Necropsy – Exitus (2020)

NecropsyExitus (Xtreem Music, 21 January 2020)

 

It’s hard to believe, but here we are in mid-February and once again the temperature here in Pittsburgh is right around 50° (that’s 10° to you non-Americans)! Believe me, I am not complaining one bit, but we’ve really had an atypically mild winter so far. But we can still get into the winter spirit if we so choose, by tailoring our musical selections accordingly. Frigid black metal often helps, but another way to embrace a similar mood could be with Scandinavian doomy death metal. That’ll be our agenda for today.

Formed over 30 years ago in the city of Lahti (southern Finland), and having undergone a couple name changes, several line-up changes, and even a decade-and-a-half hiatus; Necropsy re-emerged in the late ’00s, finally following up a long series of 1990s demos with full-length albums in 2011 and 2015.

This January ushered in the release of a brand-new 4-track EP, that showcases the band putting the brakes on its typical death metal tempos, transitioning into a somewhat slower and doomier style. And now that you’re all caught up on historical facts, let’s check out Exitus!

 

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Ripplefest Returns – Cologne Germany, March 2020

 

 


 

 

Ripplefest Cologne 2020

 

Saturday 28 March 2020

at Club Volta – Schanzenstraße 6-20, Gebäude 2.10, 51063 Köln

€ 19.90 | Doors 3:00 pm | Music 4:00 – 11:30 pm

 

Ripple Music announces the second annual Ripplefest, to be held next month in Cologne, Germany!

Featuring seven stoner/doom/retro-rock bands from four different countries, the all-day festival will also serve as an unofficial launch to the label’s tenth-anniversary celebrations…

 

Website | Tickets | Facebook event | Instagram

 

 
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Rat King – Garbage Island (2016), Vicious Inhumanity (2020)

Rat KingGarbage Island (Within the Mind Records, 24 June 2016)

 

Rat KingVicious Inhumanity (Within the Mind Records, 17 January 2020)

 

As much as I hate to admit it, during the almost eight and a half years I’ve been administrating this website, I have amassed a list of literally hundreds of albums I’ve hoped to find time to write about and share with you folks. Realistically I know I won’t ever get through ALL of them, but at the moment I am striving to keep up with the new ones as well as I can so it doesn’t get any worse; and if I can knock off an older one here and there while I’m at it, wonderful.

So having said that, here’s a record that just came out within the past month, as well as one that’s been sitting on my to-do list far too long. Both are by Seattleite trio Rat King, released on their own label Within the Mind, and both were recorded by the legendary Mr. Tad Doyle — but that’s pretty much where the similarities end. As you will soon discover. Please to enjoy!

 

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Body Void / Keeper Split (2020); Keeper / Sea Bastard Split (2015)

Body Void / KeeperSplit (Tridroid Records [cassette] / Roman Numeral Records [vinyl], 15 January 2020)

 

Keeper / Sea BastardSplit (Medusa Crush Recordings [N.A.] / Dry Cough Records [U.K.], 03 February 2015)

 

Hello there! Today we’re going to take a look at a split record that’s been generating a little bit of buzz since it came out last month, but not nearly as much as it should — considering the caliber of the two bands who released it (Californians Body Void and Keeper).

The first of those is surely familiar to even occasional readers of this website, as we’ve discussed their work multiple times before — and they’ve managed to land on our Top ## of 20## lists each of the past three years.

But I realize at this point that we have never mentioned Keeper previously, which is really a shame because they were involved with another fantastic split LP that came out about five years ago, along with Brightonian band Sea Bastard. Somehow we just never got around to covering it, so to rectify that error, let’s revisit that one today as well. So you can have a little “bonus review” as a treat.

 

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Sâver – They Came with Sunlight (2019)

SâverThey Came with Sunlight (Pelagic Records, 08 March 2019)

 

Here in the Valley of Steel we don’t pay much attention to what’s trending or getting a bunch of recognition elsewhere; all we care about is listening to what we enjoy, and (sometimes) writing about it.

But having said that, sometimes it’s also nice to feel vindicated and validated, when something we identify as “good” achieves recognition from elsewhere.

Case in point: They Came with Sunlight, the debut offering from Oslo trio Sâver — which upon its release about eleven months ago made quite an impression upon this reviewer, later to become firmly entrenched in our selection of last year’s best records.

Well, just a few days ago the band announced that the album had been nominated for a Norwegian Grammy. In fact, it was one of four from 2019 recognized in the Metal category by the Spellemann committee, for the award officially known as the Spellemannprisen.

And so, if you haven’t already become enamored of They Came with Sunlight, here’s your opportunity to see what all the fuss is about!

 

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Ether Coven – Everything is Temporary Except Suffering (2020)

Ether CovenEverything is Temporary Except Suffering (Century Media Records, 10 January 2020)

 

Ok, first things first — isn’t that a fantastic title? Really sounds like it was lifted straight from some Woods of Ypres lyrics or something, doesn’t it?

Well technically, it was lifted from Ether Coven lyrics, as the phrase appears a few times in the opening track from the Floridian band’s second album, released exactly one month ago today, which we will be diving into starting right now…

 

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Yatra – Blood of the Night (2020)

YatraBlood of the Night (STB Records, 31 January 2020)

 

Hello again! If you were here yesterday, you would have noticed we shared the news about the Shadow Frost Music & Arts Festival coming up later this month in central Maryland.

One of the acts scheduled to perform at that event is Yatra, doom-drenched trio from the extreme eastern part of that state, whose second album — just released last week — we will be studying today.

 

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