Cantharone – Sons of the Crow (self-released, 06 June 2015)
Mine Collapse – Mine Collapse (Nefarious Industries, 22 July 2016)
Livid – Beneath this Shroud, the Earth Erodes (Prosthetic Records, 14 July 2017)
Today we’ve got not one, not two, not five… but three different bands to talk about, each of which has come across my radar screen within about the past year or so. Cantharone is a four-piece from Minneapolis who have been around since about 2009, and their most recent release was their second EP which came out in the summer of 2015 (and which I’ll be sharing with you today). But despite that relatively low rate of recorded output, the band has kept pretty busy, between putting together their yearly Canthrammer Music Festival featuring a blend of metal and outlaw country bands, as well as frequent touring around the region. Down below in the comments section I’ll include some info about this year’s festival (coming in late August) as well as a list of shows they’ll be playing over the next week or so.
The other two bands that will be included in this article will be sharing a stage with Cantharone at some point in their upcoming travels, and each is equally worth checking out. Mine Collapse (Chicago) dropped their debut EP almost exactly a year ago, while Livid (Minneapolis) saw their debut LP released just days ago — both of those will also be discussed here.
Beelzebud – Self Titled (digital/tape self-released 23 October 2015; CD Cyclopean Eye Productions 13 February 2017)
Mudbath – Brine Pool (Saka Čost / Troffea Records / GPS Prod / Grains of Sand Records / Third-I-Rex, 02 May 2017)
Since we missed publishing anything new yesterday (sorry, but about half of the company I work for decided to take the day off, it seems, leaving the rest of us to pick up all of the slack…), today as an extra treat I’ve got two things to share with you. First will be the self-titled album by Singaporean noise-doom duo Beelzebud, which was released without much fanfare in 2015 but later discovered by the owner of India’s Cyclopean Eye who immediately decided the album needed to be re-released. And secondly, the latest release from avignonnais sludge-doom quartet Mudbath (their second album). Both of these are available to download for free from the respective bands’ Bandcamp pages, but physical copies can be purchased from the various labels associated with these two releases. Enjoy!
Plebeian Grandstand – False Highs, True Lows (Throatruiner Records / Basement Apes / BLWBCK / Tapes of a Neon God, 29 April 2016)
Verdun – The Eternal Drift’s Canticles (Throatruiner Records / Head Records / Lost Pilgrims, 29 April 2016)
When there’s a new Throatruiner Records release, you can pretty much be guaranteed it’ll be filled with plenty of gloomy, yet intensely vicious music of exceptionally high quality. That’s been the case each time I’ve heard anything from this French label (including a few that I’ve written about), and the two we’ll be discussing today — one by toulousainsPlebeian Grandstand and the other by montpelliérainsVerdun, which both came out back in April of this year — are no exception.
And for some additional good news, at least for readers who live in the U.S., Plebeian Grandstand will be kicking off an American tour this weekend! After you’re done reading about these albums, divert your eyes down to the comments section to check out all the relevant details. Bonne écoute!
The Ravenna Arsenal – I. (self-released, 23 February 2013)
Gholas – Litanies (Dullest Records, 11 February 2014)
Hello out there, folks. Hope this week has gone well for you all. Over the past few days — during which things got pretty crazy busy, to the point where I didn’t have any time to get anything written — I’ve heard some pretty incredible brand-new releases, and I definitely look forward to sharing those with you. But not quite yet; instead, today we’re going to turn back the calendar a little bit, and spend some time with a couple of my favorite releases from years past that I just never quite got around to writing about yet. These were featured in my Top 13 of 2013 and Top 14 of 2014 lists, respectively, chiefly due to the fact that both of these bands know how to write a hell of a song. These are both albums that I’ve listened to front-to-back like dozens of times, and I feel pretty certain you’ll agree that every single song on each is of excellent quality …
All Ages (BYOB for 21+), 8:00 show / 7:30 doors, $10
Tickets are on sale NOW at this link… OR you can WIN a pair of tickets FREE, courtesy of Steel Bridge Promotions and Valley of Steel! Keep on reading to learn more about the show and to enter for your chance to win …
It’s Monday and I’m tired and crabby and I don’t really want to be here and I just want to punch everything and everyone right in the damn face. It probably wouldn’t be advisable to do so, because there’s a good chance I’d end up losing my job — and despite what you might think based on how much bitching and complaining I do, that would probably not be a good thing. So as per usual, I’m stuck keeping all that annoyance and rage bottled up inside, with no real outlet through which to channel it. The best I can do is try to calm my nerves by grabbing a pair of headphones and blocking the whole world out with something loud and angry and particularly ugly. In fact, looking ahead at the schedule for the rest of this week, #SpoilerAlert, there’s going to be a lot of angry and ugly going on. So stay tuned for that.
To start off the week, we’re going to visit with St. Louis ultra-doom trio Fister. It’s been nearly three years since I wrote about their Gemini album on the day they were coming here to Pittsburgh with their friends and neighbors The Lion’s Daughter. At that time I had mentioned that there was quite a bit of stuff in the Fister discography, including a split record with The Lion’s Daughter, and that I had chosen to listen to Gemini (and share it with you folks) simply because it had been their most recent release at the time. Well those guys have continued to be pretty active since then, both touring and recording, and I figured it’s about time we checked back with them.
In particular, I thought we could take some time to check out a couple more records that have come out over the past two months. (There’s much more out there on Bandcamp, if you’re curious, but for practical reasons I had to limit myself to two releases to discuss today.) The first will be a split 7″ with Teeth from California, and the other is a split with Dopethrone from Montréal.