God Root – Salt and Rot (CD self-released / digital Horror Pain Gore Death Productions, 11 July 2017)
The music world suffered a great, if largely unheralded, loss around the end of 2014, when ambient-experimental blackened doom duo Sadgiqacea, one of the only good things to ever come out of Philadelphia. (Our review of their last album can be found here). The pair briefly reunited to perform at last year’s Shadow Woods festival, but otherwise it seems they’ve been occupied with other projects. While guitarist/vocalist Evan Void continued on as a member of Hivelords and Tombs (both of which were discussed here), drummer/vocalist Fred Grabosky (aka the artist behind FTG Illustrations) was quietly assembling some other like-minded individuals to form a brand new group. After shifting a few pieces around for a little bit, the line-up stabilized with bassist/vocalist Ross Bradley, guitarist/vocalist Joe Hughes, guitarist Keith Riecke, and Jordan Stiff who is credited with “noise” and guitar, all joining forces as God Root.
The band’s second official release, Salt and Rot saw the light of day just a few weeks ago, and the guys are now gearing up to hit the road with New Jersey’s Sunrot. A full list of those dates, all over the northeastern and midwestern U.S., can be found down below, but first let’s check out that new album!
Molasses Barge – Molasses Barge + Covered in Molasses (Blackseed Records, 28 July 2017)
So I’ve been writing about Molasses Barge basically as long as I’ve been writing about music in general. It all started way back in late 2011 when they had a few shows scheduled, and I threw together a little synopsis of my first experience seeing them perform live (earlier that year when they opened for Pentagram). This was followed by an interview with drummer Wayne Massey in 2012 (as they were about to open for Tombs and 16), and then guitarist Justin Gizzi also answered a few questions as part of our coverage leading up to the Winter’s Wake festival in 2013.
In all, these Pittsburgh-based doom-metal workhorses have appeared (at least mentioned in passing) on this website a few dozen times. And yet, as active as they are (and despite having been in existence for close to a decade now!), the band’s official recorded output thus far has consisted of one EP six years ago, plus a three-song demo a few months later. (Both of them are available to stream or download FREE at Bandcamp.) But that all changes now: this Friday they will be unleashing their stunning debut self-titled LP, and as a special added bonus (perhaps as a thank-you to all the fans who’ve been patiently waiting so long), it’ll come bundled with a second disc filled with cover songs.
Happy Monday, folks! Not sure how many of you out there are hockey fans — and specifically, fans of North America’s NHL. Maybe some people reading this were in bed by a perfectly reasonable hour last night and got an adequate amount of sleep. Not me; I was far too busy reveling in watching my hometown team capture the league championship for the second consecutive year, and all of the trophy presentation ceremonies and the other assorted festivities that go along with that, until way WAY past my regular bedtime. So it might be fair to say I’ll be slowly easing my way into this week, and mostly using today to get caught up on some stuff. In that spirit, I’ll skip doing any reviews today, but I’ll take the opportunity to pass along some recent news items that just might pique your interest …
Thursday 15 September through Sunday 18 September 2016
at Camp Hidden Valley, 4722 Mellow Rd, White Hall MD 21161
Weekend pass (includes on-site tent camping) $130 in advance or $150 at gate; limited cabin bunks available for an additional charge; single-day tickets also available.
In exactly two weeks, the weekend-long sylvan music and camping party Shadow Woods Metal Fest will kick off for the second year. Described by its organizers as “some of the best music the underground music community has to offer, all while camping in beautiful surroundings. The festival features bands spanning the musical spectrum from folk to doom to black metal to experimental and are carefully curated for their uniqueness in the current musical landscape.”
Hivelords – Tapered Limbs of a Human Star (Anthropic Records, 04 August 2015)
Tombs – All Empires Fall (Relapse Records, 01 April 2016)
Hey folks, how’s it going? In case you missed, it, back on Monday I wrote a thing about Tombs and Hivelords playing some shows together (plus in that post, you can enter to win tickets for the show in Pittsburgh this Saturday, May 14th!)
If that information wasn’t quite enough to get you excited, maybe you just haven’t heard these two bands before? Or maybe you don’t live near the northeastern U.S. where these shows are taking place. In either case, I’ve decided to spend a little more time talking about both bands — and about their most recent releases, for your listening pleasure …
Since then, both bands have undergone line-up changes — Hivelords now features two new guitarists (including Evan Void, formerly half of that band’s frequent tourmatesSadgiqacea), and Tombs has replaced some of its members on at least two occasions (also, coincidentally, including new guitarist Evan Void) resulting in essentially a wholesale overhaul for that band.
And now, these two bands will be performing together on a series of dates, the details of which will be shared with you as you continue reading below. Further down, we’re also including the remainder of Hivelords‘ currently announced dates through mid-summer; and finally, details specific to both bands’ stop in Pittsburgh next Saturday, including your chance to WIN FREE TICKETS to that show!
In the VIP balcony at Mr. Small’s Theatre (Pittsburgh), February 2013
EDITOR’S NOTE: for nearly two years, the Arkansas melodic doom quartet Pallbearer has been among my wife’s absolute favorite bands. I know she’d been eagerly snapping up every available bit of information leading up to the release of their second album; now that it’s been released, we listened to it together, and she had some strong reactions and opinions — so I asked whether she wanted to write something about it. So here is her review of Foundations of Burden.
Pallbearer – Foundations of Burden (Profound Lore Records, 19 August 2014)
reviewed by Asya Yanyo
I first heard Pallbearer in December of 2012 on accident. I was scrolling through Facebook and saw a video that someone had posted, which I thought was something else. I clicked on it, I listened and I had no idea what I was in for ultimately. I have to admit, I felt an immediate kinship to this music. For much of my life, I have felt an attachment to a darker side of my personality; I often embrace being melancholy and don’t always see it as the burden that some people do with those types of emotions. Pallbearer definitely tapped into that for me. I felt instantaneously connected to each riff and sludgy chord. I can tell you without a shadow of a doubt, this band is mainly responsible for so much of the music I have discovered in this journey with my husband over the past three years. It’s clearly felt personal to me and I am sure, with all the recent hype, that I am not the only one who enjoys dwelling in the despair.