Happy 2017(?)

2017

 

Well folks, here we are, starting another new year. 2016 was quite an eventful one, both on a personal level (Valley of Steel headquarters has relocated within the past few months! — which is why we’ve been so quiet for a little while; we’ve been hella busy between finding a place to move to, moving there, getting settled in, etc. — although for those who may be worried: we’re still in a valley in a former industrial area outside Pittsburgh, so the website title is still accurate, it just happens to be the valley of a different river than our former location), as well as on a sociocultural level (politics, both domestic and foreign, has really been a mess lately, hasn’t it??).

Of course, like every year, tons of great music got released in 2016 as well — and like every year, I’ve failed to write about everything I’ve wanted to share with you folks (or even half of it). We’ll be diving back into the reviewing and sharing of new (and some fairly not-so-new) music very soon. But today, I’d like to hit a few other items as we briefly glance over the year that was…

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High Fighter – The Goat Ritual (2014), Scars & Crosses (2016); Zirakzigil – World Builder (2016)

EP Cover Artwork + by Dominic Sohor Design

High FighterThe Goat Ritual (self-released, 28 October 2014)

 

High Fighter 'Scars & Crosses'      Album Front Cover_ By Dominic Sohor

High FighterScars & Crosses (Svart Records, 10 June 2016)

 

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ZirakzigilWorld Builder (Prosthetic Records, 10 June 2016)

 

Hey folks, how are you? Thanks for stopping by. Are you ready for another dose of good stuff to listen to? I hope so, because once again I’ve got some here to share with you today.

Both of the bands we’ll be discussing today will have an album released on Friday: High Fighter from Hamburg, Germany, will see their first full-length put out by Svart Records, which we’ll talk about in addition to that band’s debut EP that was self-released a while back; Zirakzigil from Portland, Oregon, also have their first LP forthcoming, one which was originally released by the band last year but is now being repackaged (and etched onto vinyl for the first time) by Prosthetic Records.

 

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