Beehoover – The Devil and His Footmen (2013), Primitive Powers (2016)

thedevilandhisfootmen

BeehooverThe Devil and His Footmen (Exile on Mainstream, 30 September 2013)

 

primitivepowers

BeehooverPrimitive Powers (UnUnDeux, 26 February 2016)

 

Hey, good afternoon, music fans! Did you know that this website is now in its fifth year of existence? Technically its fifth birthday will be coming up later this year, but I just thought it was interesting to think about that. That might be partly why I’ve been covering quite a few older releases over the past weeks, trying to get some stuff written about and shared with you that I’ve been listening to and meaning to write about for a long time: reaching (or approaching) that sort of milestone can make you do a lot of reflecting back, while also trying to stay on top of what’s happening currently and looking ahead to what’s next.

Anyway, that’s kind of a roundabout way of introducing today’s topic, which will be hitting a bit of each of those things, since I’ll be covering a pair of albums by German bass/drums/vocals duo Beehoover — one which came out in late 2013 (and I’ve been thoroughly enjoying, and intending to get a chance to write about, since around that time), and a brand-new one (that I feel confident you’ll enjoy just as much) which will officially hit the store shelves (metaphorically speaking) tomorrow!

 

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Out Last Month: The Reticent – Le Temps Detruit Tout

 

The ReticentLe Temps Detruit Tout (Heaven and Hell Records, 29 May 2012)

 
Well, shit.

I hate when I feel so overwhelmed by all the stuff I’ve got going on, that I start forgetting about things I was planning on doing. Does that happen to you? It’s like, everything needs my attention, everything needs to be a priority, and some stuff just unfortunately ends up falling through the cracks.

For example: it was about six weeks ago that I wrote about The Reticent — that post was just a comment on a news item about a politically-charged message that the band’s mastermind (and sole member) Chris Hathcock had shared on his Facebook page. But, at the same time, I had mentioned the (then) upcoming album (the band’s third full-length) Le Temps Detruit Tout (“Time Destroys All”), and I did mention then that I was planning on writing a review for the album.

Well, two weeks later, the album came out (on Heaven and Hell Records, who also released the previous two — in fact, the band’s 2006 debut Hymns for the Dejected was the first album that label ever released). And since then another four weeks have passed, and now I find myself digging through some unfinished drafts, when I stumbled upon this one. Not only did I forget to finish writing the review, but I almost shared this too late for you to enter the contest to win a copy of the CD!

When I say almost too late, I really mean it — the contest ends tomorrow (Friday, 29 June), so keep on reading, but then hurry up and hit the link near the end of this post, for your chance to win!!

 
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