Good afternoon. Now comes the part where I would like to draw your attention to Texan ‘postgazecore’ (or something like that) band, Glassing — specifically the last album they released in 2019 and the one that just came out last month.
Glassing – Spotted Horse (Brutal Panda Records, 17 May 2019)
Glassing – Twin Dream (Brutal Panda Records, 05 November 2021)
Tia Carrera – Visitors / Early Purple (Small Stone Records, 22 March 2019)
Many of you may already be familiar with this group, who rose to superstardom when they appeared in the 1992 film Wayne’s World as the fictional band Crucial Taunt, as well as having a few of their songs appear on the soundtrack. But perhaps you soon lost track of these guys, so it wouldn’t be a surprise if you hadn’t heard that several years later they decided to move to Texas, fire the lead singer, fire the rest of the band, bring in a completely new set of musicians, not bring in a new singer, and adopt more of an improvisational psychedelic style.
To cap it all off, they went on to alter the spelling of their name just barely enough to avoid any potential lawsuits. See, in a situation similar to Alice Cooper, who had been the vocalist of the Alice Cooper Band prior to his appearance in Wayne’s World, the original singer of Tia Carrere legally changed her name to the band’s name — using it in her acting career when she, too, played roles in Wayne’s World and its sequel. This left the rest of the band — which, to reiterate, by this time consisted of entirely different members anyway — in an awkward position, and they had little choice other than to change the name to Tia Carrera.
Or to put it another way, virtually nothing I’ve said thus far has been even remotely true, aside from “Texas” and “improvisational psychedelic style.” Austin-based trio Tia Carrera, who (as far as I can tell) are completely unrelated to the similarly-named actress or her fake glam rock cover band, put out an album with two new lengthy songs (their first new material since 2011!) via Small Stone earlier this year, and if you haven’t heard it yet, I’m going to tell you why you should.
Doom Side of the Moon – Doom Side of the Moon (self released, 04 August 2017)
So this weekend marks the 50th anniversary of Pink Floyd releasing their debut album The Piper at the Gates of Dawn. That’s a pretty significant milestone, and anyone who spends much time poking around this website will soon realize that they are one of my favorite bands of all time. That has been the case for at least half of the past fifty years, ever since I really started to discover their catalogue of work when I was in middle school — and that fandom has been borderline obsessive during much of that time.
Evidently someone else who feels the same way is Kyle Shutt, guitarist for The Sword, who has chosen to mark the occasion of a half-century of Pink Floyd albums by recreating their best-known work (and one of the biggest selling records in history) The Dark Side of the Moon.
“The idea came to me after getting baked and wanting to hear a heavy version of ‘Time’,” he explained. “I thought, why not just cover the whole album?” While admitting that “It felt a little strange messing with someone’s legacy,” the guitarist went on to say that he is “treating it as a celebration of one of the greatest bands to ever rock, a party that everyone is invited to.”
Recruiting two of his bandmates, bassist Bryan Richie and drummer Santiago Vela III, the project was completed with the addition of vocalist Alex Marrero, saxophonist Jason Frey, and keyboardist Joe Cornetti, and thus Doom Side of the Moon was born.
Their lovingly crafted tribute will officially be released on Friday (04 August), and then on Saturday (05 August, the exact anniversary of Piper‘s release) they’ll be performing the whole thing at Emo’s in Austin TX, along with a laser show performed by The Mustachio Light Show.
Portrayal of Guilt – Portrayal of Guilt (Miss the Stars Records / Contrition Recordings, 02 May 2017)
Recently I got a message from this band called Portrayal of Guilt, with barely any information other than the fact that they had a brand-new EP out, and a link to their Bandcamp page. So, armed with that miniscule amount of knowledge, I went to check it out, as one does. There I learned that the band is from Austin, Texas; a bit more poking around revealed that they seem to be a relatively new group: all of their social media presence dates back no further than January of this year. Oh, and also I found that one of the keywords they use to describe themselves is “screamo.”
Now I don’t know about you, but that word tends to make me feel a bit trepidatious. After all, just like its predecessor “emo” and distant ancestor “hardcore,” what originated as a great concept became completely perverted and bastardized over the past few decades — to the point where, in modern usage, the term came to be applied to something completely unrecognizable when compared with its archetypal format. But I decided the EP was only three songs — barely more than six minutes altogether — so I might as well give it a shot. And to make a long story short, as you could infer from the fact that I’m writing about it now, that concern turned out to be completely unfounded.
Hey, here’s another bit of good news for you — since you’ve all been good boys and girls (as far as I know!)…
Texan stoner metal ensemble The Sword — who saw their career really take off with the inclusion of one of their early singles as part of the Guitar Hero II video game (at least, that’s when they first popped onto my radar screen) — are now just a few weeks away from releasing their fourth full-length album!
Apocryphon will hit store shelves (as well as the iTunes equivalent of shelves, whatever that may be) on Monday, the 22nd of October. And I’ve got the cover art and tracklisting right here, in addition to a whole plethora of pre-order bundles you can choose from! Also, there will be some tour dates further down, if you keep on reading. Continue reading →
So you know that thing when you’re watching the news, and you hear that some famous person died — an actor or comedian or somebody — who was pretty old and whom you hadn’t heard anything about in years? And you don’t want to be rude or anything, but your immediate reaction is to think, “Oh, I didn’t even realize he was still alive”? Yeah, just like that.
Long-running Texan black metal band Averse Sefira have officially announced that after more than fifteen years, numerous tours across Europe and America, and four highly acclaimed albums (most recently, 2008’s Advent Parallax), they’ve decided to disband.
The two remaining founding members of the band, vocalist/guitarist Sanguine Mapsama and bassist Wrath Sathariel Diabolus have both issued a formal farewell message on the band’s blog.
Their most recent two albums, the aforementioned as well as 2005’s Tetragrammatical Astygmata are both available for purchase as digital downloads, on CD, and (for Advent Parallax, on LP) from their Bandcamp page.