My first exposure to Rebreather, from Youngstown Ohio (right across the state border from here via the turnpike), was August 2013 in neighboring Kent Ohio — where they performed at that summer’s Blackout Cookout.
Unfortunately no images survive from that performance, because all my show photos were stored on a Facebook account which no longer exists. But it was a pretty eventful day, where roughly a dozen different bands alternated sets on stages at opposite ends of the venue. Rebreather closed out the night, at which point we were all so completely exhausted and dead to the world, that we could hardly even focus on what was happening. But damn. Even now, eight years later, I can still remember badly wanting to hit the road to get back home, but being sucked in and transfixed by the abject heaviness emanating from that stage.
Luckily, I would eventually see the band multiple times in Pittsburgh and Ohio, so at least once or twice got to experience them while fully awake and slightly more lucid. Anyway, fast-forwarding to 2021, the band has just put out a brand-new record that any fans of noise-rock or grunge or fuzz or post-rock should have on their wish list for Santa!
Rebreather – The Line, Its Width, and the War Drone (Aqualamb Records, 03 December 2021)
Fashion Week – Prêt-à-Porter (Solar Flare Records, 23 February 2015)
New York Fashion Week, or — excuse me — New York-based band Fashion Week, have been around for some number of years, with some quantity of recordings released during that time. I’ve heard rumors about them forming sometime around 2009, and also that this album from early 2015 was their debut full-length, but I can’t really say for sure since their official biography (on Facebook and elsewhere) is more of a tongue-in-cheek retelling of the Nirvana story with only oblique references to any actual members of Fashion Week.
Be that as it may, I guess it doesn’t really matter how much background information you do or don’t know, as long as the music’s good, right? These guys are on the road with Unsane at the moment (the tour actually started last weekend, sorry about the late notice!) and it’s pretty likely that anyone heading out to see the headliner will go back home as a fan of the supporting act as well. Keep on reading to find out a bit more about Prêt-à-Porter (the album, not the movie), and check out the list of tour dates down in the comments.
Melvins – Basses Loaded (Ipecac Records, 03 June 2016)
Around here, we’ve talked pretty extensively about the Melvins. Mostly because since forming in Montesano, Washington about thirty-five years ago, the band has been a highly influential part of so many of the genres we love, even having a hand in forming and shaping several of those. Also there’s the fact that, with their ever-revolving line-ups, there are approximately ninety-seven Melvins releases (on average) each year. Being so prolific, it’s likely that they’ll have some stuff kind of flying under the radar, and today we’ll be looking at an album from last year that you may have missed. And then down in the comments you can find information about all their tour dates for the rest of the summer and beyond (and if you have the opportunity to see these guys, I really could not recommend it highly enough!)
The Ravenna Arsenal – I. (self-released, 23 February 2013)
Gholas – Litanies (Dullest Records, 11 February 2014)
Hello out there, folks. Hope this week has gone well for you all. Over the past few days — during which things got pretty crazy busy, to the point where I didn’t have any time to get anything written — I’ve heard some pretty incredible brand-new releases, and I definitely look forward to sharing those with you. But not quite yet; instead, today we’re going to turn back the calendar a little bit, and spend some time with a couple of my favorite releases from years past that I just never quite got around to writing about yet. These were featured in my Top 13 of 2013 and Top 14 of 2014 lists, respectively, chiefly due to the fact that both of these bands know how to write a hell of a song. These are both albums that I’ve listened to front-to-back like dozens of times, and I feel pretty certain you’ll agree that every single song on each is of excellent quality …
Six Questions with Steve Kaczynski (guitar) and Aaron Kaczynski (vocals) of Jericho Theory
by Mrs. Valley of Steel
Here I am again, writing another Person or Persons Unknown about another Pittsburgh band member, but this time I decided to change things up a bit. This time I am focusing on two guys actually: Steve Kaczynski and his son Aaron.
While I have never really had too much interaction with Steve in the past, I have seen their joint band Jericho Theory and was impressed with the chemistry and talent they both posses. I must admit, doing this particular article was one of the main reasons for starting these interviews. In truth, I have known Aaron for a while now, and I’ve liked him from the first time I met him. He’s got an infectious enthusiasm that you couldn’t fake if you tried. I have gotten to know him better through this journey of Facebook messages, attending shows together, and also attending shows that his bands have played. I am not sure if I have ever met a more honest and caring person in our music scene. He is that guy that knows all your songs, and knows what shows you’re playing; he’s the kind of fan that makes playing in a band in Pittsburgh worth it. I don’t even think people realize what a positive and caring member of this circle he really is. He has a way of making shows I attend with him more fun — even with my weird habit of buying him a PBR at least once a show — it’s more a level of comfort and happiness when I know he’ll be attending a show. He’s kind of turned into an unofficial little brother for the husband and me, and listening to him tell me at least once during each show that this is his favorite band or his favorite song makes me happier then I could ever state — because his influence has actually made me want to be a better fan.
So with that, I figured that this kid with his infectious nature and love of music had to have an amazing musical role model just like I did. Now that I have the ability to figure that out, I was on a mission to do so — hence the reason for this interview, so I could see if my inkling about him was correct. I am very proud to call Aaron a friend, and I hope after reading this you’ll want to be friends with him and his dad too, and I hope it will make you want to see them in action this Saturday, March 30th, at the Bloomfield Bridge Tavern.
Folks, if you’ve had your ear to the ground over the past few months you might have noticed that there has been some rumbling coming out of the dark underworld of hardcore. There has been so much hype swirling around the crusty, grimy beast known as Meth Quarry lately, that the band has reached a nearly mythical status — without having played a single show yet!
But all of that is about to change, because these guys are finally ready to come crawling out of the dank cellar of Pittsburgh’s underground and expose the good people of the Steel City to their grim “dirge” hardcore style. Last weekend I met up with the quintet (guitarists Chris Smith and Kevin Hogue, bassist Aaron Kaczynski, vocalist Adam Joseph Bailey, and drummer Brandon “Fluffy” Baker) to talk about the story of the band’s formation and what sort of things they’ve got on the horizon — I joined them at one of their rehearsals, which took place in the basement of Kevin’s house, so when I say “crawling out of the cellar” I actually mean it literally…