Happy 2017(?)

2017

 

Well folks, here we are, starting another new year. 2016 was quite an eventful one, both on a personal level (Valley of Steel headquarters has relocated within the past few months! — which is why we’ve been so quiet for a little while; we’ve been hella busy between finding a place to move to, moving there, getting settled in, etc. — although for those who may be worried: we’re still in a valley in a former industrial area outside Pittsburgh, so the website title is still accurate, it just happens to be the valley of a different river than our former location), as well as on a sociocultural level (politics, both domestic and foreign, has really been a mess lately, hasn’t it??).

Of course, like every year, tons of great music got released in 2016 as well — and like every year, I’ve failed to write about everything I’ve wanted to share with you folks (or even half of it). We’ll be diving back into the reviewing and sharing of new (and some fairly not-so-new) music very soon. But today, I’d like to hit a few other items as we briefly glance over the year that was…

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Year of the Goat – The Key and the Gate (2014), The Unspeakable (2015)

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Year of the GoatThe Key and the Gate (Napalm Records, 28 November 2014)

 

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Year of the GoatThe Unspeakable (Napalm Records, 31 July 2015)

 

The year of the goat has ended: this past February, the year of the monkey was ushered in.  But the previous twelve lunar months had been dominated by this horned beast — the third such year since the one in which I was born — and around this time period, Sweden’s Year of the Goat had been fairly active.  Exactly twelve weeks before the commencement of the (Chinese) new year, their second EP The Key and the Gate saw the light of day via Napalm Records, who then went on to release Year of the Goat‘s second full-length album The Unspeakable once the year of the goat was actually in full-swing — in fact, right in the middle of the month of the goat.

And I’ll stop there, because that pretty much exhausts the extent of my research into Chinese astrology in preparation for writing about this band from Norrköping and their latest two releases — the latter and longer of which found its way onto my list of the best of 2015

 

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