Boss Keloid – Herb Your Enthusiasm (Black Bow Records, 08 April 2016)
Well it’s Thursday now, which means it’s almost Friday, which means the weekend is almost here, so I guess that’s a good thing, right? I dunno. I’ve been so tired all week, it’s tough to feel excited about anything. Although — again, tomorrow is Friday, and we’re now finding ourselves coming into what’s traditionally one of the biggest times of the year in terms of new music getting released. Which means a bunch of stuff will be coming out tomorrow (just as it has for the past couple of weeks and will over the next several). So at least there’s that.
I totally missed out on getting anything published here yesterday, due to some super lame crap that kept me busy all day, which means we’re already behind schedule in terms of what I wanted to be able to share with you people this week. So probably it’s about time to quit rambling and get straight to the music, right?
Hi again readers, time for another Winter’s Wake band interview!
As I’ve been saying, with so many people to talk to, I tried to keep these short and sweet. Just long enough for you (the reader) to get a bit of a lesson about each band’s history, to learn a little about where they came from and what they’re doing now, so that you can be as excited about seeing all of them this weekend!
Here’s what Vince Verkay, drummer for Evoken had to say…
Hey there, loyal and devoted Valley of Steel Readers! For the past four months I’ve been doing these little profiles every Monday about bands that I’ve discovered on the “Sign Me to Roadrunner Records” website. Mostly they’ve been bands that have sent me messages seeking reviews of their music, but occasionally I’ll just randomly stumble across something good and then I end up writing about that. Either way, I’ve found some really cool stuff that I might not have known about otherwise! I hope the same has been true for you, readers — have you seen any bands profiled here that really resonated with you? Let me know in the comments section below; hearing that I’ve introduced a reader to some awesome new music (and also that I’ve given a band some much-deserved exposure to new fans) validates my existence and gives me a reason to get out of bed each morning.
Over the course of the past several weeks, I’ve tried to keep up with some of these exciting new discoveries — either by following their Facebook pages, or signing up for an email list, or possibly by watching for smoke signals. In any case, I’ve been hearing some things lately about some of these bands — in terms of new songs, new videos, or upcoming new releases — and so I decided to use this week’s post to reflect back on some of those previous posts and see what the bands have been up to since I wrote about them…
Cultura Tres – El Mal Del Bien (self-released, 29 March 2011)
So yesterday morning, as I was putting together the post about the newly released track by Vesperia, it occurred to me that I’ve done an awful lot of writing about bands from our upstairs neighbors over the past couple months. At the same time, it occurred to me that I’ve probably been unfairly neglecting music that originates from south of the border…
Well, actually, I haven’t entirely neglected bands from south of here — about a month and a half ago, I posted about the Grip of Delusion Radio compilation (which you can still download for free, if you haven’t yet!), and in that post I briefly mentioned a couple of South American bands that had songs included. One of those was Cultura Tres from Maracay, Venezuela.
These guys had first come across my radar just prior to the release of that Book of Riff-Elations compilation, when I read about them playing some shows over in Europe with our British friends Undersmile. So the band name (which literally means “Culture Three” but idiomatically refers to life in the so-called ‘Third World’) jumped out at me when I saw it in the tracklisting. Naturally, I had to give their song “No es mi Verdad” (“It is Not My Truth”) a quick listen, and it was so deliciously sludgey and doomy that I just had to grab both of the band’s full-length releases, 2008’s La Cura (“The Cure”), and last year’s El Mal del Bien (literally, “Bad from Good” or “Wrong from Right”). Both of these are available to download (for free or whatever price you choose), but the newer one was also recently released on vinyl, so I’m going to take this opportunity to talk about that now, Dear Reader.
(drama)– Zastor Tišine (Altsphere Production, 24 February 2012)
Fuck me, I can’t seem to keep my eyes open. I’ve probably had about five cups of coffee today, but still, here I sit staring at this computer screen and it keeps going out of focus. Why does the last day of work before a break– especially a nice, long holiday weekend– always seem to drag on forever? Not that things will get any better when I leave here; I am completely dreading the fact that later tonight, and probably much of tomorrow as well, I will have to venture out into the world of holiday shopping! Suffering through the world’s worst drivers (they always seem to come out in hordes this time of year, don’t they?) to struggle to find a place to park; pushing through huge crowds of horribly annoying people to get the chance to spend money I can’t really afford on a bunch of crap that my family members don’t really need anyhow… it’s enough to seriously bring on an anxiety attack just thinking about it!
Of course, that’s why the past few days I have been cheering myself (and hopefully some of you out there in internet-land, as well) with great big heaps of awesomely depressive doom metal. Today’s post will complete the trilogy I described earlier (part I | part II), as we voyage to Croatia to check out the debut LP of a band from Zagreb called (drama), which is entitled Zastor Tišine(Croatian for The Curtain [or Shroud] of Silence).
Following a 2006 demo, the band actually recorded this full-length back in 2010 and made it available through various digital outlets earlier this year. I can’t remember, now, where I first became aware of them, but I know I heard one of their songs somewhere; I enjoyed it enough to be willing to put in the effort necessary to track down more info about the band– which was no small task! You try Googling the word “drama” – with or without the parentheses, it makes no difference – and see how easy it is to wade through the billions of results! (By the way, for your benefit I’ve included a list of links at the bottom of this post, so you can have a much easier time learning more about the band and keeping informed about them. You’re welcome.) Continue reading →
My Ruin – A Southern Revelation (self-released, 7 December 2011)
Imagine this: your band has just been offered a deal with a record label, to include help with promotion, distribution, and touring support for the new album you’ve just recorded. You’re happy with your new music and thrilled with the new contract and all the benefits that the head of the label promised you. Then suddenly, without warning, the rug gets pulled out from underneath you, and nothing is happening according to the agreement, resulting in delays to releasing your record, cancelled tourdates, huge losses in profits, and eventually, nasty messages sent through lawyers. What would you do? Run off in a corner somewhere and cry? Decide that life as a musician is too hard, and that you might as well just give up?
Well, according to southern-fried-hard-rock/alt-metal duo My Ruin, that’s exactly what happened to them, but their reaction to the situation was to write and record another whole album full of kick-ass, angry music. And then as a great big “fuck you” to the whole industry, they decided to give it away for free! Keep reading to learn more about this band, their new album A Southern Revelation, and where you can pick up a copy absolutely free of charge… Continue reading →