Hey folks. Ready to close out the week with some angry French (and/or Franco-Canadien) sludge?
Today I’ve got two brand-new releases for you: one that’s just hot off the presses today, and one that’s so new it won’t actually come out until next week. You’re welcome.
Hey there, friends. Hope you’re having a good Friday.
Nah, wait, Good Friday was last week. Hope you’re having a GREAT Friday!
I’d like to share something with you that’s just being released today — an album by single-member band Seattleite Laden which I recently discovered through the Metal Bandcamp Gift Club.
For those who may not be familiar, MBGC is essentially a mailing list — which has gone through various incarnations over the years but currently hosted on Substack — where you can share your birthday and your Bandcamp wish list, and every day (well, most days) a message goes out to let everyone know whose birthday it is that day, and a link to their wish list.
It’s a great way to give and receive the gift of music, to support independent artists, and also a great way to discover new suggested stuff to listen to: if you see someone’s list and you think, hey I like a bunch of these bands, chances are you may want to check out some of the other stuff on their list.
Speaking of which, I thought it would be fun to discuss this brand-new album alongside the most recent release from a band of Londoners who Laden have cited as one of their influences: Wren — an album which happened to sneak its way into my list of favorites from last year.
Following our last article that covered a few of North‘s more recent releases, it only makes sense to talk about their current tour-mates Conan as well. The Merseysider trio has been around for over ten years — although the line-up has changed a few times: from 2011 (when their split record with Slomatics came out, which was the last release we discussed here) until the 2014 emergence of their second full-length Blood Eagle, Paul O’Neill had remained behind the drums, but Phil Coumbe had taken on bass/vocal duties; then by 2016 new drummer Rich Lewis had joined, and Chris Fielding (a prolific producer and engineer who had worked on all of Conan‘s previous releases) was added as bassist/vocalist. The only constant throughout the band’s career has been guitarist/vocalist Jon Davis, who also runs Black Bow Records in his spare time — oh and by the way, you may remember from when last year when we covered Boss Keloid‘s Herb Your Enthusiasm, which was a Black Bow release, Davis and Fielding both had guest spots on that record.
Well, it wouldn’t be accurate to say that Mr. Davis being part of the band continuously has been the only constant over the past decade-plus. The sound produced by this trio has perpetually been as savage and barbaric as the literary character from which their name was derived. To be specific, they identify themselves as “caveman battle doom” — and you’ll find, as we make our way through Blood Eagle and last year’s follow-up Revengeance, there really couldn’t be a more apt description …
Well it’s Thursday now, which means it’s almost Friday, which means the weekend is almost here, so I guess that’s a good thing, right? I dunno. I’ve been so tired all week, it’s tough to feel excited about anything. Although — again, tomorrow is Friday, and we’re now finding ourselves coming into what’s traditionally one of the biggest times of the year in terms of new music getting released. Which means a bunch of stuff will be coming out tomorrow (just as it has for the past couple of weeks and will over the next several). So at least there’s that.
I totally missed out on getting anything published here yesterday, due to some super lame crap that kept me busy all day, which means we’re already behind schedule in terms of what I wanted to be able to share with you people this week. So probably it’s about time to quit rambling and get straight to the music, right?
Valley of Steel 