The Limit – Caveman Logic (2021)

The LimitCaveman Logic (Svart Records, 09 April 2021)

 

Here’s a Friday afternoon riddle for you: what do you get when you mix a couple musicians from highly influential proto-punk/punk-rock bands of the 70s, a couple musicians from a 21st-century doom band, and then round out the line-up with with a vocalist widely regarded as one of the main influencers and forefathers of doom metal from the 70s to present?

More specifically, bassist Jimmy Recca (best known for a brief stint with The Stooges in 1971 before the band broke up for the first time, although he later went on to play with guitarist Ron Asheton‘s band The New Order after The Stooges broke up again) and guitarist Sonny Vincent (of the short-lived, late-70s NYC punk band Testors, as well as an extensive solo and collaborative career ever since then), plus Hugo Conim and Joao Pedro (guitar and drums, respectively, from Portuguese doom band Dawnrider), probably the best-known member of this musical collective, especially to readers of this website, would be vocalist Bobby Liebling (the only constant member of Pentagram throughout their long and tumultuous history)…

 

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Soothsayer – At This Great Depth (2016); Echoes of the Earth (2021)

SoothsayerAt This Great Depth (Transcending Obscurity Records, 30 December 2016)

 

SoothsayerEchoes of the Earth (Transcending Obscurity Records, 09 April 2021)

 

Good afternoon, friends! I’m going to start today with a brief bit of explanation/clarification: the band we’ll be discussing and listening to is one who’ve never been featured on this website before. Long-time readers with unnaturally exceptional memories may note that approximately five years ago I wrote about a split record, half of which was attributed to a band called Soothsayer, who were primarily of the neocrust persuasion (with some blackened and ambient-doom influences thrown in). That band was from Pittsburgh — roughly 30 miles from where I lived.

Well later that same year, I happened to hear about an upcoming release from a band called Soothsayer, essentially an ambient-doom group (with some blackened and crusty influences thrown in). This “other” Soothsayer resides approximately 3300 miles further away in Cork, but their material was equally successful at catching my attention and interest. Unfortunately, I never managed to find a chance to write about it — until now, on the eve of “Irish Soothsayer” releasing their debut full-length.

 

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