Hollow Leg – Murder, He Whose Ox is Gored – Paralyzer, Cave of Swimmers – The Sun (2017)

Hollow LegMurder EP (digital: Argonauta Records, 03 March 2017; cassette: Southern Druid Records, 16 June 2017; Crown, Murder Edition CD: Argonauta Records, 30 June 2017)

 

He Whose Ox is GoredParalyzer 7″ (Chain Letter Collective/Void Assault Records, 16 June 2017)

 

Cave of SwimmersThe Sun 7″ (Southern Druid Records, 03 July 2017)

 

Today I’ve got three different releases to share with you. Don’t worry, I won’t take up too much of your time — each of these has just two or three songs. But more importantly, all three come from bands who have had some pretty incredible previous releases we’ve already talked about: Hollow Leg, He Whose Ox is Gored, and Cave of Swimmers. So you can already be guaranteed these will all be great, too!

Oh yeah, and if you scroll on down to the comments section, you can take a peek at the dates for Hollow Leg‘s current tour which centers around an appearance at The Maryland Doom Fest on Saturday (24 June)!

 
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Faces of the Bog – Ego Death (2016)

Faces of the BogEgo Death (self-released, 04 October 2016 / vinyl DHY Records, 22 September 2017)

 

Okay, stop me if you’ve heard this one before. Band from Chicago, influences are a blend of all things heavy (including a generous helping of noise rock and post-metal), and they just happen to be produced by Sanford Parker.

It doesn’t matter to me how many times they keep remaking this same movie, I’ll keep coming back to see it every time. Here’s Faces of The Bog‘s debut album, which they released in fall 2016. Tour dates for Ohio and western Pennsylvania THIS WEEKEND, plus a few more throughout the midwest over the rest of the summer, can be found down in the comments section.

 

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Battle Path – Ambedo (2015-16); Hollow Leg – Crown (2016)

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Battle PathAmbedo (digital+vinyl Inherent Records / Crimson Eye Records, 09 November 2015; cassette Wood and Stone Productions, 24 June 2016)

 

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Hollow LegCrown (Argonauta Records, 04 March 2016 EU / 24 June 2016 NA)

 

Well good morning, readers, and a happy Tuesday to you all. I’m finally back after taking an extra week off from writing — partly to recover from the Independence Day holiday weekend (and that Primitive Man show last Monday night!) and partly because of me being so overloaded at my day job. But as always, there’s tons of stuff to tell you about — both old and new — so here we go again. Today we’ll be taking a look at albums by two different bands from the southeastern United States, Battle Path from Murfreesboro and Hollow Leg from Jacksonville. Each of these albums originally came out a little while ago (Ambedo back in November and Crown in March), but they both just got reissued near the end of last month (the former has now come out on cassette, while following a European release the latter is now also available domestically).

 

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Lord Mantis Interviewed By Slaves BC!!

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Lord Mantis interviewed by Slaves BC

 

So tomorrow — Friday the 29th — the new Lord Mantis EP NTW will be released, the band’s first recorded material since their big line-up shakeup (and merger with Indian) last year. You can read all about those changes, and take a look at that new EP as well as their previous album, 2014’s Death Mask, all right here. But beyond just reading about my thoughts and reactions to this new and old material, perhaps you might be interested in learning more about what’s been going on with the band — in their own words?

 

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Corrections House – Last City Zero, Lumbar – The First and Last Days of Unwelcome (2013)

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Corrections HouseLast City Zero (Neurot Recordings, 29 October 2013)

 

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LumbarThe First and Last Days of Unwelcome (Southern Lord Records, 11 November 2013)

 

Salutations. It’s Monday, and I just don’t have the energy for any of the wisecracks or silliness these things often start with, so instead I’ll just jump right into introducing today’s topic of conversation. It’s been a long time coming, but finally I’m getting around to writing about these two albums which were each released in late 2013, and which each subsequently found their way into the top ten of my Top 13 of 2013 list. Yes, that particular list did contain a total of twenty-seven albums, technically speaking, but still that’s no excuse for a delay of more than two years before getting some of these reviews done — particularly considering the exceptionally high quality of the material found here.

The two albums in question were the first to be released by two different groups of musicians, all veterans of fairly well-known bands: first, Corrections House is a conglomoration of Mike IX Williams (Eyehategod), Scott Kelly (Neurosis), Bruce Lamont (Yakuza), and Sanford Parker (Minsk), with some of the lyrics contributed by the phantasmatic “minister of propaganda,” Seward Fairbury; and Lumbar is a project led by Aaron Edge (well-known as a graphic designer, who worked for Southern Lord Records for several years, but also a guitarist and drummer who has been part of literally dozens of groups, including Brothers of the Sonic Cloth), with the addition of Mike Scheidt (YOB) and Tad Doyle (Brothers of the Sonic Cloth, formerly Tad).

In each case, I think you’ll find — as they say — that the finished product shows each collective to be more than simply a sum of its parts. But even if that wasn’t the case, looking at the particular parts involved, those would still be pretty lofty sums, no?

 

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Wrekmeister Harmonies – Night of Your Ascension (2015)

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Wrekmeister HarmoniesNight of Your Ascension (Thrill Jockey, 13 November 2015)

 

Well… here we are at the end of a dull, dreary Monday — looks like we’ve survived another one. And it’s a good thing, too, because I’ve got something pretty extraordinary to share with you this afternoon. It’s not often that you come across something that seems immediately transcendent — so otherworldly that it fully envelops the listener and transports you away from the surface level of consciousness — but that’s the case with Night of Your Ascension, the third album released by the American “pastoral doom” conglomerate known as Wrekmeister Harmonies. A late-year discovery for me (it just came out at the end of November), this LP nevertheless had such an instantaneous impact that I just had to include it among my list of 2015’s top releases.

This isn’t necessarily the type of material that really benefits from being written about, being described in words, so I’ll keep that part as brief as possible. Further down, you’ll have the opportunity to listen for yourself and get the full experience, and then you’ll understand. And even further down (in the comments section), I’ll be including the details of the group’s current North American tour with Bell Witch, so stay tuned for that!

 

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Two Reviews: The American Edition

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Two Reviews: The American Edition

 

Hey folks! Happy Thursday to you. (Does it seem strange to be excited that it’s the second-to-last day of the week? Like, the week isn’t almost over yet, but it’s almost almost over? I don’t know. But I’m definitely feeling that way this week.) Anyway.

So you might have noticed, a few days ago I wrote a thing about some Canadian bands I listened to last week on Canada Day. Well, a few days after that holiday is Independence Day for the United States of America, so it only seems natural that I should follow that post about Canadian music with one that is American-themed.

In digging through my massive archive of Stuff To Eventually Write About And Share With You, I selected two things that feature the word “American” — one in the band name and the other in the album title — although beyond this (and the fact that both actually live in America), there is very little in common between the two. I’m not saying that they’re quite polar opposites — not quite — but I’d imagine that a Venn diagram showing fans of these two albums wouldn’t have a huge amount of overlap. Maybe I’m wrong, maybe lots of you will absolutely love both of them. That would be cool. But there’s only one way to find out…

 

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