Eternal Black – Self-Titled (2015), Bleed the Days (2017-18)

Eternal BlackEternal Black (Obsidian Sky Records, 30 June 2015)

Eternal BlackBleed the Days (Obsidian Sky Records, CD/cassette/digital 08 August 2017, vinyl 04 February 2018)

Is it just me or has this week been dragging on way too long — like, excruciatingly, brain-deadeningly long? Just me? Ok. In any case, I feel like I need a break from anything that requires too much thinking. So I’m going to take a moment and share some music with you.

This is coming courtesy of old-school stoner/doom trio Eternal Black from Brooklyn. We’ll start with their self-titled debut EP from a few summers ago, and follow that with their first full-length which came out last year but just recently got pressed to vinyl for the first time (all via the band’s own Obsidian Sky label). Hope you enjoy it.

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River Cult – Halcyon Daze (2018)

River CultHalcyon Daze (Magnetic Eye Records / Blackseed Records / Nasoni Records, 09 February 2018)

 

In the grand tradition of classic power trios like Mountain or Cream, infused with the loud and fuzzy psychedelics of Blue Cheer, Brooklyn’s River Cult ought to be bursting onto radar screens all over the place with their first LP Halcyon Daze. Only five tracks long but with a running time around forty-two minutes, the record came out earlier this year via a handful of labels in New York, Pittsburgh, and Germany — but if it has somehow managed to elude your attention thus far, our job today is to fix that!

 

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Ruby the Hatchet – Planetary Space Child (2017)

Ruby the HatchetPlanetary Space Child (Tee Pee Records, 25 August 2017)

 
I’m putting the finishing touches on writing this article during breaks between watching Philadelphia’s hockey team getting demolished during the first game of this year’s Stanley Cup playoffs. Entirely by coincidence, that city (a place whose biggest claim to fame is striking a beloved holiday character with snowballs) happens to be the home base of psychedelic ensemble Ruby the Hatchet. But I’ll implore you not to hold that against them.

As you may recall, we wrote about this band’s 2012 debut album Ouroboros when it was reissued back in 2016, and then last summer we mentioned that they would have a new album out soon. Today we’re discussing that album, as RtH prepare to head out on a whirlwind tour of the country over the next few weeks (kicking off this Friday, 13 April 2018). Check out the full list of dates at the bottom of this page.

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Demon Eye – Prophecies and Lies (2017)

Demon EyeProphecies and Lies (Soulseller Records, 11 August 2017 EU / 08 September 2017 NA)

 

Hey there, folks. Good afternoon/evening/whatever. Hope things are going well in your neck of the woods wherever that happens to be — sort of enjoying a lazy, quiet day here. Trying to get caught up on listening to stuff people have sent here, which is always an uphill battle. But then I noticed on my calendar that tonight, right here in Pittsburgh (specifically, at Howlers) local label Blackseed Records is putting on their Doom Over November show — with featured headliner Demon Eye, occult/traditional metal band from Raleigh, North Carolina. Recently I heard Prophecies and Lies, the group’s third album, which just came out in September via the Netherlands’ Soulseller Records (following an August release in Europe). Seemed like an ideal time to share some thoughts on the record with you folks …

 

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Molasses Barge – S/T + Covered in Molasses (2017)

Molasses BargeMolasses Barge + Covered in Molasses (Blackseed Records, 28 July 2017)

 

So I’ve been writing about Molasses Barge basically as long as I’ve been writing about music in general. It all started way back in late 2011 when they had a few shows scheduled, and I threw together a little synopsis of my first experience seeing them perform live (earlier that year when they opened for Pentagram). This was followed by an interview with drummer Wayne Massey in 2012 (as they were about to open for Tombs and 16), and then guitarist Justin Gizzi also answered a few questions as part of our coverage leading up to the Winter’s Wake festival in 2013.

In all, these Pittsburgh-based doom-metal workhorses have appeared (at least mentioned in passing) on this website a few dozen times. And yet, as active as they are (and despite having been in existence for close to a decade now!), the band’s official recorded output thus far has consisted of one EP six years ago, plus a three-song demo a few months later. (Both of them are available to stream or download FREE at Bandcamp.) But that all changes now: this Friday they will be unleashing their stunning debut self-titled LP, and as a special added bonus (perhaps as a thank-you to all the fans who’ve been patiently waiting so long), it’ll come bundled with a second disc filled with cover songs.

 

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Reintroduce Yourself: An Interview with Chuck Mosley

 
Following on the heels of last month’s announcement about Chuck Mosley‘s “Reintroduce Yourself Tour 2017”, I was recently offered the opportunity to speak with the man himself — to find out the answers to some questions you may have about the tour or any of the numerous other things the singer/guitarist has going on these days.

Those answers can be found below, so go check them out. The tour continues TONIGHT (25 July) in Brooklyn, hitting stops in Connecticut, Maryland, and New York before closing out the week in Pittsburgh (Howlers in Bloomfield) on Saturday. Then starting next month, Mosley will be reintroducing himself all over the country — see the updated post for the latest dates (now running through November); at least a dozen more shows have been added since it was first published!

 
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Argus – Beyond the Martyrs (2013), From Fields of Fire (2017); Arduini/Balich – Dawn of Ages (2017)

ArgusBeyond the Martyrs (Cruz del Sur Music, 01 October 2013)

 

Arduini / BalichDawn of Ages (Cruz del Sur Music, 24 February 2017)

 

ArgusFrom Fields of Fire (Cruz del Sur Music, 08 September 2017)

 

I can still remember the first time I heard Argus — in the burgeoning days of the early 2010s, the song was “The Damnation of John Faustus” from their self-titled album. I can’t say for certain, but it was probably on Foundry of Doom radio, since that’s what I spent most of my time listening to back then. And here, among epic tracks by the likes of Solstice, Atlantean Kodex, Solitude Aeturnus, etc., this song’s dark themes and powerful vocals really caught my ear.

This was still months, maybe even up to a year, before the genesis of my career as a writer, but I’ve always been inquisitive and wanted to research and learn more about everything I heard. In this instance, I was struck by how new the band was (their first demo dates back ten years, now, but at the time of this story the debut full-length was about a year or two old), but even more surprised to see that these guys were local (originating in Franklin, PA, just about an hour and a half north of Pittsburgh)!

I also discovered that the vocalist, Brian “Butch” Balich (formerly of Penance), is also a member of Molasses Barge, another local doom band that would greatly impress me when I saw them for the first time just months later. Eventually I’d manage to catch Argus live, as well, and they definitely managed to live up to the high expectations set by their incredible recorded output. I believe this was just before the 2013 release of their third album Beyond the Martyrs — one that immediately made its way onto my writing “to do list” but inexplicably has stayed there for these past years.

But now there’s a ferment of activity surrounding the band once more: they recently announced that their fourth album will be coming later this year — and I’ll be discussing both of those today, with an added bonus that was released a few months back by a side project involving Balich. And to top it all off, Argus will also be performing in Pittsburgh THIS FRIDAY (14 July) at an event that doubles as a preview of September’s Brewtal Beer Fest as well as featuring the world premiere of the new beer produced through a collaborative effort between the band and Big Rail Brewing! So after you’re done reading about the music, pop on down to the comments section for more information about that.

 

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