Lord Mantis – Death Mask (2014), NTW (2016)

Mantiscover

Lord MantisDeath Mask (Profound Lore Records, 29 April 2014)

 

Lord-Mantis_NTW_Cover2200

Lord MantisNTW (New Density Records, 29 April 2016)

 

In early 2015, the whole world was shocked and saddened to learn that Chicagoan misanthropic miscreants Indian were calling it quits. Maybe “the whole world” is a sight exaggeration, but for myself and everyone I know, it was difficult news — especially since it came just a year after the band had released what was unquestionably their best album to date.

But then that blow was softened a bit almost immediately after, when another huge announcement shook the metal world: that closely-related Chicago band Lord Mantis had parted ways with some of its members, leaving only founding drummer Bill Bumgardner and Andrew Markuszewski who had been the lead guitarist for nearly all of that band’s releases. Augmenting this newly depleted line-up would be most of the folks who had just left Indian — in addition to Bumgardner who had also been playing drums in that band for years, ex-Indian guitarist Will Lindsay (also a member of Anatomy of Habit) would be joining on bass, and former Indian guitarist/vocalist Dylan O’Toole (who has also appeared as part of the Wrekmeister Harmonies ensemble) would now be handling Lord Mantis vocal duties. And finally, rounding out the line-up by joining Markuszewski on guitar, Scott Shellhamer of yet another great Chicago band, American Heritage.

This shakeup didn’t come as a huge surprise to anyone who’d been paying attention to the goings-on surrounding Mantis; even in the press release for their last album, 2014’s Death Mask, it mentioned rumblings of turbulence among the band’s members at that time. And the new additions seemed like a perfectly logical choice, as not only had these guys all known each other and been friends for years, but Lindsay and O’Toole had each made contributions to the band previously, including guest appearances on Death Mask.

But now, finally, the result of all of these moving pieces has come to fruition, as the first recording by the new Lord Mantis is being released tomorrow — exactly two years (to the day) after Death Mask, the band’s own New Density will unleash the EP NTW. In this article we’ll take a look at the new EP as well as the album that preceded it. And for those who would like to learn more about how all these changes have affected the band from the perspective of its members, don’t miss this interview where they’ve answered some questions provided by members of Slaves BC!

 

Continue reading

Advertisements

Lord Mantis Interviewed By Slaves BC!!

3540280208_logo

Lord Mantis interviewed by Slaves BC

 

So tomorrow — Friday the 29th — the new Lord Mantis EP NTW will be released, the band’s first recorded material since their big line-up shakeup (and merger with Indian) last year. You can read all about those changes, and take a look at that new EP as well as their previous album, 2014’s Death Mask, all right here. But beyond just reading about my thoughts and reactions to this new and old material, perhaps you might be interested in learning more about what’s been going on with the band — in their own words?

 

Continue reading

Anatomy of Habit – Ciphers + Axioms (2014)

a4255284748_10

Anatomy of HabitCiphers + Axioms (Relapse Records, 10 November 2014)

 

Good afternoon, how is everyone out there? Myself, I’ve just finished my third cup of coffee (or was it the fourth?) and somehow I still feel like I could nod off any second. I did manage to sleep at least five hours last night — more than usual — which is a good thing. For a while, I’d been concerned I’d start seeing hallucinations.

Now, I’m just wondering if I’m hearing hallucinations. Yeah, I know, that was terrible. Sorry, but I just don’t have the energy to come up with a decent segue today. If you have a problem with it, you can write your own reviews.

Anyway, we’ll pretend that was a really smooth transition, and that brings me to what I wanted to share with you today. Again I’ve dipped into my extensive to-do list, and come up with this delightful little album that Relapse Records had unleashed on the world late last year. A bit strange, but it quickly grew on me, and I’ve come to really enjoy it a lot over the past several months. I’ve got a feeling that maybe some of you will, too.

 

Continue reading