Tia Carrera – Visitors / Early Purple (2019)

Tia CarreraVisitors / Early Purple (Small Stone Records, 22 March 2019)

 

Many of you may already be familiar with this group, who rose to superstardom when they appeared in the 1992 film Wayne’s World as the fictional band Crucial Taunt, as well as having a few of their songs appear on the soundtrack. But perhaps you soon lost track of these guys, so it wouldn’t be a surprise if you hadn’t heard that several years later they decided to move to Texas, fire the lead singer, fire the rest of the band, bring in a completely new set of musicians, not bring in a new singer, and adopt more of an improvisational psychedelic style.

To cap it all off, they went on to alter the spelling of their name just barely enough to avoid any potential lawsuits. See, in a situation similar to Alice Cooper, who had been the vocalist of the Alice Cooper Band prior to his appearance in Wayne’s World, the original singer of Tia Carrere legally changed her name to the band’s name — using it in her acting career when she, too, played roles in Wayne’s World and its sequel. This left the rest of the band — which, to reiterate, by this time consisted of entirely different members anyway — in an awkward position, and they had little choice other than to change the name to Tia Carrera.

Or to put it another way, virtually nothing I’ve said thus far has been even remotely true, aside from “Texas” and “improvisational psychedelic style.” Austin-based trio Tia Carrera, who (as far as I can tell) are completely unrelated to the similarly-named actress or her fake glam rock cover band, put out an album with two new lengthy songs (their first new material since 2011!) via Small Stone earlier this year, and if you haven’t heard it yet, I’m going to tell you why you should.

 

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Talsur / Doomcult – Nameless (2019)

Talsur / DoomcultNameless (self-released, 05 April 2019)

 

Good afternoon! Taking a break from our recent excursion into the wide world of sports, to bring you this recommendation of some music for you to check out!

Released back in April of this year — and brought to my attention by one of the bands involved right around that same time — Nameless is a six-track split album. There are two new compositions apiece by Talsur (a single-member doom band from Penza, sort of near the Russian-Kazakh border) and Doomcult (a single-member doom band from southern Netherlands); and then the remaining two tracks feature each band covering a previously-released song by the other. Dig it!

 

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Ruby the Hatchet – Planetary Space Child (2017)

Ruby the HatchetPlanetary Space Child (Tee Pee Records, 25 August 2017)

 
I’m putting the finishing touches on writing this article during breaks between watching Philadelphia’s hockey team getting demolished during the first game of this year’s Stanley Cup playoffs. Entirely by coincidence, that city (a place whose biggest claim to fame is striking a beloved holiday character with snowballs) happens to be the home base of psychedelic ensemble Ruby the Hatchet. But I’ll implore you not to hold that against them.

As you may recall, we wrote about this band’s 2012 debut album Ouroboros when it was reissued back in 2016, and then last summer we mentioned that they would have a new album out soon. Today we’re discussing that album, as RtH prepare to head out on a whirlwind tour of the country over the next few weeks (kicking off this Friday, 13 April 2018). Check out the full list of dates at the bottom of this page.

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VOS Interview: A Drummer Double Feature! Molasses Barge vs. Vulture!

Hello folks, and a happy Friday to you! Just when it felt like it would never happen, the weekend’s finally here. I’ve got a feeling this is going to be an especially good one, because there’s a ton of amazing shows and events happening! I’ll have more on that later, so stay tuned.

One of them in particular stands out, though — tomorrow night at the 31st Street Pub is the first date on the joint headlining tour between Relapse Records artists 16 and Tombs. That by itself is reason enough to get excited, but opening the show will be two of my absolute favorite local bands, the heavy doom armada that is Molasses Barge and Steel City sludgelords Vulture!

I’ve only seen Molasses Barge once before (and it was over a year ago! — read more about that here), and (believe it or not) although I’ve been listening to Vulture for a long time, I’ve never had the chance to see them play live yet! So needless to say, I’m really looking forward to this show. I’ve already got my tickets (they can be ordered here) but if you don’t, it’s just twelve bucks when you show up at the door. More info on the show itself can be found here.

Anyway, in anticipation of this event, I decided to get a couple of interviews lined up. If you’ve been reading my reviews for a while, you may have picked up on the fact that I often tend to focus on drumming while listening to music. It’s just the way I hear things, I guess — and I don’t know if it’s because I play drums (occasionally) or if I chose to play that instrument because it’s something I pay a lot of attention to.

In either case, the drumming in each of these bands’ genres is one of the main things that attracts me to those particular styles. So, it only seemed natural for me to talk to the two bands’ drummers. Here, then, are the questions and answers from Molasses Barge’s Wayne Massey and Vulture’s Kelly Gabany

 

 

 
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