High Fighter – The Goat Ritual (2014), Scars & Crosses (2016); Zirakzigil – World Builder (2016)

EP Cover Artwork + by Dominic Sohor Design

High FighterThe Goat Ritual (self-released, 28 October 2014)

 

High Fighter 'Scars & Crosses'      Album Front Cover_ By Dominic Sohor

High FighterScars & Crosses (Svart Records, 10 June 2016)

 

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ZirakzigilWorld Builder (Prosthetic Records, 10 June 2016)

 

Hey folks, how are you? Thanks for stopping by. Are you ready for another dose of good stuff to listen to? I hope so, because once again I’ve got some here to share with you today.

Both of the bands we’ll be discussing today will have an album released on Friday: High Fighter from Hamburg, Germany, will see their first full-length put out by Svart Records, which we’ll talk about in addition to that band’s debut EP that was self-released a while back; Zirakzigil from Portland, Oregon, also have their first LP forthcoming, one which was originally released by the band last year but is now being repackaged (and etched onto vinyl for the first time) by Prosthetic Records.

 

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It’s All Greek To Me: Reviews of Aenaon and Hail Spirit Noir (2014)

aenaon-extance

AenaonExtance (20 January 2014, Code666 Records)

 

Oi Magoi

Hail Spirit NoirOi Magoi (20 January 2014, Code666 Records)

 

First, a word about this article’s title: there is an equivalent expression to that idiomatic phrase in Greek — Αυτά μου φαίνονται κινέζικα — as there is in numerous other languages, which would be helpful for non-native English speakers, since in a literal translation the meaning may be lost to those readers. However, the idiom with a similar meaning in several other languages would exclude the double entendre intended by the title in English: that today I am writing about two albums by two ostensibly similar bands, who are both Greek.

Okay, with that out of the way, time to move on to some music. These two albums came out on the same day in January by Code666; each one is the second album from its respective band — Aenaon (based in the regions of Epirus and Thessaly) and Hail Spirit Noir (from Thessaloniki, Central Macedonia) — who are both firmly rooted in a black metal aesthetic, while bringing various other experimental and avant-garde elements into the mix.

 

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