Austin Terror Fest (15-17 June 2018, Austin TX)

 

Austin Terror Fest

 

Friday 15 June 2018

at Lost Well, 2421 Webberville Rd, Austin TX 78702

doors 4pm

 

Saturday 16 June 2018

at Barracuda, 611 E 7th St, Austin TX 78701

doors 4pm

 

Sunday 17 June 2018

at Lost Well, 2421 Webberville Rd, Austin TX 78702

doors 2pm

 
More details: Facebook page / Facebook event
Tickets: Eventbrite

 
For the second year in a row, the Austin edition of Terror Fest has a plethora of fantastic bands descending upon the Lone Star State. Check out that list (more details below)!

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Mutants of the Monster 2018 (15-17 June, Little Rock AR)

 

Mutants of the Monster

 

Friday 15 June through Sunday 17 June 2018

at Revolution Music Room (The Rev Room), 300 President Clinton Ave, Little Rock AR 72201

All Ages | $15 each day | doors 6pm / music 7pm

 

Sunday 17 June 2018

at The White Water Tavern, 2500 West 7th Street, Little Rock AR 72205

21+ only | $15 | doors 6pm / music 7pm

More details: http://www.facebook.com/events/125506641561652
Tickets: Friday | Saturday | Sunday (sold out!)

 
Named for a song by their state’s most famous band, Mutants of the Monster is a weekend-long festival of heavy music taking place in Little Rock — featuring local legends such as Pallbearer and Rwake, a visit from the current Yob + Bell Witch tour, and more!! See the full list below …

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Yob – Clearing the Path to Ascend (2014), Our Raw Heart (2018)

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YobClearing the Path to Ascend (Neurot Recordings, 02 September 2014)

 

YobOur Raw Heart (Relapse Records, 08 June 2018)

 

Oregonian doom trio Yob vocalist/guitarist Mike Scheidt has always had a distinctive voice. Whether it’s as a member of Lumbar or making a guest appearance with Red Fang or a whole plethora of others, there’s just no mistaking who is singing. Piercing and powerful, like Conan‘s Jon Davis, expressive and emotional like Argus/Molasses Barge‘s Butch Balich, and always just a bit grizzled and weathered like Wino or Lemmy.

But since the last time we heard from these guys (Clearing the Path to Ascend, which in a year filled with tough competition, still came out as our clear #1 album of 2014), some serious health complications cast some doubt as to whether we might ever hear that voice again. You can read all about that journey in this Rolling Stone interview, where the band’s sole remaining founding member (over twenty years ago!) describes his harrowing experiences while also discussing the creation of Our Raw Heart.

The album was “largely penned from what he worried would be his deathbed,” said the magazine, quoting Scheidt as saying, “there was no guarantee that I was going to live long enough to record the album.” Fortunately for himself, his family and friends, and also for everyone on planet earth who has ears, he did survive and he did record the album, which undoubtably will be contending for the same spot in this year’s list. In this post we’ll touch upon that record from four years ago, as well as the follow-up which hits stores TODAY. Furthermore, keep on scrolling to see a list of opportunities North American readers will have to experience Yob live: for one month (starting next Thursday, 14th June) with Bell Witch or again during September with Acid King and CHRCH.

 

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Tombs – The Grand Annihilation (2017)

TombsThe Grand Annihilation (Metal Blade Records, 16 June 2017)

 

Hey! Remember almost a year ago when we let you know that Brooklynite post-black metal ensemble Tombs would be releasing a new record — the fourth full-length in their decade-plus of existence, which would be the first thing coming out via the band’s new relationship with Metal Blade? And furthermore, that it would be the first LP featuring [the bulk of] the new line-up that had debuted a year earlier on the All Empires Fall EP?

Well anyway, that happened, and with Tombs hitting the road tonight for a handful of shows across the northeast over the course of the next week, it seemed like an appropriate time to finally get around to sharing that new album with all you swell people. Those dates are listed down at the bottom of the page.

