Year of the Goat – The Key and the Gate (Napalm Records, 28 November 2014)
Year of the Goat – The Unspeakable (Napalm Records, 31 July 2015)
The year of the goat has ended: this past February, the year of the monkey was ushered in. But the previous twelve lunar months had been dominated by this horned beast — the third such year since the one in which I was born — and around this time period, Sweden’s Year of the Goat had been fairly active. Exactly twelve weeks before the commencement of the (Chinese) new year, their second EP The Key and the Gate saw the light of day via Napalm Records, who then went on to release Year of the Goat‘s second full-length album The Unspeakable once the year of the goat was actually in full-swing — in fact, right in the middle of the month of the goat.
And I’ll stop there, because that pretty much exhausts the extent of my research into Chinese astrology in preparation for writing about this band from Norrköping and their latest two releases — the latter and longer of which found its way onto my list of the best of 2015 …
Aenaon – Extance (20 January 2014, Code666 Records)
Hail Spirit Noir – Oi Magoi (20 January 2014, Code666 Records)
First, a word about this article’s title: there is an equivalent expression to that idiomatic phrase in Greek — Αυτά μου φαίνονται κινέζικα — as there is in numerous other languages, which would be helpful for non-native English speakers, since in a literal translation the meaning may be lost to those readers. However, the idiom with a similar meaning in several other languages would exclude the double entendre intended by the title in English: that today I am writing about two albums by two ostensibly similar bands, who are both Greek.
Okay, with that out of the way, time to move on to some music. These two albums came out on the same day in January by Code666; each one is the second album from its respective band — Aenaon (based in the regions of Epirus and Thessaly) and Hail Spirit Noir (from Thessaloniki, Central Macedonia) — who are both firmly rooted in a black metal aesthetic, while bringing various other experimental and avant-garde elements into the mix.