 

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Twilight FaunaFire of the Spirit (Ravenwood Recordings / Fragile Branch Recordings, 19 August 2016)

 

Hello, and happy Friday! Today I’d like to call your attention to a pair of releases you may enjoy, that just came out last month. The second one is an album called Fire of the Spirit, Twilight Fauna‘s sixth full-length record over the past several years, in addition to numerous other discographical items. (As you may or may not be aware, Twilight Fauna is a solo black metal project with strong Appalachian folk roots, with everything written and performed by sole member Paul Ravenwood of Johnson City, Tennessee.) But before that, in light of it having been released a week earlier, we’ll talk about a 12″ split record that features Green Elder — also a Ravenwood solo gig, but this one entirely eschews the black metal aspects in favor of a more somber, pure Appalachian folk style. The flip side of this split consists of yet another single-member ensemble — one that’s even more elusive than the others we’re discussing today, in terms of sharing any personal information. It’s called Pensive Ceremony, and everything here is done by an individual known only as Pythagumus, apparently from somewhere near Tacoma, Washington.

 

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Frosthelm – The Endless Winter (2015)

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FrosthelmThe Endless Winter (Black Work (Alkemy Brothers), 22 March 2015)

 

Hello out there, how are you all doing on this fine afternoon?

I know there hasn’t been so much activity around here lately, and I really wish it could be otherwise, but as seems to happen pretty frequently, other facets of life get pretty crazy sometimes.

But I did want to drop by and remind you folks about the Ghost Bath and Numenorean tour that’s currently spreading across the country like some vile plague. I’ve seen lots of excitement about this one — specifically about the show in Pittsburgh that’s coming up this Friday the 16th (which, if you hurry, there is still a little bit of time left to WIN a pair of tickets for!).

And also, I thought this might be an opportune moment to say a few words about the third band featured on that tour’s line-up: Frosthelm, who hail from the frozen northern tundra that is Bismarck, ND. These guys put out an album last year that’s every bit as bitter and frosty as that incredible artwork at the top of this page; I’ve got a feeling you’ll want to check this out …

 

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He Whose Ox is Gored – Rumors (2014); The Camel, the Lion, the Child (2015)

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He Whose Ox is GoredRumors (Bleeding Light Records, 28 October 2014)

 

Cover by Myke Pelly

He Whose Ox is GoredThe Camel, the Lion, the Child (Bleeding Light Records, 09 October 2015)

 

Hey, guess what: there’s a great band on tour that’s scheduled to play in Pittsburgh tonight (Wednesday, 7 September 2016) — Seattle’s psychedelic doom quartet He Whose Ox is Gored! This is happening at The Smiling Moose, 1306 East Carson Street, South Side. Doors open at 5:30 and the show starts at 6 — also performing will be Retox, Silent, and Netherlands.

Have you heard about this? Perhaps not, because I haven’t been able to find a Facebook event or any other sort of mention of the show, ouside of a mention on the calendar section of the venue’s website, and this being included in lists of tour dates shared by the bands themselves.

It’ll really be a shame if folks miss out on this just because they didn’t know it was taking place, so this seems like a great time to share the following review of a couple HWOIG releases — specifically their debut EP from 2014, and first full-length album from 2015. These are both pretty incredible and I’ve been meaning to write about them for the past year or two anyhow, so here goes! If you like what you hear, please be sure to spread the word, especially if you live in Pittsburgh or near any of the band’s other remaining dates! (Those will be listed down in the comments section.)

 

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