Mayhem – De Mysteriis Dom Sathanas Alive (self-released, 15 December 2016)
It happens every year without fail: news announcements pop up about the Mayhem tour coming to town, and my ears will invariably perk up, until I realize they don’t mean THATMayhem, but the perpetually mediocre packaged tour with the energy drink sponsor. But every single time there’s that split-second of hopefulness, because let’s be honest, it would be a huge deal if the Oslovian band who was one of the main originators of black metal as we know it (hugely influential not only for the musical style but the overall aesthetic as well, and as famous for releasing some of the genre’s most highly-regarded landmark records as for the various controversies surrounding its members’ extra-curricular activities) was coming to town, right? Well guess what, Mayhem are coming to town.
It all started as a celebration of their debut LP (still universally regarded as the pinnacle of black metal), 1994’s De Mysteriis Dom Sathanas, which the current iteration of the group (which now consists of bassist Necrobutcher, the sole remaining founding member, though he had been separated from the band and replaced by — someone else — at the time the album was recorded and initially released; drummer Hellhammer and vocalist Attila Csihar, who have each been members for large portions of the band’s history, including taking part in that first full-length; and more recent additions Teloch and Ghul on guitar) began playing live in its entirety for the first time ever, during a European tour. That tour has continued adding additional trips to various parts of the world over the past couple of years, and at this moment Mayhem are recreating De Mysteriis Dom Sathanas on stages across North America.
This current expedition on this side of the ocean will actually be wrapping up in the very near future, but I’ll be including the remaining scheduled dates down in the comments section (along with a one-off visit set to take place next spring). But before we get there, I’d also like to share with you this recording that the band put out nearly a year ago, which originated way back at the beginning of this long series of commemorative tour dates.
Demon Eye – Prophecies and Lies (Soulseller Records, 11 August 2017 EU / 08 September 2017 NA)
Hey there, folks. Good afternoon/evening/whatever. Hope things are going well in your neck of the woods wherever that happens to be — sort of enjoying a lazy, quiet day here. Trying to get caught up on listening to stuff people have sent here, which is always an uphill battle. But then I noticed on my calendar that tonight, right here in Pittsburgh (specifically, at Howlers) local label Blackseed Records is putting on their Doom Over November show — with featured headliner Demon Eye, occult/traditional metal band from Raleigh, North Carolina. Recently I heard Prophecies and Lies, the group’s third album, which just came out in September via the Netherlands’ Soulseller Records (following an August release in Europe). Seemed like an ideal time to share some thoughts on the record with you folks …
Steel Bridge Promotions — who have been responsible for putting together all sorts of really solid shows in the Pittsburgh area over the past few years, as well as being among the most genuinely nice people you will EVER meet — recently announced that their final shows will be taking place this October. While that’s terrible news for this city, SBP will definitely be going out with a bang! Today, we’ll be sharing some information about another of those final shows.
Steel Bridge Promotions — who have been responsible for putting together all sorts of really solid shows in the Pittsburgh area over the past few years, as well as being among the most genuinely nice people you will EVER meet — recently announced that their final shows will be taking place this October. While that’s terrible news for this city, SBP will definitely be going out with a bang! Here, we’ll be sharing some information about the one of those final shows.
Neurosis – Fires Within Fires (Neurot Recordings, 23 September 2016)
So Neurosis are heading out on tour RIGHT NOW. That news by itself will immediately be a huge deal to most people who read this sentence. They’re only hitting a handful of cities across the northeastern U.S. (and southeastern Canada) over the next week and a half, but this is a band that infreuquently performs live in the first place, and very rarely visits the east coast outside the context of a larger music festival (such as Baltimore’s Days of Darkness which they’ll be headlining in October). So, yeah.
But sometimes when it comes to bands that have been around seemingly forever (well over thirty years, in this case) and have achieved a near-universal legendary status (at least, for these guys, among the majority of fans of post-hardcore/sludge metal), it’s easy to forget that there are some folks out there who may not already be intimately familiar with them. Easy to just assume that everyone knows them, disregarding the fact that there’s always somebody who has yet to make that big discovery.
After all, though, that’s the whole point of writing about music: to help someone learn about something that could potentially be life-changing. The About page of this website describes exactly that — while also referencing a particular time period of exploration for myself, which in that narrative was described as “The Napster Years,” but frankly a huge part of my own rebirth as a metal music fan directly resulted from finding Relapse Records CD samplers (like this one and this one) at a local record store (more info here and here for the younger readers). Interestingly, three of the artists that had really jumped out at younger me and grabbed my attention are ones I have written about here, just this month: Today is the Day, Dying Fetus, and now, Neurosis.
Specifically, there were a couple of songs from the band’s then-new album A Sun that Never Sets which I bought not long afterwards, and which was — front-to-back — one of the most amazing things I’d ever experienced. So in light of all that, I’m pleased to present — to any of you who may not have heard this yet — their latest release, 2016’s Fires Within Fires.
Molasses Barge – Molasses Barge + Covered in Molasses (Blackseed Records, 28 July 2017)
So I’ve been writing about Molasses Barge basically as long as I’ve been writing about music in general. It all started way back in late 2011 when they had a few shows scheduled, and I threw together a little synopsis of my first experience seeing them perform live (earlier that year when they opened for Pentagram). This was followed by an interview with drummer Wayne Massey in 2012 (as they were about to open for Tombs and 16), and then guitarist Justin Gizzi also answered a few questions as part of our coverage leading up to the Winter’s Wake festival in 2013.
In all, these Pittsburgh-based doom-metal workhorses have appeared (at least mentioned in passing) on this website a few dozen times. And yet, as active as they are (and despite having been in existence for close to a decade now!), the band’s official recorded output thus far has consisted of one EP six years ago, plus a three-song demo a few months later. (Both of them are available to stream or download FREE at Bandcamp.) But that all changes now: this Friday they will be unleashing their stunning debut self-titled LP, and as a special added bonus (perhaps as a thank-you to all the fans who’ve been patiently waiting so long), it’ll come bundled with a second disc filled with cover songs.
Those answers can be found below, so go check them out. The tour continues TONIGHT (25 July) in Brooklyn, hitting stops in Connecticut, Maryland, and New York before closing out the week in Pittsburgh (Howlers in Bloomfield) on Saturday. Then starting next month, Mosley will be reintroducing himself all over the country — see the updated post for the latest dates (now running through November); at least a dozen more shows have been added since it was first published!