The Huge List of 2012 Year-End Lists!

Well, friends, here we find ourselves in the waning moments of 2012. It’s been an interesting, eventful year that’s had lots of high and low points — a ton of excellent new music has been released and quite a few brand-new bands have emerged that I’d fully expect to be making some serious waves in the near future.

One of the best things about 2012, for me personally, was that I found myself (and my wife) going to lots more shows than in recent years, and as a result I’ve been fortunate to meet a lot of new people — as well as starting to take a way more active role in the local music scene.

Anyway, a few weeks ago I had a suggestion from one of those people I’ve gotten to know in the past year (I won’t say who — he said he preferred not to be given credit for the idea, although I will say that it’s somebody who contributed to this). The idea was to collect top-ten lists from various folks in the Pittsburgh metal community.

So I put out an open invitation for any musicians or other people who are involved in the scene in some way — I was looking for anything, whether it was the traditional “Top Ten Albums” or something totally off-the-wall like someone’s ten favorite sandwiches they ate during the year. Really, the only rules were that it had to be a list, and involve something from 2012.

 
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Get ’em While They’re Hot: Free Downloads from Klonosphere and A389 Records!

Free music! Always a good thing, right?
 

The French label/promoter Klonosphere recently announced an 18-track sampler of their associated bands that you can download for free!

The bands include: Trepalium, Hypno5e, Memories of a Dead Man, Jenx, Pictured, Hyperdump, The Mistaken Sons of Alabama, Jumping Jack, Wild, Weaksaw, Nojia, Step in Fluid, Nephalokia, Dwail, Klone, Nami, Noein, and The Brutal Deceiver.

The comp is available right here (a direct link to the RAR file), but before you jump right in, click here for a much better write-up that the good folks at No Clean Singing have put together — including sound samples, links to reviews or profiles of some of the bands, as well as links to websites or Facebook pages of ALL the bands! (Because they apparently have more free time than I do, or something.)

Klonosphere: website, Facebook

 
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And what’s better than free music? MORE free music!!
 

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Contest Alerts: Win a Shitload of CDs or Records!

Is today your lucky day? It might be! Check it out — I’ve got the details here for TWO different contests, one where the prize is a total of 29 CDs, and another where you can win a whole bunch of vinyl (including some ultra-rare pieces)!
 

First of all, check out this contest sponsored by Clawhammer PR and MetalReview.com:

The fine folks at Clawhammer PR have always been good to us here at MetalReview, but they’ve outdone themselves with this one. Quite simply, this is the biggest contest we’ve offered up in many a malevolent moon, if not forever and ever. So, first off, let’s all say a special thanks to the Clawhammerkids for hooking us up with this gigantic haul. Once we’ve done that, let’s get down to business, shall we?

WHAT YOU GET (if you win):

Of course, in any contest, you want to know what the prize is, right? Well, for this one, if you win, you get a proverbial shitload of CDs*. Here’s the full list:
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Just Released: Pharaoh – Bury the Light

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PharaohBury the Light (6 March 2012, Cruz del Sur Music)

Good evening, Readers. How’s it going? I’d like to take a quick poll, if you don’t mind. What’s the first thing that comes to mind when someone says “power metal”? Is your first impulse to run away screaming? It wouldn’t surprise me much if that were the case, because that would be the reaction of many people — including myself, sometimes.

Why is that? Well, because somewhere along the line power metal got its name blemished pretty badly in the eyes of most listeners. Somehow the genre got associated with bands who, when they heard “Run to the Hills” for the first time, fell in love with the lightning-speed galloping part towards the end, but thought the song would be better if they had cut out all the stuff that builds the tension up to that point, and creates dynamic contrast, and holds the listener’s attention. Bands whose favorite album of all time is Rising Force, but they never realized that their turntable was switched to 78 RPM instead of 33-1/3.

It’s no wonder most people turn their noses up at the thought of this genre, when its most visible representatives are a bunch of over-the-top, ultra-cheeserrific fuckwads whose primary goal seems to be to constantly outdo themselves in terms of speed and wankery, much more than giving any thought to making good quality music.

Of course, this stereotype didn’t just spring into existence overnight; there have been bands that have incorporated cheesy schtick into their repetoires (whether intentionally or not) for decades. It’s almost as if everyone had forgotten it was possible to put together a group of talented musicians and play music that strikes a balance between heavy and powerful but also emotional and melodic; and to tackle lyrical territory that is epic and grand but not corny and overblown. Almost.

A certain group of Philadelphian gentlemen (who, by the way, come from the eastern side of my home state – just a few hundred miles from here) who call themselves Pharaoh haven’t forgotten. And just one listen to their newest album (their fourth full-length, and fifth release overall, dating back nearly ten years) Bury the Light, which is on Cruz del Sur and was released just last week in North America, is all it will take to ensure you don’t forget, either.

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