Anopheli – The Ache of Want (Halo of Flies, 15 December 2015)
Akem Manah – Demons of the Sabbat (Possession Productions, 11 January 2016)
Well folks, it seemed like it would never get here, but finally it’s Friday and nearly the end of the week! I don’t know about you, but I am fully ready to just go and hibernate for two entire days. (Of course, I won’t, because it seems like every spare minute I get outside of work is always filled by repairing something in our house or car, sometimes both at the same time — but just let me have this moment to daydream, ok?) Before I do that, I’ll leave you with one more article about some music you just might want to check out.
I’ve got two different albums to share with you, actually — one is kind of an atmospheric blackened crust style, and the other is more of an old-school death-doom. Both of these were released within the past several months, and both are free to download, so keep on reading and hopefully you’ll find at least one of these to your liking!
Monuments Collapse / Bréag Naofa – Split LP (Halo of Flies / Shove Records, 17 December 2013)
Good afternoon. On one hand, I’m pleased to note that this week is about halfway over. And on the other hand, it feels as though three or four weeks should have passed since Monday. I am so ready to be done working. I feel like if I don’t find something else to focus my attention and energy on for a little while, I’m seriously going to lose my shit here. And honestly, I don’t know if there’s anything that would fit the bill better than blasting some music through my headphones to drown out everything else (both externally and internally). I think it’s about time to take another dip into the pool of my favorite releases from last year.
You’ll want to pay attention to this — because what I’ve got for you today is the sort of release that too-often gets lost in the shuffle: a split record put out by a not-exactly-huge label (Wisconsin’s Halo of Flies for worldwide distribution, and Italian Shove Records in Europe), involving two not-that-widely-known bands (Monuments Collapse from San Francisco and Bréag Naofa from Seattle) who each had previously put out a self-titled album (each of which had a limited release of a few hundred copies, through smaller independent labels); and to make matters worse it was released in late December when most music publications and websites have already wrapped up their coverage for the year, compiled their year-end lists, and have already started looking ahead to the upcoming spring releases.
But I always try to be on the lookout for gems like this that might otherwise have fallen through the cracks, and then we pass the savings on to you. Or however that saying goes. Anyway, stay tuned for some great post-apocalyptic post-sludge-doom from a pair of west-coast bands you’ll likely want to get better acquainted with.
Hey folks — a very Happy (Belated) New Year to all of you! 2013 definitely turned out to be an interesting year for me, with lots of big changes, new projects, new responsibilities, etc., but an unfortunate side-effect of some of that was (as you’ve surely noticed) that the amount of time I’d been spending writing really tapered off as the year went on, to the point where I didn’t post
anything here for the last few months! Well, as you may have seen, I’ve started writing reviews of some new 2014 releases — and as time allows I promise I will also be sharing plenty of older stuff I’ve missed writing about, because believe me there has been a TON worth sharing!
But more on that later. As I started doing last year, I’ve once again put together a collection of various people’s “best of” lists from 2013. Admittedly I sort of got a late start on this (I didn’t even put out the open invitation until after most websites had already finished with publishing all their year-end stuff), but several people have answered the call and contributed some really interesting lists that you’ll want to check out…