My first exposure to Rebreather, from Youngstown Ohio (right across the state border from here via the turnpike), was August 2013 in neighboring Kent Ohio — where they performed at that summer’s Blackout Cookout.
Unfortunately no images survive from that performance, because all my show photos were stored on a Facebook account which no longer exists. But it was a pretty eventful day, where roughly a dozen different bands alternated sets on stages at opposite ends of the venue. Rebreather closed out the night, at which point we were all so completely exhausted and dead to the world, that we could hardly even focus on what was happening. But damn. Even now, eight years later, I can still remember badly wanting to hit the road to get back home, but being sucked in and transfixed by the abject heaviness emanating from that stage.
Luckily, I would eventually see the band multiple times in Pittsburgh and Ohio, so at least once or twice got to experience them while fully awake and slightly more lucid. Anyway, fast-forwarding to 2021, the band has just put out a brand-new record that any fans of noise-rock or grunge or fuzz or post-rock should have on their wish list for Santa!
Rebreather – The Line, Its Width, and the War Drone (Aqualamb Records, 03 December 2021)
That’s right, these two titans of (the music) industry will be making an appearance in Pittsburgh: Ghost (who were here exactly five years ago today and gave one of the more memorable performances I’ve ever witnessed) TONIGHT, Friday the 18th; and (the) Melvins (who also came through town five years ago this month, with what was quite possibly THE best show I’ve seen) TOMORROW night, Saturday the 19th!
Stick around for more details on this weekend’s shows, as well as a bit of a walk down memory lane…
Thursday 17 August through Sunday 20 September 2017
at Hard Rock Hotel and Casino, 4455 Paradise Rd, Las Vegas NV 89169
This weekend-long party in Sin City will feature some folks that you’ll recognize from previous mentions right here at Valley of Steel (Neurosis, Conan, Fister, Melvins, Hollow Leg, North, Ruby the Hatchet, Slomatics — just to name a few). Some other highlights will include Inter Arma, Black Anvil, Minsk, Goya, Manilla Road, Mouth of the Architect, Pelican, Vhöl, Year of the Cobra… YOB, Pentagram, Corrosion of Conformity, Sleep, Psychic TV… oh yeah, and King Diamond performing the whole Abigail album!
Those answers can be found below, so go check them out. The tour continues TONIGHT (25 July) in Brooklyn, hitting stops in Connecticut, Maryland, and New York before closing out the week in Pittsburgh (Howlers in Bloomfield) on Saturday. Then starting next month, Mosley will be reintroducing himself all over the country — see the updated post for the latest dates (now running through November); at least a dozen more shows have been added since it was first published!
Melvins – Basses Loaded (Ipecac Records, 03 June 2016)
Around here, we’ve talked pretty extensively about the Melvins. Mostly because since forming in Montesano, Washington about thirty-five years ago, the band has been a highly influential part of so many of the genres we love, even having a hand in forming and shaping several of those. Also there’s the fact that, with their ever-revolving line-ups, there are approximately ninety-seven Melvins releases (on average) each year. Being so prolific, it’s likely that they’ll have some stuff kind of flying under the radar, and today we’ll be looking at an album from last year that you may have missed. And then down in the comments you can find information about all their tour dates for the rest of the summer and beyond (and if you have the opportunity to see these guys, I really could not recommend it highly enough!)
Sila Slona – Sila Slona (Zero Hero Recordings, 27 January 2017)
Montezuma’s Revenge – Them (Zero Hero Recordings, 03 March 2017)
Anyone who has read or watched any sort of news in the United States over the past few months may have noticed that Russia is being mentioned in connection with nearly every story that’s being reported these days. That country is currently discussed more often in this country, than any other time in the past several decades — at least since August 1991. Not even during the Sochi Olympics do I recall having heard about Russia nearly this often.
But I’m not here to talk about political matters, and you certainly aren’t here to read about such nonsense either. So it seemed like a much more fitting idea would be to discuss some Russian music. Specifically, here are albums by two different bands from Moscow, which were both released earlier this year by Moscow-based Zero Hero Recordings. Enjoy!
at Club Cafe, 58 S. 12th St., Pittsburgh (South Side) PA 15203
21+ ONLY, 8:00 show / 7:00 doors, $12 adv. / $14 day of
Tickets are on sale NOW at Ticketweb… OR you can WIN a pair of tickets FREE, courtesy of Opus One Productions and Valley of Steel! Keep on reading to find out how (and while you’re at it, don’t forget about our other contests we are currently running!) …
Barren Heir – Tired Turns (self-released, 03 May 2016)
Stone Machine Electric – Sollicitus es Veritatem (self-released, 17 May 2016)
Hey people! Happy Cuatro de Mayo! I’ve got another pair of albums to share with you today, and I won’t waste any of your time getting to the part where we talk about them. Both are brand new (the first one came out yesterday, the second can be pre-ordered now and will be released in two weeks), both are self-released and self-promoted, and both are absolutely deserving of your attention. Oh, and each of them happens to be just five tracks long, but by serving up songs that average between nine and twelve minutes, both of these bands have quite considerately ensured that you get your money’s worth!
Beehoover – The Devil and His Footmen (Exile on Mainstream, 30 September 2013)
Beehoover – Primitive Powers (UnUnDeux, 26 February 2016)
Hey, good afternoon, music fans! Did you know that this website is now in its fifth year of existence? Technically its fifth birthday will be coming up later this year, but I just thought it was interesting to think about that. That might be partly why I’ve been covering quite a few older releases over the past weeks, trying to get some stuff written about and shared with you that I’ve been listening to and meaning to write about for a long time: reaching (or approaching) that sort of milestone can make you do a lot of reflecting back, while also trying to stay on top of what’s happening currently and looking ahead to what’s next.
Anyway, that’s kind of a roundabout way of introducing today’s topic, which will be hitting a bit of each of those things, since I’ll be covering a pair of albums by German bass/drums/vocals duo Beehoover — one which came out in late 2013 (and I’ve been thoroughly enjoying, and intending to get a chance to write about, since around that time), and a brand-new one (that I feel confident you’ll enjoy just as much) which will officially hit the store shelves (metaphorically speaking) tomorrow!