The Crazy World of Arthur Brown – Zim Zam Zim (Bronze Rat Records, 28 July 2014)
For those who may have missed the announcement, about two months ago, the highly influential and iconic Arthur Brown will be performing a series of live dates with The Crazy World of Arthur Brown — for the first time since that group’s earlier incarnation had disbanded after (or during, depending on which account of events you hear) a U.S. tour back in 1969! This new run of shows will be kicking off tonight(!), and we’ve got the details for you down in the comments section. But before we get there, I’d first like to call your attention to The Crazy World‘s newest album — 2014’s Zim Zam Zim …
Conan / Slomatics – Split (original release 2011 / to be reissued by Black Bow Records, September 2016)
Yesterday when we talked about Slomatics‘ first two albums, I mentioned that the band has signed with Black Bow Records, who has rereleased those two albums in advance of the band’s new record due later this year. But this partnership was not the first time they’ve dealt with that label OR its owner Jon Davis. Slomatics and Davis‘ band Conan — from Merseyside County, England, just across the Irish Sea from Belfast — had put together a split record back in 2011. After that limited-edition vinyl quickly sold out, Black Bow put out another pressing of the split in 2014, which also wasn’t around for very long.
And now, they’ve announced that there will be a new batch coming soon — only 200 copies will be made available this time, and each record will be pressed onto a full-color representation of that incredible cover art! An exact release date hasn’t been set yet, but pre-orders are on sale now, and they’re expected to begin shipping around early September.
Slomatics – Flooding the Weir (original release 2005 / reissued by Black Bow Records, 20 November 2015)
Slomatics – Kalceanna (original release 2007 / reissued by Black Bow Records, 20 November 2015)
Here we find ourselves in the midst of another magnificent Monday. It’s kind of shocking to realize how much of each day (and therefore how much of the workweek) is spent basically sleepwalking, semi-conscious, sort of in that fuzzy slow-motion daze that they always use in movies and tv shows when someone has been drugged or tranquilized or something. And I mean, a large portion of each day even after a cup of coffee or two. Maybe this is why I find myself drawn to low-tempo, fuzzy, swampy/sludgy, crawling-through-quicksand styles of music so much of the time?
I don’t know. But that’s exactly what the music we’re here to talk about today sounds like. Slomatics, from Northern Ireland, have been actively creating heavy fuzz-sludge music for about a dozen years now. Their first two albums were released in 2005 and 2007 on CD, but have been out of print for years. So naturally, after they had signed to Black Bow Records (the label run by their neighbor across the Irish Sea, Conan‘s Jon Davis), while the band got working on their upcoming fifth album (which is set to release in early September), the label decided to once again make those early two releases available in digital format.
Ghold – Of Ruin (Ritual Productions, 16 March 2015)
Ghold – Pyr (Ritual Productions, 06 May 2016)
Hello out there — how is your Tuesday going? It’s almost time to go home and I’m totally ready for a nap. I feel pretty confident in saying I will probably be passed out on the bus ride home, if I even make it that far. And there’s another hockey game tonight, so if there’s going to be any hope of me staying awake to see that, maybe a late afternoon nap wouldn’t be the worst idea.
Before I go, though, it’s about time to share some more listening material with you fine people. Today that will consist of a pair of albums — one a little over a year old, the other released just four days ago — both by London stoner-sludge-grunge-noise band Ghold …
Boss Keloid – Herb Your Enthusiasm (Black Bow Records, 08 April 2016)
Well it’s Thursday now, which means it’s almost Friday, which means the weekend is almost here, so I guess that’s a good thing, right? I dunno. I’ve been so tired all week, it’s tough to feel excited about anything. Although — again, tomorrow is Friday, and we’re now finding ourselves coming into what’s traditionally one of the biggest times of the year in terms of new music getting released. Which means a bunch of stuff will be coming out tomorrow (just as it has for the past couple of weeks and will over the next several). So at least there’s that.
I totally missed out on getting anything published here yesterday, due to some super lame crap that kept me busy all day, which means we’re already behind schedule in terms of what I wanted to be able to share with you people this week. So probably it’s about time to quit rambling and get straight to the music, right?
Writhe – The Shrouded Grove (self-released, 22 September 2014)
“One-man black metal band” — or perhaps to be more accurate, “one-man black metal project.” What do you think of when you hear (read) those words? It sort of makes my skin crawl just to type them. In my line of work (expert music-opinion-haver), the phrase almost always means bad news: some kid who lives in his parents basement downloaded some pirated sound editing software onto his Macbook, cut-and-pasted the same generic drumbeat for twelve minutes, plugged his crappy guitar directly into the line-in input, screamed some stuff about the Impending Conquest of the Dark Lord Urkel Grue into the built-in laptop mic, and then ran the whole thing through some cheesy preset distortion plug-in. Then found some old black-and-white picture of some old buildings using Google image search, photoshopped some nonsense like “Desolation of Solitude” (using Parchment font) onto it, and then emailed it all to me. The message probably started out by saying “Infernal Hailz.” Never a good sign.
But today — surprise!! — I’m going to introduce you to something that goes against all of those stereotypes…
Employed to Serve – Long Time Dead (18 September 2012, Grindcore Karaoke)
Hello readers, and happy Tuesday. For the majority of you, this is just like any other Tuesday in any other week, but for many of my domestic readers, we’re fumbling our way through our first day back to work from a long weekend — due to Presidents Day, which is a made-up American holiday based on the fact that a couple of the country’s better-known presidents had been born sometime in February, and is used as a convenient excuse to take an extra Monday off work. It’s a nice idea in theory, but then heading back to reality is just that much more unpleasant. Everyone hates Mondays, but I’ve mentioned in the past how Tuesdays can be even worse sometimes, and especially when it’s a Tuesday that behaves like a Monday. Ugh.
Fortunately — whether we’re returning to work today or yesterday or any day, since it’s all equally miserable — I’ve got the perfect soundtrack to help make it through.