Forgotten Bottom – Hostile Architecture (digital: self-released, 25 July 2019 / cassette: Black Horizons, coming soon)
Around here, we’ve had a bit of a history picking on the city of Philadelphia, and its residents, and especially its sports fans. But we’ve also spent plenty of time listening to and enjoying — and writing about — the variety of musical output from “The City that Bombed Itself.” And here is yet another example of that, in the form of a uniquely-orchestrated instrumental two-piece.
Forgotten Bottom, which has just recently come to my attention, includes one person we’ve mentioned multiple times on this website: swiftly becoming perhaps the most significant experimental-music violist since John Cale‘s stint with The Velvet Underground, the prolific Myles Donovan has also appeared with Disemballerina and A Stick and a Stone.
The line-up is then rounded out by Eric Bandel who plays a bit of guitar here, but mostly bouzouki. If I hadn’t already been excited to hear this project, that’s the part that fully sold me. A life-long fan of uncommon musical instruments of all ethnicities, I’ve especially enjoyed the bouzouki ever since Monty Python taught me what it was called.
(As a kid, I had this double-cassette set, which I listened to a zillion times — and “The Cheese Shop” was always one of my favorite sketches included here. While this was also performed on the Flying Circus tv show, the audio-only version included on Final Rip-Off clearly mentioned the instrument by name: check it out here, specifically from 0:40-0:50 and from 3:33-3:43.)
Mevrimna – INHIBIT\\EXHIBIT (The Fear and the Void Recordings, 01 November 2019)
While they may take the stage silently, completely shrouded in the anonymity of long black cowls, I don’t think either member of Pittsburgh-based blackened noise duo Mevrimna is making any real attempt to conceal their real-life alter egos: the guitarist (and occasionally bassist) and the drummer/vocalist serve in those same capacities as members of the much-acclaimed Slaves BC.
In fact, their live debut (almost exactly one year ago in Turtle Creek, PA) was slotted immediately before a performance by their “other” group. While I don’t know whether they found themselves to be a hard act to follow that evening, I can confirm that the peculiarly-named twosome did succeed in utterly scaring the hell out of everyone in attendance.
And now, following a few one-off tracks, this month these guys have released a brand-new full-length recording, which assuredly will serve up the exact same result. Consider yourself warned.
Secret Cutter – Self Titled (self-released, 10 February 2014)
Secret Cutter – Quantum Eraser (self-released, 06 July 2018; dist. by Deathwish Inc. [N.A.] / Holy Roar Records [EU])
Bethlehem, Pennsylvania — in the heart of the Lehigh Valley — was named for the canonical birthplace of Jesus, while today it’s better known as the birthplace of Jonathan Taylor Thomas. Well, that, plus the fact that (like our own hometown on the opposite end of the state) it served a pretty significant role in this country’s steel industry.
While the city is not exactly known as a hotbed of musical activity (losing out to neighboring Allentown in terms of songs commemorating the working class), it has given us a trio who produces an utterly brutal blend of sludge and grind: Secret Cutter. In this article, we’re going to check out that band’s first two full-length records, the second of which sees the light of day today!
That’s right, these two titans of (the music) industry will be making an appearance in Pittsburgh: Ghost (who were here exactly five years ago today and gave one of the more memorable performances I’ve ever witnessed) TONIGHT, Friday the 18th; and (the) Melvins (who also came through town five years ago this month, with what was quite possibly THE best show I’ve seen) TOMORROW night, Saturday the 19th!
Stick around for more details on this weekend’s shows, as well as a bit of a walk down memory lane…