Horseburner – The Thief; Howling Giant – The Space Between Worlds (2019)

HorseburnerThe Thief (Ripple Music, 09 August 2019)

 

Howling GiantThe Space Between Worlds (Blues Funeral Recordings, 27 September 2019)

 

Good afternoon! Another week almost over, are you excited? Probably not so much, huh? It hardly makes a difference, since the days all just run together anymore. Hard to believe we’re coming up on three whole months of this quarantine, shelter-in-place, work-from-home, whatever you want to call it.

But on the other hand, it’s starting to feel like this is the way life has been forever — it’s getting hard to remember a time when things used to be different. Remember going out to restaurants, bars, wineries? Remember live entertainment? Sometimes there would even be entire events dedicated to bands performing music for large crowds of people, entire festivals. Remember those? Remember crowds of people?

It was exactly two months ago today that Ripplefest was supposed to happen in Germany, what would have been an all-day raging affair hosted by Ripple Music. I wrote up a thing announcing the event just a few weeks before the entire world flipped completely upside-down.

That event is tentatively being rescheduled for August, with a line-up yet to be announced. I hope, for the sake of everyone involved, that it works out this time. I hope, for ALL our sakes, that things are back to normal by then.

Originally scheduled to play at the festival in March were two American bands, Horseburner and Howling Giant. I’ve written about each of them before (here and here), but in February’s Ripplefest post I also mentioned that both bands had released excellent albums last year, and that reviews of both would be coming up soon.

The festival might not have taken place as planned, but at least I can fulfill that one small promise. And at least you can treat your ears to these bands in pre-recorded form…

 

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Daxma – Ruins Upon Ruins (2019)

DaxmaRuins Upon Ruins (Blues Funeral Recordings, 26 July 2019)

 

Hey! In case you were wondering, we still talk about music around here, too. Sometimes. This morning let’s dive into a fascinating two-track EP that emerged over the summer, from the Oakland (CA)-based post-doom/drone crew Daxma.

The band’s name is a homophone (or perhaps simply an alternate spelling) of dakhma, the towers built in Zoroastrian societies as a place to cast dead bodies, where first vultures and other scavengers, and then the sun and other elements, will ultimately cleanse and purify the bones.

 

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