Death metal week (unofficial) continues here at Valley of Steel HQ with this EP that dropped last month from a band out of DFW, Texas, that’s been garnering some attention lately…
Creeping Death – The Edge of Existence (MNRK Heavy, 08 October 2021)
Tag Archives: Crowbar
In the Company of Serpents – Merging in Light (2014), Ain-Soph Aur (2017), Lux (2020)
In the Company of Serpents – Merging in Light (self-released, 21 December 2014)
In the Company of Serpents – Ain-Soph Aur (self-released, 10 March 2017)
In the Company of Serpents – Lux (self-released, 15 May 2020)
Good afternoon and HAPPY FRIDAY to everyone out there. Nice to finally reach the end of what, for some reason, has turned out to be quite an exhausting week. Hope you all are doing okay.
Personally, I just had to whip up a very uncustomary afternoon batch of coffee, due to feeling exceptionally sluggish all day — particularly after lunch. It was very tempting to just curl up on the couch and go back to sleep for the rest of the day. But not before I get this article published, because I have music to share with you people! This is actually covering three separate releases, spanning numerous years, by Mile-High band In the Company of Serpents, the last of which is just being released today! Enjoy!
Kirk Windstein – Dream in Motion (2020)
Kirk Windstein – Dream in Motion (eOne Heavy / Entertainment One, 24 January 2020)
Exactly twenty-five years and eleven months ago, on the 24th of March 1994, the sixth episode of the fourth season of Beavis and Butthead aired on MTV. That was the first exposure — for myself, and I suspect for many others who were teenagers at that time — to the music of Crowbar, as that episode included a portion of the New Orleanian sludge innovators’ “All I Had (I Gave)” video. (For the record, yes I do have a fairly good memory, but no I did not know all of those details off the top of my head; thank you to Wikipedia.)
Anyway, that day marked a pivotal moment in my music fandom. What I heard on that show prompted me to pick up a copy of the band’s self-titled 1993 album, and their blending of sheer heaviness with absolute raw emotion had me hooked for life. That combination is what has set the band apart from most of their peers and imitators over the years. And now after nearly a dozen albums with Crowbar (in addition to participating in a handful of other people’s projects over the past three decades) the founder, vocalist and guitarist Kirk Windstein, has released a solo record — eschewing some of the heaviness this time around, but retaining every bit of the passion and intensity.
Sila Slona – Self-Titled; Montezuma’s Revenge – Them (2017)
Sila Slona – Sila Slona (Zero Hero Recordings, 27 January 2017)
Montezuma’s Revenge – Them (Zero Hero Recordings, 03 March 2017)
Anyone who has read or watched any sort of news in the United States over the past few months may have noticed that Russia is being mentioned in connection with nearly every story that’s being reported these days. That country is currently discussed more often in this country, than any other time in the past several decades — at least since August 1991. Not even during the Sochi Olympics do I recall having heard about Russia nearly this often.
But I’m not here to talk about political matters, and you certainly aren’t here to read about such nonsense either. So it seemed like a much more fitting idea would be to discuss some Russian music. Specifically, here are albums by two different bands from Moscow, which were both released earlier this year by Moscow-based Zero Hero Recordings. Enjoy!
Obituary – Ten Thousand Ways to Die (2016), Obituary (2017)
Obituary – Ten Thousand Ways to Die (Relapse Records, 14 October 2016)
Obituary – Obituary (Relapse Records, 17 March 2017)
One of the originators of the foundational Tampa, Florida death metal scene, formed well over 30 years ago (and using their current name since back in 1988) with three of the original members — brothers John Tardy (vocals) and Don Tardy (drums) and guitarist Trevor Peres — continuously part of the line-up ever since, surely you — visitor to a website devoted to metal music — know Obituary, right? And if I told you they had a new single available with two songs (one of which can’t be found anywhere else) that also includes basically a whole live album worth of bonus tracks, AND that they followed that with a brand-new full-length album that easily stands up among the band’s decades-long discography, what more do you need from me aside from links where you can go and buy these new releases? (See the bottom of this page, below the videos and above the Bandcamp players. Also check below that, for information on the band’s tour dates over the next few days, including a stop in Pittsburgh TONIGHT!)
But I know not everyone out there is a lifelong death metal enthusiast. I’ll readily admit that I myself listen to the genre far less than many other styles of metal, and a main reason for that is that so many of the bands all sound alike and the sound of the music often seems stagnant and stale. But every so often something comes along where the band clearly is doing everything the right way — and with the rare stability and consistency Obituary has enjoyed over all these years, they certainly exemplify that. So I’ll assume that if you’re still with me, you aren’t already a huge fan of the band BUT perhaps curious enough to keep reading this far. Great, so here we go …
Battle Path – Ambedo (2015-16); Hollow Leg – Crown (2016)
Battle Path – Ambedo (digital+vinyl Inherent Records / Crimson Eye Records, 09 November 2015; cassette Wood and Stone Productions, 24 June 2016)
Hollow Leg – Crown (Argonauta Records, 04 March 2016 EU / 24 June 2016 NA)
Well good morning, readers, and a happy Tuesday to you all. I’m finally back after taking an extra week off from writing — partly to recover from the Independence Day holiday weekend (and that Primitive Man show last Monday night!) and partly because of me being so overloaded at my day job. But as always, there’s tons of stuff to tell you about — both old and new — so here we go again. Today we’ll be taking a look at albums by two different bands from the southeastern United States, Battle Path from Murfreesboro and Hollow Leg from Jacksonville. Each of these albums originally came out a little while ago (Ambedo back in November and Crown in March), but they both just got reissued near the end of last month (the former has now come out on cassette, while following a European release the latter is now also available domestically).
