Forest of Tygers – I Will Die of Violence (2019)

Forest of TygersI Will Die of Violence (Acteon Records, 08 November 2019)

 

Here at Valley of Steel HQ, we’ve been big fans of the husband and wife duo Forest of Tygers ever since they released their first EP Bruises over five years ago. We’ve written about these Nashvillians each time we’ve heard something new of theirs, and we’ve been anxiously awaiting the full-length record they’ve been talking about for a couple years — and (as of about a month ago) it’s finally here!

Guitarist/vocalist Jim and drummer Rachel Valosik have established themselves quite a reputation for creating superlatively black- and ugly-sounding conglomorations of hardcore/sludge/doom/metal, and newly-released I Will Die of Violence will only increase that…

 

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The Visit – Through Darkness into Light (2015); The Night Watch – Boundaries, Nathanaël Larochette – Earth and Sky (2016)

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The VisitThrough Darkness into Light (self-released, 09 October 2015)

 

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The Night WatchBoundaries (self-released, 15 July 2016)

 

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Nathanaël LarochetteEarth and Sky (self-released, 29 July 2016)

 

Hey, folks — have you read this review of Canadian neofolk/baroque trio Musk Ox‘s 2014 album Woodfall? If you haven’t, I’d be kind of surprised — after all, in the two years since it was published, that review has become the most popular single item to ever appear on this website (as I alluded to when I named the album as an honorable mention for the Top 14 of 2014 list). In fact, it has had more visitors than the About or Contact pages, and far more than any other article I’ve ever written: twice as many as the second-most popular review ever, and almost three times as many as the most-visited article that I published in 2016.

As incredible as all that is, it’s absolutely true, and I figure it can be ascribed to one of two things: either I’m exceptionally good at writing about non-metal music performed with folk/classical instruments, or Musk Ox is just really, really popular. On the off chance that it would happen to be the first one, I’m going to take some time over the next few days to write about some more neo-folk/neo-classical groups whose orchestrations are decidedly non-metal. But in the event that the second thing also comes into play, I will be hedging my bets a bit today: what I’ll be sharing with you has been released by three different musical entities that each involve one or more of the three people who make up Musk Ox. And away we go …

 

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Auriga – VII Dimensions of Asymmetry; Astral Path – An Oath to the Void (2016)

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AurigaVII – Dimensions of Asymmetry (Avantgarde Music, 19 January 2016)

 

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Astral PathAn Oath to the Void (Avantgarde Music, 15 April 2016)

 

On the way down the street to the bus stop — this is around 5:00 this morning — I realized something. I was hearing birds chirping and singing, and sometimes as I walked past houses, window air conditioners whirring and humming, but otherwise very little background noise whatsoever. It took a few minutes, but finally I came to the conclusion, all of the cicadas must have been sleeping. All those millions of big, ugly, flying things that have gradually emerged from their seventeen-year arboreal naps over the past few weeks to create a deafening cacaphony all over the surrounding area. Over the weekend, when I was stuck spending much of my days outdoors, cutting grass and pulling weeds and various other activities that put me right in the middle of the flight path for hundreds of the clumsy, red-eyed bugs, this nuisance seemed to have reach a terrible crescendo. Sounding like a cross between a gas motor, an alarm bell, and a UFO, the swarm of insects could easily provide a soundtrack for any horror or suspense movie.

Anyway, completely unrelated to anything, today we’re going to spend some time talking about atmospheric black metal. The two different albums I’d like to share with you were both released earlier this year by Avantgarde Music. These bands — one Lebanese, the other Canadian — take slightly different approaches to the genre, but they both generally have a sort of outer space vibe going on. Enjoy!

 

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Oak Pantheon – From a Whisper (2012)

Oak PantheonFrom a Whisper (Broken Limbs Recordings, 25 September 2012)

 

Winter can be pretty stressful at times: for someone who has to commute long distances on a daily basis, wondering how long traffic delays might be during inclement weather, whether the worst of a storm will come earlier than predicted before arriving safely at home, which steep hill that leads home is more likely to have been plowed or salted more recently; for someone who has to walk to and from the bus stop, afraid that hiding under that snow or on that poorly-lit section of sidewalk may be a treacherous patch of ice, that maybe it will be possible to maintain balance in the event of slipping or skidding, but if not, will the result just be a few bruises again, or something much worse this time?; and for someone who lives in an old house wherein everything seems to be falling apart all at once, where it seems that the scarcely-adequate amount of heat coughed out by the ancient furnace just goes straight through poorly insulated windows.

