Human Failure – Crown on the Head of a King of Mud (Caligari Records / Sentient Ruin, 07 May 2021)
Kataan – Kataan (Prosthetic Records, 07 May 2021)
Well here we are at the start of a new month, which of course means more new releases waiting for us! Today I’ve got two for you: each is the first release of the new project from an established musician or two, and each will be coming out THIS FRIDAY.
Oh yeah, and these may be relatively short (around 15-20 minutes each) but both are soul-crushingly devastating. Don’t say I didn’t warn you.
Body Void – Bury Me Beneath This Rotting Earth, 23 April 2021
(Prosthetic Records LP+CD / Tridroid Records cassette)
Following up on yesterday’s post, today I will again feature a band whose first few releases have been incredible (more on that here and here) and have consistently landed upon my list of top releases for whatever year they happened to have been released; and who is now putting out another masterpiece of a record this year.
This one is due to reach the general public in exactly two days. Brace yourselves, and let’s talk about Bury Me Beneath This Rotting Earth.
Sarin – You Can’t Go Back (Prosthetic Records, 05 February 2021)
Sort of like a response to this article from earlier in the week where we covered an album entitled A Way Back, today we’re featuring You Can’t Go Back — the latest from Canadian post-metal group Sarin, named for the chemical compound that has historically been used (and sometimes rumored to have been used) as a nerve gas weapon due to its extreme toxicity.
Spirit Adrift – Chained to Oblivion (Prosthetic Records, 12 August 2016)
Spirit Adrift – Curse of Conception (20 Buck Spin, 06 October 2017)
Migration Fest is officially here! For more information, you can check out this feature we did several months ago, but instead we highly recommend this hugely informative guide to the festival AND the city of Pittsburgh in general that was assembled by our esteemed colleagues at Meat Mead Metal.
Whether you’re coming to Pittsburgh, are already here, or you aren’t able to make the trip but you are interested in good music, today we’d like to call your attention to Spirit Adrift who will be performing Saturday evening (28th July) as part of their nationwide headlining tour!
Venom Prison – Animus (Prosthetic Records, 14 October 2016 / deluxe edition 23 February 2018)
British death metal horde Venom Prison, who exploded into international consciousness with their Prosthetic-released debut album in late 2016, are currently touring North America with a whole bunch of other heavy hitters in the genre.
In fact, the month-long tour is a little more than halfway over, so we don’t want to waste any more time — here’s our write-up of Animus, and later you can see the full list of dates, plus a handful of European cities the band will be visiting in August with Dying Fetus!
King Goat – Debt of Aeons (Aural Music, 20 April 2018)
Wolf King – Loyal to the Soil (Prosthetic Records, 27 April 2018)
Today we have two albums to present to you, by two different bands. Two VERY different bands in fact; pretty much the only thing they have in common is the word “King” along with some kind of animal in their names. Also the fact that they each released a new album last month. Plus the fact that we deemed each of these albums good enough to write about and share with you.
But besides that, very dissimilar. Having said that, though — if you came here as a fan of one of these bands, why not step out of your comfort zone a bit and give the other a quick spin? You may be pleasantly surprised!
Huntsmen – American Scrap (Prosthetic Records, 23 February 2018)
“Storytelling is the great, albeit fading, American pastime. It predated writing and in many instances, was told in song. In modern times, many musicians have approached their music from a storytelling point of view: Dylan, Springsteen and Waits to name a few. Chicago’s Americana metal outfit, Huntsmen, are carrying the torch for heavy bands to be added to that list.”
So begins the press release for this band’s debut LP, which came out about a week ago. Bold words? Sure. A little presumptuous? Maybe. But the self-described Heavy Americana band caught my attention, and the fact that they were kicking off the Prosthetic Records release of American Scrap with a short excursion across the mid-west and mid-Atlantic with label-mates Livid (with whom our readers ought to already be familiar) especially got me to check out this album.
That tour actually wraps up tonight (Sunday, 4th March) — see the details listed way down below — but first let’s talk a little about the band and their songs …
Cantharone – Sons of the Crow (self-released, 06 June 2015)
Mine Collapse – Mine Collapse (Nefarious Industries, 22 July 2016)
Livid – Beneath this Shroud, the Earth Erodes (Prosthetic Records, 14 July 2017)
Today we’ve got not one, not two, not five… but three different bands to talk about, each of which has come across my radar screen within about the past year or so. Cantharone is a four-piece from Minneapolis who have been around since about 2009, and their most recent release was their second EP which came out in the summer of 2015 (and which I’ll be sharing with you today). But despite that relatively low rate of recorded output, the band has kept pretty busy, between putting together their yearly Canthrammer Music Festival featuring a blend of metal and outlaw country bands, as well as frequent touring around the region. Down below in the comments section I’ll include some info about this year’s festival (coming in late August) as well as a list of shows they’ll be playing over the next week or so.
The other two bands that will be included in this article will be sharing a stage with Cantharone at some point in their upcoming travels, and each is equally worth checking out. Mine Collapse (Chicago) dropped their debut EP almost exactly a year ago, while Livid (Minneapolis) saw their debut LP released just days ago — both of those will also be discussed here.