Faces of the Bog – Ego Death (self-released, 04 October 2016)
Okay, stop me if you’ve heard this one before. Band from Chicago, influences are a blend of all things heavy (including a generous helping of noise rock and post-metal), and they just happen to be produced by Sanford Parker.
It doesn’t matter to me how many times they keep remaking this same movie, I’ll keep coming back to see it every time. Here’s Faces of The Bog‘s debut album, which they released in fall 2016. Tour dates for Ohio and western Pennsylvania THIS WEEKEND, plus a few more throughout the midwest over the rest of the summer, can be found down in the comments section.
I think it would be safe to say that it’s not a normal trend for bands to grow in popularity after a significant line-up change, especially when it comes to a shift in the role of lead vocalist. Even more rare would be the case where a band goes on to achieve a global level of mega-stardom, seemingly overnight, but it has happened a few times throughout music history. And each time, there are invariably legions of die-hard fans of the original configuration — armed with countless reasons why Killers or The Piper at the Gates of Dawn was the band’s crowning achievement.
And frankly, “it’s just a difference of opinion“; what rational basis for argument could there really be regarding one’s musical preferences? Likewise, any discussion of Faith No More will immediately attract somebody who asserts that band’s best output was on its first two albums — 1985’s We Care a Lot and 1987’s Introduce Yourself, and they will never tire of explaining why the vocalist of those early years, Chuck Mosley, was preferable in every way to his (now) more well-known successor.
While I won’t be taking this opportunity to weigh in definitively on that argument — my personal obsession with that band has always been based less on the vocals than on most of the other elements anyhow — I will certainly agree that the band’s current singer is generally overrated every bit as much as Mr. Mosley‘s earlier contributions are perpetually underrated. After all, there’s no way to deny the band’s gigantic breakout moment — the one thing your average person-on-the-street will likely remember about the band, if anything at all — was almost entirely based on the vocal performances of previous recordings, most particularly the band’s first semi-big hit single.
Anyway, all of this is actually leading up to a point, which is that Chuck Mosley, that much-beloved former Faith No More vocalist, who went on to front Bad Brains for a while in the early ’90s before venturing off as a solo artist (sometimes under his own name and sometimes in conjunction with his band V.U.A.) with works like Will Rap Over Hard Rock for Food and last year’s compendium Demos for Sale, now finds himself touring all across America — starting this weekend and lasting well past the end of the summer (at least)! Dozens of shows have already been announced, and I’ve got a listing of all the most current information right here. (And the official word is that there will be more announcements forthcoming, so keep checking back if you don’t see your city listed yet!)
Tengger Cavalry – Die On My Ride (M-Theory Audio, 02 June 2017)
Hey folks! Got some breaking news for you: I’ve just learned that Tengger Cavalry, famous for blending traditional Mongolian music within the context of modern metal, have put out a brand-new album a few days ago and simultaneously embarked on a North American tour! So of course I wanted to take this opportunity to pass along the information to all of you. First, we’ll address the new music, which they’re now streaming in full, then down below (in the comments) I’ll share the list of dates …
Conan – Blood Eagle (Napalm Records, 28 February 2014)
Conan – Revengeance (Napalm Records, 29 January 2016)
Following our last article that covered a few of North‘s more recent releases, it only makes sense to talk about their current tour-mates Conan as well. The Merseysider trio has been around for over ten years — although the line-up has changed a few times: from 2011 (when their split record with Slomatics came out, which was the last release we discussed here) until the 2014 emergence of their second full-length Blood Eagle, Paul O’Neill had remained behind the drums, but Phil Coumbe had taken on bass/vocal duties; then by 2016 new drummer Rich Lewis had joined, and Chris Fielding (a prolific producer and engineer who had worked on all of Conan‘s previous releases) was added as bassist/vocalist. The only constant throughout the band’s career has been guitarist/vocalist Jon Davis, who also runs Black Bow Records in his spare time — oh and by the way, you may remember from when last year when we covered Boss Keloid‘s Herb Your Enthusiasm, which was a Black Bow release, Davis and Fielding both had guest spots on that record.
Well, it wouldn’t be accurate to say that Mr. Davis being part of the band continuously has been the only constant over the past decade-plus. The sound produced by this trio has perpetually been as savage and barbaric as the literary character from which their name was derived. To be specific, they identify themselves as “caveman battle doom” — and you’ll find, as we make our way through Blood Eagle and last year’s follow-up Revengeance, there really couldn’t be a more apt description …
North – Siberia (self-released, 01 May 2006 / re-released by Prosthetic Records, 02 June 2015)
North – Metanoia (self-released, 11 March 2014 / re-released by Prosthetic Records, 02 June 2015)
North – Through Raven’s Eyes (Prosthetic Records, 14 August 2015)
North – Light the Way (Prosthetic Records, 18 March 2016)
Well. Today is going to be all about North, a band who (naturally) come from the extreme southern part of Arizona, and who, as we mentioned a while back, are touring across the country with Conan. As you can see from the title of this post and that series of album covers just above, there’s going to be a ton of material to go over, so that’s all the introduction we have time for …
Obituary – Ten Thousand Ways to Die (Relapse Records, 14 October 2016)
Obituary – Obituary (Relapse Records, 17 March 2017)
One of the originators of the foundational Tampa, Florida death metal scene, formed well over 30 years ago (and using their current name since back in 1988) with three of the original members — brothers John Tardy (vocals) and Don Tardy (drums) and guitarist Trevor Peres — continuously part of the line-up ever since, surely you — visitor to a website devoted to metal music — know Obituary, right? And if I told you they had a new single available with two songs (one of which can’t be found anywhere else) that also includes basically a whole live album worth of bonus tracks, AND that they followed that with a brand-new full-length album that easily stands up among the band’s decades-long discography, what more do you need from me aside from links where you can go and buy these new releases? (See the bottom of this page, below the videos and above the Bandcamp players. Also check below that, for information on the band’s tour dates over the next few days, including a stop in Pittsburgh TONIGHT!)
But I know not everyone out there is a lifelong death metal enthusiast. I’ll readily admit that I myself listen to the genre far less than many other styles of metal, and a main reason for that is that so many of the bands all sound alike and the sound of the music often seems stagnant and stale. But every so often something comes along where the band clearly is doing everything the right way — and with the rare stability and consistency Obituary has enjoyed over all these years, they certainly exemplify that. So I’ll assume that if you’re still with me, you aren’t already a huge fan of the band BUT perhaps curious enough to keep reading this far. Great, so here we go …