I imagine there are lots of folks out there who can relate to many of these concerns, or at least some variation of them. But we’re going to put all of that out of mind today, because we’re coming back from a weekend full of atypically mild weather — at least here in western Pennsylvania — and even at four o’clock this morning when I left for work it was lovely outside (relatively speaking), with a pleasant, warm-ish breeze. Anyway. Having said all of that, now perhaps we can look at some of the more positive aspects of winter. For example, if you don’t have to travel anywhere (and if you’re sufficiently bundled up), walking through the woods and seeing all the snow-covered trees can be sort of pretty. Also it’s generally an appropriate environment for listening to black metal, particularly of the atmospheric or pastoral varieties. Also… nah, that’s all I can think of, just those two things.

It just so happens there’s an excellent album full of exactly the right type of sounds for this time of year — one that came out a little over three years ago and I’ve been listening to it quite a bit (especially during the wintertime) since then, and that I’ve always meant to share with you people but somehow just never got to it yet. I suppose that, as they say, there’s no time like the present…

 

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Fen – Dustwalker (2013)

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FenDustwalker (Code666, 21 January 2013)

 

Hey, people. It’s time once again to take a little stroll back in time — all the way to last year. I am determined to finish reviewing everything on my top albums of 2013 list before the end of 2014, and with this one I’m publishing today, I’ll officially reach the halfway point! No worries, there are still over three months for me to work through the rest of these (while still somehow trying to keep up with newer stuff, too). Oh well, I’ll get there eventually (hopefully). It just gets kind of frustrating sometimes, especially when bands keep putting out newer stuff faster than I can keep up with them — as is the case with UK atmospheric/progressive black metal band Fen (not to be confused with the Canadian prog-rock band of the same name). They’ve just announced that their fourth LP Carrion Skies will be coming out this November through Code666, which is exciting news for sure, but first I need to share their awesome THIRD album Dustwalker with you!

I publicized some of the details about this album when they were first announced, nearly two years ago, and I have been really enjoying listening to it ever since it was released (about three months after that). I’d say it’s about time I got around to following up and writing about the album itself!

 

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Pallbearer – Foundations of Burden (2014)

In the VIP section (balcony) at Mr. Small's Theatre (Pittsburgh), February 2013

In the VIP balcony at Mr. Small’s Theatre (Pittsburgh), February 2013

EDITOR’S NOTE: for nearly two years, the Arkansas melodic doom quartet Pallbearer has been among my wife’s absolute favorite bands. I know she’d been eagerly snapping up every available bit of information leading up to the release of their second album; now that it’s been released, we listened to it together, and she had some strong reactions and opinions — so I asked whether she wanted to write something about it. So here is her review of Foundations of Burden.

 

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PallbearerFoundations of Burden (Profound Lore Records, 19 August 2014)

reviewed by Mrs. Valley of Steel

 

I first heard Pallbearer in December of 2012 on accident. I was scrolling through Facebook and saw a video that someone had posted, which I thought was something else. I clicked on it, I listened and I had no idea what I was in for ultimately. I have to admit, I felt an immediate kinship to this music. For much of my life, I have felt an attachment to a darker side of my personality; I often embrace being melancholy and don’t always see it as the burden that some people do with those types of emotions. Pallbearer definitely tapped into that for me. I felt instantaneously connected to each riff and sludgy chord. I can tell you without a shadow of a doubt, this band is mainly responsible for so much of the music I have discovered in this journey with my husband over the past three years. It’s clearly felt personal to me and I am sure, with all the recent hype, that I am not the only one who enjoys dwelling in the despair.

 

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Agalloch – The Serpent & the Sphere (2014)

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AgallochThe Serpent & the Sphere (Profound Lore Records, 13 May 2014)

 

So tomorrow is the day when we’ll be making the trek west to Ohio, because Agalloch‘s tour will be hitting Cleveland. (Read all the details of that tour right here. I’ve been pretty excited about this for a while — I may only have discovered the band within the past few years, but quickly I found their style of vast, atmosphere-infused black/folk metal to be right up my alley. I enjoyed all the songs I’d heard (on Pandora or wherever) from their earlier albums like The Mantle and Ashes Against the Grain, so I thought I had a general idea of what this band was about, and I thought I knew basically what to expect from the upcoming show.