High Fighter – The Goat Ritual (2014), Scars & Crosses (2016); Zirakzigil – World Builder (2016)
High Fighter – The Goat Ritual (self-released, 28 October 2014)
High Fighter – Scars & Crosses (Svart Records, 10 June 2016)
Zirakzigil – World Builder (Prosthetic Records, 10 June 2016)
Hey folks, how are you? Thanks for stopping by. Are you ready for another dose of good stuff to listen to? I hope so, because once again I’ve got some here to share with you today.
Both of the bands we’ll be discussing today will have an album released on Friday: High Fighter from Hamburg, Germany, will see their first full-length put out by Svart Records, which we’ll talk about in addition to that band’s debut EP that was self-released a while back; Zirakzigil from Portland, Oregon, also have their first LP forthcoming, one which was originally released by the band last year but is now being repackaged (and etched onto vinyl for the first time) by Prosthetic Records.
The Mound Builders / Pale Horseman – Split (RSD 2016) +3 Pale Horseman Albums (2013, 2014, 2015)
The Mound Builders / Pale Horseman – Split (Failure Records & Tapes, 16 April 2016)
Pale Horseman – Pale Horseman (self-released, 17 April 2013)
Pale Horseman – Mourn the Black Lotus (self-released, 07 July 2014)
Pale Horseman – Bless the Destroyer (Bullet City Records, 30 November 2015)
Here at Valley of Steel headquarters, we’ve been trying very hard to bring you quality reviews almost every day (sometimes two at a time!) as a public service, so that you, the reader, get the opportunity to check out as much new music as possible. Hopefully some of you folks out there appreciate that, and you’ve managed to discover at least one thing you’ve really enjoyed after reading about it here.
Well yesterday there was no new review (but as a side note, for those who live near Pittsburgh, have you entered yesterday’s contest for Chelsea Wolfe tickets yet? — And as a side side note, have you also entered our other current giveaways, for Baroness or Thy Art Is Murder yet??), so to make up for that, today we’re presenting an unprecedented quadruple review!!
…Ok, ok, that’s not exactly how this came about — the truth is, just a couple of days ago, we received word that Failure Records had a special release lined up for this year’s Record Store Day (which is this Saturday, the 16th!), a split record featuring a pair of songs each from Lafayette, Indiana’s The Mound Builders and Pale Horseman from Chicago. And the second of those names really rang a bell, because over the past few years Valley of Steel has received a total of three albums from that band — all good ones, too — but somehow we just never have gotten around to writing about any of them.
Until today. Sit down and buckle up, because we’re about to cover all of it.
King Buzzo – This Machine Kills Artists (2014)
King Buzzo – This Machine Kills Artists (Ipecac Recordings, 02 June 2014)
The bulk of my formative years were spent in the 1990s, from age eleven (when I was being introduced to Faith No More and Overkill) through twenty (when I was discovering Pentagram and Emperor). I experienced lot of music both new and old during that decade, all of which had a strong influence over my tastes and preferences, and frankly, made a huge impression on my life in general. And looking back, I think it could be argued that (taking into account both direct and indirect effects) singer/guitarist Roger “Buzz” Osborne and his band The Melvins had made at least as much of an impact as any other person or band, if not more.
After all, not only did I discover their own music somewhere in my teens (and found myself blown away by it), but that band can be said to have been almost singlehandedly responsible for entire genres of music — some of which rank among my absolute favorite. Where would sludge or grunge metal be, if it weren’t for their groundbreaking work? What would Crowbar or Eyehategod have sounded like; TAD or Harvey Milk; or dozens of other bands who’ve served such an important role in my life?
So clearly, I don’t think I could overemphasize how big of a deal they — and by extension, their one constant member over their thirty year history — really are. And so when Ipecac Recordings issues an album full of Osbourne solo acoustic material, needless to say I am very intrigued…
Seven Sisters of Sleep – Opium Morals (2013)
Seven Sisters of Sleep – Opium Morals (20 March 2013, A389 Records)
Well folks, the last weekend in May is upon us, which means that most of my peers in the music-writing industry (and many of my other metal-loving friends as well) have made their annual pilgrimage to Baltimore for the year’s largest metal festival (outside of Europe, of course), Maryland Deathfest. Once again, a number of huge names jumped out at me from the announced schedule (Hooded Menace! Crowbar! Fucking Candlemass!!), but also once again, various factors have conspired against me being able to attend.
But — whatever, I’m not just going to sit around all weekend and whine about it. I’ve got plenty of good music to keep me company, and I fully intend to listen to all of it. All of the musics. For starters, although I will not be seeing Californian sludge band Seven Sisters of Sleep performing at the MDF kick-off show tonight (Thursday, 22 May 2014), I can always stuff their second full-length Opium Morals (which happened to rank among my favorite albums of 2013) into my ears. And while I’m at it, I can share it with you readers (who, I assume, are reading this because you also not at the festival in Maryland right now). So here goes.
Valley of Steel 