supercorrupter – Amps. Anecdotes. Annihilation.; Horseburner – Dead Seeds, Barren Soil (2016)

J100

supercorrupterAmps. Anecdotes. Annihilation. (self-released, 30 June 2016)

 

cover

HorseburnerDead Seeds, Barren Soil (self-released, 08 July 2016)

 

Hey all you music lovers, or people who are indifferent about music but afficionados of rambly written words! There’s more of both of those in store for you today. I’d like to share recently-released albums by a pair of local (regional) bands: supercorrupter (formerly known as The Gingerdead Men and containing members of various other area groups such as DeathCrawl and Showboy) from Cuyahoga Falls, Ohio (between Akron and Cleveland), and Horseburner from Parkersburg, West Virginia (about halfway down the state, going north-to-south, and right at the edge of the Ohio River). Both of these just happen to be appearing at Ohio’s Blackout Cookout next month, but why not give them a listen today?

 

Continue reading

Karma to Burn – Arch Stanton (2014), The Atomic Bitchwax – Gravitron (2015)

K2B-AS 1440x1440

Karma to BurnArch Stanton (FABA Records, 18 August 2014)

 

ATOMIC BITCHWAX_Gravitron_album_art

The Atomic BitchwaxGravitron (Tee Pee Records, 30 December 2015)

 

Hey folks, HAPPY FRIDAY! As you’ve surely noticed, we’ve spent a lot of time this week talking about tours kicking off this weekend, and bands who are coming to Pittsburgh, but believe it or not I’ve got another announcement for you!

Starting TONIGHT (Friday, May 13th) instrumental legends Karma to Burn from West Virginia and long-running stoner trio The Atomic Bitchwax from New Jersey will be heading out on a month-long tour all across America, opening for The Obsessed (which was one of the earliest of Wino‘s plethora of bands).

The full list of dates for this tour (including a stop at Pittsburgh’s Altar Bar tomorrow night) will be listed down at the bottom of this page — in the comments. But first, lets take a closer look at a (relatively speaking) recent album from each of those two supporting bands …

 

Continue reading

Two Reviews: The American Edition

image

Two Reviews: The American Edition

 

Hey folks! Happy Thursday to you. (Does it seem strange to be excited that it’s the second-to-last day of the week? Like, the week isn’t almost over yet, but it’s almost almost over? I don’t know. But I’m definitely feeling that way this week.) Anyway.

So you might have noticed, a few days ago I wrote a thing about some Canadian bands I listened to last week on Canada Day. Well, a few days after that holiday is Independence Day for the United States of America, so it only seems natural that I should follow that post about Canadian music with one that is American-themed.

In digging through my massive archive of Stuff To Eventually Write About And Share With You, I selected two things that feature the word “American” — one in the band name and the other in the album title — although beyond this (and the fact that both actually live in America), there is very little in common between the two. I’m not saying that they’re quite polar opposites — not quite — but I’d imagine that a Venn diagram showing fans of these two albums wouldn’t have a huge amount of overlap. Maybe I’m wrong, maybe lots of you will absolutely love both of them. That would be cool. But there’s only one way to find out…

 

Continue reading

Winter’s Wake Winterview: Vulture

vulture-cover

 
Good morning, folks! Winter’s Wake 2013 officially starts tonight! Words cannot describe how excited I am. I hope you feel the same way. I’ve still got a few more bands to talk about, so I’ll continue posting these throughout the day.

First up this morning is the “Steel City Sludge” band Vulture! You might remember that I had an interview with their drummer Kelly Gabany a few months back (you can read it here), but I checked in with her once more to find out what’s new in Vulture-land, and here’s what I found out:

 
Continue reading

What To Do In Pittsburgh Tonight (26 November 2012)

 

Opus One Productions Presents:

GWAR – Fate or Chaos Tour

with DevilDriver, Cancer Bats, Legacy of Disorder

 

at Mr. Smalls Theatre

400 Lincoln Avenue, Millvale PA

 

Monday 26 November 2012 | 7:15pm (doors 6:30) | $29 | ALL AGES

  Continue reading

VOS Interview: A Drummer Double Feature! Molasses Barge vs. Vulture!

Hello folks, and a happy Friday to you! Just when it felt like it would never happen, the weekend’s finally here. I’ve got a feeling this is going to be an especially good one, because there’s a ton of amazing shows and events happening! I’ll have more on that later, so stay tuned.

One of them in particular stands out, though — tomorrow night at the 31st Street Pub is the first date on the joint headlining tour between Relapse Records artists 16 and Tombs. That by itself is reason enough to get excited, but opening the show will be two of my absolute favorite local bands, the heavy doom armada that is Molasses Barge and Steel City sludgelords Vulture!

I’ve only seen Molasses Barge once before (and it was over a year ago! — read more about that here), and (believe it or not) although I’ve been listening to Vulture for a long time, I’ve never had the chance to see them play live yet! So needless to say, I’m really looking forward to this show. I’ve already got my tickets (they can be ordered here) but if you don’t, it’s just twelve bucks when you show up at the door. More info on the show itself can be found here.

Anyway, in anticipation of this event, I decided to get a couple of interviews lined up. If you’ve been reading my reviews for a while, you may have picked up on the fact that I often tend to focus on drumming while listening to music. It’s just the way I hear things, I guess — and I don’t know if it’s because I play drums (occasionally) or if I chose to play that instrument because it’s something I pay a lot of attention to.

In either case, the drumming in each of these bands’ genres is one of the main things that attracts me to those particular styles. So, it only seemed natural for me to talk to the two bands’ drummers. Here, then, are the questions and answers from Molasses Barge’s Wayne Massey and Vulture’s Kelly Gabany

 

 

 
Continue reading

Out Today: Vulture – Oblivious to Ruin

image

 

VultureOblivious to Ruin (27 March 2012, Innervenus Music Collective)

 

I’d to apologize to you in advance for the following review, because what I am about to bring to your attention is going to seriously fuck up the rest of your day.

Today marks the official release of Oblivious to Ruin, the debut LP from “Steel City Sludge” purveyors Vulture. These Pittsburgh natives have been around for a few years now — they had previously recorded a self-titled EP at the end of 2008 with a different singer (this was recorded in Virginia with the assistance of Gwar‘s late guitarist Cory Smoot). The following year, though, they swapped for new frontman Justin Erb, and soon started working on new material.

The first material anyone heard out of this revised line-up was the track they recorded in early 2011, exclusively for the Iron Atrocity Vol. 1 compilation: “Prick of Misery” . That song was definitely one of the highlights from that collection, so of course I was excited not long after that when I learned Vulture had teamed up with Innervenus to put together a full-length album.

The band returned to the same studio in Akron, Ohio, where “Prick” had been recorded, and once again they worked with Complete Failure‘s James Curl. After hammering away at it through August and October 2011, Oblivious to Ruin is now ready to be unleashed upon a thoroughly unsuspecting public.

 

Continue reading