Today is the Day – No Good to Anyone (2020)

[Mr. Smalls Theatre, Pittsburgh PA, 10 March 2013 – photo by Valley of Steel]

Today is the DayNo Good to Anyone (29 February 2020)

 

Just like this article from Monday, here is another album that had been released at the end of February, by an artist who subsequently headed out on a major tour to promote said album, only to end up with numerous scheduled dates canceled mid-trip and being unexpectedly forced to return home.

The artist we will be discussing today is none other than Today is the Day, the highly experimental trio that for decades has featured founder/guitarist/vocalist Steve Austin and a pair of constantly revolving doors for his supporting cast. This new record No Good to Anyone is the band’s eleventh full-length release, and the first since 2014’s Animal Mother.

 

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Hollow Leg – Murder, He Whose Ox is Gored – Paralyzer, Cave of Swimmers – The Sun (2017)

Hollow LegMurder EP (digital: Argonauta Records, 03 March 2017; cassette: Southern Druid Records, 16 June 2017; Crown, Murder Edition CD: Argonauta Records, 30 June 2017)

 

He Whose Ox is GoredParalyzer 7″ (Chain Letter Collective/Void Assault Records, 16 June 2017)

 

Cave of SwimmersThe Sun 7″ (Southern Druid Records, 03 July 2017)

 

Today I’ve got three different releases to share with you. Don’t worry, I won’t take up too much of your time — each of these has just two or three songs. But more importantly, all three come from bands who have had some pretty incredible previous releases we’ve already talked about: Hollow Leg, He Whose Ox is Gored, and Cave of Swimmers. So you can already be guaranteed these will all be great, too!

Oh yeah, and if you scroll on down to the comments section, you can take a peek at the dates for Hollow Leg‘s current tour which centers around an appearance at The Maryland Doom Fest on Saturday (24 June)!

 
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Anopheli – The Ache of Want (2015), Akem Manah – Demons of the Sabbat (2016)

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Anopheli The Ache of Want (Halo of Flies, 15 December 2015)

 

Demons Of The Sabbat cover

Akem ManahDemons of the Sabbat (Possession Productions, 11 January 2016)

 

Well folks, it seemed like it would never get here, but finally it’s Friday and nearly the end of the week! I don’t know about you, but I am fully ready to just go and hibernate for two entire days. (Of course, I won’t, because it seems like every spare minute I get outside of work is always filled by repairing something in our house or car, sometimes both at the same time — but just let me have this moment to daydream, ok?) Before I do that, I’ll leave you with one more article about some music you just might want to check out.

I’ve got two different albums to share with you, actually — one is kind of an atmospheric blackened crust style, and the other is more of an old-school death-doom. Both of these were released within the past several months, and both are free to download, so keep on reading and hopefully you’ll find at least one of these to your liking!

 

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Supervoid – Endless Planets EP

 

SupervoidEndless Planets EP (self-released, 11 November 2012)

Good afternoon, all you fine people! How are things where you are? Here it’s been rainy and nasty, and of course it’s Monday which is never good, but I’m actually feeling pretty good. For one thing, the day’s over, which means I get to go home. But mostly, I’m starting to feel healthy again!

You may have noticed things have been quiet around here for a while. Part of the reason is all the normal crap that keeps me busy and unable to write as often as I’d like to. But a bigger part — at least for the past two weeks or so — is the fact that I have felt like absolute garbage. My normal yearly sinus infection, which tends to completely drain my energy and make my whole body tired and sore for a few weeks (plus my chest, throat, nose and sinuses feeling congested and clogged — which is miserable enough as it is, but also makes it tough for me to listen to music because my ears don’t work right and my head hurts from feeling stuffed up and in general I’m in a very foggy and cloudy state). But I’ve been to the doctor and got some antibiotics, and they’ve finally started taking effect over the past day or two, so I definitely feel like I’m on the road to recovery.

I’m still pretty exhausted and blah, but no more than on any other workday. So, hooray for just feeling marginally lousy, rather than completely and utterly terrible! BUT ENOUGH ABOUT ME.

With a few exceptions, I’ve really been slacking as far as writing anything here, and I’ve been especially remiss in my duties to share new music with you readers. Here it is, nearly the end of the year, and I’ve got a virtual stack of music I’ve yet to write about, which figuratively is towering over me as I sit here. I’d better get moving!

***

Here, for example, is something that I’ve been hanging onto for the past few weeks, and kept meaning to write about and share with you — because it’s a really incredible discovery, and I sure hope you all aren’t upset that I didn’t tell you about it sooner!

Endless Planets is the debut release from a relatively new band from the Pittsburgh area called Supervoid. Formed in 2011 by a couple Dethlehem ex-pats, and current and/or former members of several other bands across the region, the band decided to take time to perfect their style of space-rock/stoner/psychedelic/prog-metal before revealing themselves to the public. (By the way, check out this interview with The Sludgelord for more information about the band’s formation and their journey up to this point in their career.)

They had their debut performance at the end of August, and a few more shows since then, attracting a good bit of attention in the local music scene along the way. During that time, the band got together at Pittsburgh’s Treelady Studios to lay down some demo tracks — which they then decided to release in the form of this two-song EP.

Clocking in at around sixteen minutes, Endless Planets serves as a great introduction to Supervoid, as it showcases the band’s talent and is representative of the range they span as performers and songwriters. Plus, it’s available to download for free, so you have no reason not to grab yourself a copy — and once you do, you’ll understand why everyone who has seen this band has been so impressed, and you’ll find yourself anxiously watching to see where this quintet is heading next…

 
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