 

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Graveyard – Peace (2018)

GraveyardPeace (Nuclear Blast, 25 May 2018)

I can still vividly remember the first time I heard Graveyard: it was “Ain’t Fit to Live Here,” the opening song from their 2011 album Hisingen Blues. High-energy electric country-blues with great wailing vocals, that could have fit seamlessly on side A of Led Zeppelin III (an album which, front to back, was unquestionably and irrefutably the finest output of Zeppelin‘s repertoire — please feel free to comment below if you disagree and I’ll gladly tell you how wrong you are), the song instantly hooked me and still hasn’t let go to this day.

After buying that CD shortly afterwards, the rest of the songs (like the title track and Uncomfortably Numb) pushed the Swedish retro-rock troupe onto my list of my favorite 2011 releases. And the following year, the promise of a Graveyard material was so appealing that we had pre-ordered Lights Out as soon as it was released.

Now, that one (the band’s third overall) came out to somewhat mixed reviews, and although the basic style and quality of performance were very similar to what had come before, I have to admit that there really didn’t seem to be the same “wow” factor, standout tracks that would stick in your head for days or weeks after hearing them. While it wasn’t a bad album by any measure, it didn’t quite pull me in for repeated listens nearly as many times as its predecessor had done. And the next thing I knew, the band had split up or gone on indefinite hiatus or something — which I remember feeling disappointment after learning, because it seemed like they had so much unrealized potential.

As an aside, I never even realized until just recently when this new record was announced, that they had actually put out a fourth one prior to disbanding. Somehow that news had completely escaped my attention and I’ll want to be sure to go check that out soon — but first, their big comeback album will be out tomorrow, so let’s talk about Peace!

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Ufomammut – Ecate (2015), 8 (2017)

Ecate

UfomammutEcate (Neurot Recordings, 31 March 2015)

Ufomammut8 (Neurot Recordings, 22 September 2017)

 

The name Ufomammut seems to be one that we Americans tend to struggle with. But fortunately the band has been kind enough to explain its origin: “ufo” (OOH-foe) is the Italian word for “UFO,” while “mammut” (MAMM-utt) means “mammoth.” Therefore the correct pronunciation of the name would be “OOH-foe-MAMM-utt.” Got it?

The etymological origin of their name is also one of the most accurate descriptions a band has ever given itself, as this trio combine the mysterious spaced-out vibe of a flying saucer with the earth-shaking immensity of a prehistoric pachydermic behemoth.

And now, for the first time in two years, they are bringing this spectacle to North American soil: hitting Maryland Death Fest this weekend, as well as Northwest Terror Fest in early June, and then surrounding these dates with a month-long loop around the whole country that kicks off TONIGHT (Wednesday the 23rd) in Providence. Of course we’ll supply you with details about all these shows later. But first, an introduction to the band’s music for the uninitiated …

 

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New Ghost LP Takes Inspiration from Mötorhead’s Lemmy

 

New Ghost LP Takes Inspiration from Mötorhead‘s Lemmy

 

a guest article contributed by Oliver Hughes

 
As we recently announced right here on Valley of Steel, Ghost did come back to Pittsburgh. And as they did 5 years ago, the band again put on a show to remember. For those who didn’t see the show, and for those who saw the show but were left wanting more, the Swedish heavy metal band will be offering something very special soon: a new studio album.

Lead singer Tobias Forge confirmed the album to Metal Hammer in an exclusive interview where he unveiled details of Ghost‘s upcoming LP, including its title — Prequelle — and its June 1 release date.

“There were a few things that I wanted to get in Prequelle that I don’t think had been fleshed out yet, and had very little to do with what came before,” he told the iconic magazine. He then revealed that the album was inspired by the deaths of the band members’ idols, including Ronnie James Dio, David Bowie, and Prince. The band, according to Forge, was particularly affected by the death of former Motörhead frontman Lemmy, who died in 2015 after battling prostate cancer.
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