Descendants of Crom – Pittsburgh, September 2018


 

 
The city of Pittsburgh has already hosted one major multi-day metal music festival this year. Would you believe there’s going to be another one? Or that it’s happening this weekend?? Well… believe it.

Featuring a packed line-up spread across two dueling stages at Cattivo in Lawrenceville, Descendants of Crom brings you two full days of doom and sludge and more!

 

Descendants of Crom

Friday 28 September 2018 4:00 pm | Saturday 29 September 2018 4:00 pm

Cattivo – 146 44th Street, Pittsburgh PA 15201

21+ ONLY | $35 each day or $70 for both (tickets here)

 
 
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Spirit Adrift – Behind-Beyond, Chained to Oblivion (2016); Curse of Conception (2017)

Spirit AdriftBehind – Beyond (Prosthetic Records, 26 February 2016)

 

Spirit AdriftChained to Oblivion (Prosthetic Records, 12 August 2016)

 

Spirit AdriftCurse of Conception (20 Buck Spin, 06 October 2017)

 

Migration Fest is officially here! For more information, you can check out this feature we did several months ago, but instead we highly recommend this hugely informative guide to the festival AND the city of Pittsburgh in general that was assembled by our esteemed colleagues at Meat Mead Metal.

Whether you’re coming to Pittsburgh, are already here, or you aren’t able to make the trip but you are interested in good music, today we’d like to call your attention to Spirit Adrift who will be performing Saturday evening (28th July) as part of their nationwide headlining tour!

 

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Mortals – Cursed to See the Future (2014)

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MortalsCursed to See the Future (Relapse Records, 08 July 2014)

 

I don’t know who wrote the official band bio for Brooklynite trio Mortals (the one that accompanies their press kit and also appears on their record label’s website), but I don’t think I really understand what it’s trying to say. It starts off by contrasting this band with the way most other bands come together:
 

Many heavy bands follow a straight line — they start a band with some people they know, they pick a well-worn genre, they write riffs and drum beats that sound pretty similar to all the other riffs and drum beats that have been written. That isn’t Mortals.

 
…but then it goes on to explain how the three members met when they were involved with various other bands (for example, two of them were in a Slayer cover band together, two of them were in a math-rock band together) and eventually the three of them found they had enough common interests that they decided to form a new band; chemistry developed and gradually they found themselves evolving into their own style. Which, in essence, sounds like a variant of the history behind almost every band I know. So that’s got me feeling slightly confused.

But anyway, none of that really matters. What the band sounds like is far more important than any written description, when it comes to me picking what I want to write about and share with you, and the music should be able to speak for itself. And here it certainly does. It also helps that I’ve been watching for news from this band over the past couple of years — on the advice of Meat Mead Metal (whom you should absolutely familiarize yourself with immediately if you aren’t already a regular reader, because not only is this without a doubt the best music journalism you’ll find here in Pittsburgh, but this guy churns out high-quality writing with a consistency that could rival just about anyone else out there!), who has had plenty of good things to say about Mortals on several occasions (like here, for example). About a year after that particular article was written, the band had signed a deal with Relapse Records, and today marks their first release with that label, the full-length Cursed to See the Future.

 

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