British caveman battle doomsters Conan are currently hard at work on the follow up to their 2016 release Revengeanance [reviewed here, alongside 2014’s Blood Eagle], which is expected via Napalm Records during the early part of this year. In anticipation of the new album, the band has announced a full North American headline tour beginning in February. The tour, featuring support from The Ditch and the Delta, starts February 9th in Calgary AB and wraps up March 13th in Denver CO. A complete list of dates can be found below.
Steel Bridge Promotions — who have been responsible for putting together all sorts of really solid shows in the Pittsburgh area over the past few years, as well as being among the most genuinely nice people you will EVER meet — recently announced that their final shows will be taking place this October. While that’s terrible news for this city, SBP will definitely be going out with a bang! Here, we’ll be sharing some information about the one of those final shows.
Conan – Blood Eagle (Napalm Records, 28 February 2014)
Conan – Revengeance (Napalm Records, 29 January 2016)
Following our last article that covered a few of North‘s more recent releases, it only makes sense to talk about their current tour-mates Conan as well. The Merseysider trio has been around for over ten years — although the line-up has changed a few times: from 2011 (when their split record with Slomatics came out, which was the last release we discussed here) until the 2014 emergence of their second full-length Blood Eagle, Paul O’Neill had remained behind the drums, but Phil Coumbe had taken on bass/vocal duties; then by 2016 new drummer Rich Lewis had joined, and Chris Fielding (a prolific producer and engineer who had worked on all of Conan‘s previous releases) was added as bassist/vocalist. The only constant throughout the band’s career has been guitarist/vocalist Jon Davis, who also runs Black Bow Records in his spare time — oh and by the way, you may remember from when last year when we covered Boss Keloid‘s Herb Your Enthusiasm, which was a Black Bow release, Davis and Fielding both had guest spots on that record.
Well, it wouldn’t be accurate to say that Mr. Davis being part of the band continuously has been the only constant over the past decade-plus. The sound produced by this trio has perpetually been as savage and barbaric as the literary character from which their name was derived. To be specific, they identify themselves as “caveman battle doom” — and you’ll find, as we make our way through Blood Eagle and last year’s follow-up Revengeance, there really couldn’t be a more apt description …
Conan / Slomatics – Split (original release 2011 / to be reissued by Black Bow Records, September 2016)
Yesterday when we talked about Slomatics‘ first two albums, I mentioned that the band has signed with Black Bow Records, who has rereleased those two albums in advance of the band’s new record due later this year. But this partnership was not the first time they’ve dealt with that label OR its owner Jon Davis. Slomatics and Davis‘ band Conan — from Merseyside County, England, just across the Irish Sea from Belfast — had put together a split record back in 2011. After that limited-edition vinyl quickly sold out, Black Bow put out another pressing of the split in 2014, which also wasn’t around for very long.
And now, they’ve announced that there will be a new batch coming soon — only 200 copies will be made available this time, and each record will be pressed onto a full-color representation of that incredible cover art! An exact release date hasn’t been set yet, but pre-orders are on sale now, and they’re expected to begin shipping around early September.
Slomatics – Flooding the Weir (original release 2005 / reissued by Black Bow Records, 20 November 2015)
Slomatics – Kalceanna (original release 2007 / reissued by Black Bow Records, 20 November 2015)
Here we find ourselves in the midst of another magnificent Monday. It’s kind of shocking to realize how much of each day (and therefore how much of the workweek) is spent basically sleepwalking, semi-conscious, sort of in that fuzzy slow-motion daze that they always use in movies and tv shows when someone has been drugged or tranquilized or something. And I mean, a large portion of each day even after a cup of coffee or two. Maybe this is why I find myself drawn to low-tempo, fuzzy, swampy/sludgy, crawling-through-quicksand styles of music so much of the time?
I don’t know. But that’s exactly what the music we’re here to talk about today sounds like. Slomatics, from Northern Ireland, have been actively creating heavy fuzz-sludge music for about a dozen years now. Their first two albums were released in 2005 and 2007 on CD, but have been out of print for years. So naturally, after they had signed to Black Bow Records (the label run by their neighbor across the Irish Sea, Conan‘s Jon Davis), while the band got working on their upcoming fifth album (which is set to release in early September), the label decided to once again make those early two releases available in digital format.
Boss Keloid – Herb Your Enthusiasm (Black Bow Records, 08 April 2016)
Well it’s Thursday now, which means it’s almost Friday, which means the weekend is almost here, so I guess that’s a good thing, right? I dunno. I’ve been so tired all week, it’s tough to feel excited about anything. Although — again, tomorrow is Friday, and we’re now finding ourselves coming into what’s traditionally one of the biggest times of the year in terms of new music getting released. Which means a bunch of stuff will be coming out tomorrow (just as it has for the past couple of weeks and will over the next several). So at least there’s that.
I totally missed out on getting anything published here yesterday, due to some super lame crap that kept me busy all day, which means we’re already behind schedule in terms of what I wanted to be able to share with you people this week. So probably it’s about time to quit rambling and get straight to the music, right?