Konvent – Puritan Masochism (Napalm Records, 24 January 2020)
Good afternoon, readers. How are things where you are? Here, we’ve had a few pleasant and sunny days in a row, which is certainly a rarity. But today is a typically dismal and dreary Tuesday. So fittingly, it’s time to listen to some dismal and dreary music.
Without any further ado, here is Puritan Masochism by Copenhagen’s Konvent.
Candlemass – The Door to Doom (Napalm Records, 22 February 2019)
Doom metal may have been invented when Tony Iommi hammered out those very first notes of Black Sabbath‘s 1970 debut, but the genre really started to take shape during the 1980s, and unquestionably one of the principal players behind that defining moment was Sweden’s Candlemass — particularly, their own debut record which officially coined the phrase “Epic Doom Metal.”
The U.S. National Academy of Recording Arts and Sciences may have a somewhat shaky track record when it comes to recognizing achievements by metal bands — or even properly distinguishing between metal and hard rock, or deciding whether there even should be such a distinction — but for the first time in their 35-year history, the innovation of Candlemass has been honored with a Grammy award nomination for “Best Metal Performance.”
Taken from their latest album The Door to Doom, the song that earned this recognition for the band is “Astorolus – The Great Octopus,” which fittingly features a guest appearance on lead guitar by none other than Mr. Iommi himself.
British caveman battle doomsters Conan are currently hard at work on the follow up to their 2016 release Revengeanance [reviewed here, alongside 2014’s Blood Eagle], which is expected via Napalm Records during the early part of this year. In anticipation of the new album, the band has announced a full North American headline tour beginning in February. The tour, featuring support from The Ditch and the Delta, starts February 9th in Calgary AB and wraps up March 13th in Denver CO. A complete list of dates can be found below.
Happy Monday once again, folks! Today we’re going to dive back into our extensive mailbox for various news items that have come our way since our last update. For starters, we’ve got new information about two of the bands we discussed last time (Harakiri for the Sky and Tengger Cavalry) plus more goodies! Continue reading →
Hello, and happy Monday, and (if you live in the U.S.) happy day-back-to-work-after-a-nice-long-holiday-weekend. It’s been quite some time since we’ve checked in with our pal Gary Gnu (pictured above), so here he is again, bringing you some bits of gnews that recently arrived in our inbox …
Year of the Goat – The Key and the Gate (Napalm Records, 28 November 2014)
Year of the Goat – The Unspeakable (Napalm Records, 31 July 2015)
The year of the goat has ended: this past February, the year of the monkey was ushered in. But the previous twelve lunar months had been dominated by this horned beast — the third such year since the one in which I was born — and around this time period, Sweden’s Year of the Goat had been fairly active. Exactly twelve weeks before the commencement of the (Chinese) new year, their second EP The Key and the Gate saw the light of day via Napalm Records, who then went on to release Year of the Goat‘s second full-length album The Unspeakable once the year of the goat was actually in full-swing — in fact, right in the middle of the month of the goat.
And I’ll stop there, because that pretty much exhausts the extent of my research into Chinese astrology in preparation for writing about this band from Norrköping and their latest two releases — the latter and longer of which found its way onto my list of the best of 2015 …
High Fighter – The Goat Ritual (self-released, 28 October 2014)
High Fighter – Scars & Crosses (Svart Records, 10 June 2016)
Zirakzigil – World Builder (Prosthetic Records, 10 June 2016)
Hey folks, how are you? Thanks for stopping by. Are you ready for another dose of good stuff to listen to? I hope so, because once again I’ve got some here to share with you today.
Both of the bands we’ll be discussing today will have an album released on Friday: High Fighter from Hamburg, Germany, will see their first full-length put out by Svart Records, which we’ll talk about in addition to that band’s debut EP that was self-released a while back; Zirakzigil from Portland, Oregon, also have their first LP forthcoming, one which was originally released by the band last year but is now being repackaged (and etched onto vinyl for the first time) by Prosthetic Records.
The Order of Israfel – Wisdom (Napalm Records, 09 September 2014)
The Order of Israfel – Red Robes (Napalm Records, 27 May 2016)
Candlemass – Death thy Lover (Napalm Records, 03 June 2016)
Good afternoon. Today, let’s talk about Swedish doom. First I’d like to call your attention to a band from Gothenburg, whom some of you may not know yet, since they’ve only been around about four years now. In that time, they’ve released two albums — the first almost two years ago, and the second last Friday — both through Napalm Records. We’ll be discussing both of those.
The other band we’re going to cover today, from Stockholm, is likely to already be familiar to every single person reading this: their debut album was released thirty years ago this month, and it literally defined the “Epic Doom Metal” genre. Celebrating that milestone, the band will be releasing a brand-new EP this Friday — which we’ll also talk about today.