Bi-coastal DOOM duo Insect Ark is made up of film music composer and animator Dana Schechter (Angels of Light, Wrekmeister Harmonies, Zeal & Ardor, Gnaw) on bass and lap steel, and electronics expert Ashley Spungin (Taurus, Purple Rhinestone Eagle, Negative Queen) on drums as well as various synths and analog noise pedals she created herself. With this unique arrangement (featuring zero electric guitars, in the traditional sense), the instrumental assembly has brought forth their latest sonic creation (through a combination of long-distance collaboration and in-studio cooperation).
Although nearly two months have passed since the record’s Profound Lore release, last night (Sunday, 15 April) was the celebratory release show in Brooklyn. Next up, the pair will be hitting the Roadburn stage later this week followed by a month-long tour through Europe. You can find a listing of all those dates at the bottom of the page, but first, check out Marrow Hymns!
Imperial Triumphant – Abyssal Gods (Code666, 10 March 2015)
Imperial Triumphant – Inceste (CD and digital Redefining Darkness Records, 15 April 2016 / vinyl Temple of Torturous, 23 March 2018)
[NOTE: this is the second of a two-part series on NYC black metal crusaders Imperial Triumphant. If you’ve missed the first part, check it out here.]
As I’ve mentioned, Imperial Triumphant have become known for producing unique and unpredictable music, which is dense and complex and really requires some commitment of time and attention from the listener to really be able to unpack and grasp everything that’s happening. The same could be said of the two releases we’ll be discussing in this article, their second full-length (released in early 2015, just two months before I finally got the opportunity to experience this band in person) and another EP that will be turning two years old this weekend (which just last month was given the vinyl treatment with several bonus tracks). Let’s dig right in!
Imperial Triumphant – Abominamentvm (self-released, 05 September 2012)
Imperial Triumphant – Shrine to the Trident Throne (Code666, 23 June 2014)
Our story begins “in early 2011,” according to the narrative I first started composing sometime between late 2012 and early 2013 (and which has been stored as a draft on this website until today). As such, apparently I’ve been a big fan of NYCBM hellions Imperial Triumphant for quite a while: since prior to my taking up music-writing as an unpaid side profession, and (clearly) since I used to have spare time to read what others were writing about music. In the interim, I’ve accumulated a bit of a stockpile of this trio’s releases, intending to write something meaningful enough to suit the innovative and interesting music contained therein — a task that has seemed more daunting with each passing year.
Anyway, I’ve finally concluded that enough is enough, here are my ramblings and musings on this band’s output over the past five and a half years. It will be broken into two halves, and don’t forget (once you’ve finished wading through all this nonsense) you can catch Imperial Triumphant in Pittsburgh TONIGHT alongside Vile Creature at the album release show for Slaves BC‘s latest, Lo, and I am Burning.
Black Anvil – Hail Death (Relapse Records, 27 May 2014)
Black Anvil – As Was (Relapse Records, 13 January 2017)
Recently I was reminiscing about the last Winter’s Wake festival in Pittsburgh, partly because we’ve been reporting the news about this summer’s Migration Fest which will also be taking place in this area, but also because we’ve just (well, a little over a month ago) hit the five year anniversary of Winter’s Wake. This also had me thinking about Black Anvil.
They’d been around for a few years by that time and had already released a pair of albums, so I’m sure I had heard a song or two at some point, or at least was vaguely aware of their existence within the realm of domestic black metal bands. But that show — which was immediately preceded by a series of “getting to know you”-style interviews I’d conducted with nearly all of the performing bands (I’d missed a couple, due to timing issues or communication breakdowns, but as I recall, Black Anvil were the only ones who had outright declined to participate in the interview process) — was the first real exposure I’d had.
I can just vaguely remember that night — this was Friday, the first of two days full of music, and they were the second-to-last band to play, after we all had been standing for hours in this cramped loft-sized space breathing in the toxic fumes rising from the nail salon down at ground level. That was the atmosphere through which the band members pushed and shoved their way, each dripping with blood, to ascend to a stage hazy and thick with fog machine discharge — and instantly exploded into a maelstrom of blackened death fury.
Fashion Week – Prêt-à-Porter (Solar Flare Records, 23 February 2015)
New York Fashion Week, or — excuse me — New York-based band Fashion Week, have been around for some number of years, with some quantity of recordings released during that time. I’ve heard rumors about them forming sometime around 2009, and also that this album from early 2015 was their debut full-length, but I can’t really say for sure since their official biography (on Facebook and elsewhere) is more of a tongue-in-cheek retelling of the Nirvana story with only oblique references to any actual members of Fashion Week.
Be that as it may, I guess it doesn’t really matter how much background information you do or don’t know, as long as the music’s good, right? These guys are on the road with Unsane at the moment (the tour actually started last weekend, sorry about the late notice!) and it’s pretty likely that anyone heading out to see the headliner will go back home as a fan of the supporting act as well. Keep on reading to find out a bit more about Prêt-à-Porter (the album, not the movie), and check out the list of tour dates down in the comments.
Tengger Cavalry – Die On My Ride (M-Theory Audio, 02 June 2017)
Hey folks! Got some breaking news for you: I’ve just learned that Tengger Cavalry, famous for blending traditional Mongolian music within the context of modern metal, have put out a brand-new album a few days ago and simultaneously embarked on a North American tour! So of course I wanted to take this opportunity to pass along the information to all of you. First, we’ll address the new music, which they’re now streaming in full, then down below (in the comments) I’ll share the list of dates …