But no, honestly I don’t think anything could have prepared me for what happened when — partly out of curiosity, partly to get familiar with some of their newer stuff — I headed over to the Agalloch Bandcamp page and hit PLAY on their recently-released album The Serpent & the Sphere. I found myself instantly blown away by what I was hearing, a reaction that continued throughout the next fifty-nine minutes or so, through the conclusion of all nine tracks. I decided right then, even though this year isn’t even halfway over yet, that I find it unlikely I’ll hear anything better than this in 2014.

I hadn’t even really planned on writing this, but this was just one of those rare occasions where something caught my attention and spoke to me so much, I felt like I had to make sure other people knew about this record too.

 

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Musk Ox – Woodfall (2014)

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Musk OxWoodfall (self-released, 17 June 2014)

 

Earlier this week I wrote about the current Agalloch North American tour, which began last night. In that post, I made mention of the fact that when the tour hits Ottawa on the third of July, the band would be joined by an acoustic group called Musk Ox. Led by guitarist Nathanaël Larochette (who contributed some interlude music to the recently-released Agalloch album The Serpent & the Sphere), and also consisting of cellist Raphael Weinroth-Browne and violinist Evan Runge, this instrumental trio has just released an album of their own, earlier this week.

The second full-length album under the Musk Ox name, Woodfall is the first to feature this particular line-up (the 2007 self-titled release was exclusively a solo project featuring Larochette on all instruments). This new album contains one continuous piece of music (over an hour in length), which was composed by Larochette and Weinroth-Browne. The larger piece is broken into five named sections; three of these (part 1 “Earthrise,” part 2 “Windswept,” and part 4 “Above the Clouds”) run around ten minutes long, while the other two (part 3 “Arcanum” and part 5 “Serenade the Constellations”) each exceed seventeen. On the whole, I find Woodfall fascinating for both its beauty and its simplicity, and I suspect many of you out there will feel the same way.

 

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Tours Galore: Agalloch Hitting the Road Throughout North America

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The Agalloch “Serpens in Cvlmination” Tour Begins its Trek Across North America

 

Last month, Portlandian atmospheric black/doom/folk band Agalloch released The Serpent & the Sphere, their fifth full-length over the past fifteen years (and the second on Profound Lore). In support of this new album, the band is heading out all across North America — starting tomorrow night (Wednesday, 18 June 2014) and running for about three weeks. On various dates of the tour, they will be joined by Obsidian Tongue, Vex, Jex Thoth, Thrones, and — for one lucky city — Musk Ox, the folk trio led by guitarist Nathanaël Larochette, who wrote and performed several interludes on The Serpent & the Sphere.

Personally, I’ll be making the trip out to Cleveland for the show this coming Saturday, and really excited since it’ll be my first time seeing Agalloch. See below for the full list of dates…

 

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New Zealand’s ULCERATE Invading North America This Month!

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ULCERATE: Vermis North America MMXIV Tour Now Underway

 

Sometime in the latter half of last year, the bands for this month’s Maryland Deathfest were announced, and as I recall, Ulcerate was one of the names that many people were really excited about. At the time, the name was somewhat familiar to me but the band itself was not.

Well, a bit more recently, my family acquired a new tv which has Pandora Radio built-in — which is nice for putting something on in the background while working around the house, because previously we’ve had Sirius-XM satellite radio through a satellite tv provider, and now these Music Choice channels through our local cable tv company, and believe me, each of those options are equally worthless. So anyway, within the past few months I’ve seen Ulcerate appear a few times (mostly stuff from their 2011 Willowtip release The Destroyers of All) on one of our Pandora stations (I’m not sure which, but possibly Agalloch, which is a household favorite), so finally I can see what all the hype was about.

Anyway, getting back to my original point, the New Zealandian band is heading for the eastern U.S. for an appearance at MDF; furthermore, and seeing as how they just put out a new record a few months ago (Vermis, their first release via Relapse), apparently they decided to make the most of the trans-oceanic trip by hitting a whole bunch of stops across North America along the way.

This tour, presented by Metal Injection, will be the band’s first appearance in this part of the world since they had a mini tour in conjunction with an appearance at MDF back in 2012. Fellow Relapse artists Inter Arma will also be appearing on a handful of tour dates. See below for the full list, and then keep reading for a peek at Vermis

 

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