Venus Sleeps – Dead Sun Worship (on cassette via Tartarus Records, 22 March 2016; originally released 13 March 2015)
Brigantia – “Midnight” (self-released, 28 May 2015)
Hello out there, and good afternoon! Hope your week is going well — as for myself, I’m just relieved that it’s halfway over. Anyway, I’ve been planning on telling you about the debut album by Irish psychedelic doom band Venus Sleeps, which has been out for a while now but I just discovered it when it was re-released by Tartarus Records last week.
Well today that’s just what I’m going to do, except that I also decided to throw in an extra treat for you all: a song that was put out last spring by another Irish doom band, Brigantia, which you can download for free. Think of it as kind of a bonus track at the end of the article. I’ve got a feeling you’ll enjoy both of these …
King Buzzo – This Machine Kills Artists (Ipecac Recordings, 02 June 2014)
The bulk of my formative years were spent in the 1990s, from age eleven (when I was being introduced to Faith No More and Overkill) through twenty (when I was discovering Pentagram and Emperor). I experienced lot of music both new and old during that decade, all of which had a strong influence over my tastes and preferences, and frankly, made a huge impression on my life in general. And looking back, I think it could be argued that (taking into account both direct and indirect effects) singer/guitarist Roger “Buzz” Osborne and his band The Melvins had made at least as much of an impact as any other person or band, if not more.
After all, not only did I discover their own music somewhere in my teens (and found myself blown away by it), but that band can be said to have been almost singlehandedly responsible for entire genres of music — some of which rank among my absolute favorite. Where would sludge or grunge metal be, if it weren’t for their groundbreaking work? What would Crowbar or Eyehategod have sounded like; TAD or Harvey Milk; or dozens of other bands who’ve served such an important role in my life?
So clearly, I don’t think I could overemphasize how big of a deal they — and by extension, their one constant member over their thirty year history — really are. And so when Ipecac Recordings issues an album full of Osbourne solo acoustic material, needless to say I am very intrigued…