The drummer and one guitarist also work together in Swiss trio Ølten, and I quickly realized that band’s first and second full-length releases had already been on my to-do list of stuff I’ve especially enjoyed and intended to write about.
The first of these will soon be approaching its seventh birthday, while the other came out a little over three years ago, so it seems well a bit overdue for us to revisit these, don’t you think?
Ølten – Mode (Hummus Records, 06 April 2015)
Ølten – Ambiance (Hummus Records, 02 November 2018)
Good day, readers. Here to start off the week properly I’ve got a pair of albums that live somewhere in the vicinity of post-hardcore, both by Swiss bands (well, one of them is more of a Swiss-Swedish hybrid), and both of which are coming out very soon. Get ready!
Norna – Star Is Way Way Is Eye (Vinter Records, 18 February 2022)
Abraham – Débris de Mondes Perdus (Pelagic Records, 25 February 2022)
Future Faces – Euphoria (Throatruiner Records, 17 February 2021)
Palecoal – Fake Fates (Throatruiner Records, 17 February 2021)
Good afternoon! Got two to pass along to you today, so how about we don’t waste too much time with introductory nonsense. Ok?
As soon as you find out something is being released by Throatruiner Records you probably already have a pretty good idea what to expect: harsh hardcore or vicious post-hardcore, either way living up to the label’s name with shrieks or screams likely to tear someone’s vocal cords to shreds.
Well surprise! Here we have a pair of albums that came from Throatruiner just last month, which each have far more in common with Depeche Mode than with Converge. So that’s different and unexpected. But in a GOOD way. Let’s check them out…
Elizabeth – Where Vultures Land (Throatruiner Records / I for Us Records, 04 April 2012)
I’m pretty sure I’ve mentioned it before, but it’s worth repeating: I have a lot of respect for bands and record labels who do what they do for the right reasons. Here, “the right reasons” are not to get rich and famous and live a life of luxury by taking advantage of people, but simply to create (for the bands) or disseminate (for labels) art based on a true passion for doing so. Now, I’m not saying that nobody should ever make money from their art — a lot of work goes into it and everyone involved totally deserves to recoup their expenses and bring in enough extra income to hopefully be able to continue what they are doing! But at a certain point, it seems like making a few dollars becomes more important than sharing a mutual love of music, and that is just a sad situation for anyone to be in.
Having said that, it’s obvious Matthias Jungbluth of French (Breton) label Throatruiner Records is in this for the right reasons. Anyone who would start an extreme metal label nowadays has to know beforehand that they aren’t going to be bringing in a ton of money, considering the state of the music industry these days, and so there must be some degree of passion for the art itself. The label specializes in small releases on vinyl or cassette, as well as some other merchandise, supplemented by free downloads of those releases in order to expose the artists to as many people as possible.
Packaged with the free download of an album from Throatruiner is the following text (contained in a file named “FVCK LARS ULRICH.rtf”):
Thanks for your download, we hope you will enjoy this record as much as we did! When I have started Throatruiner Records last year, one of my guidelines was to put all my releases on free download. Because the stuff i love should live without any boundaries. So if you want to support Throatruiner Records & our bands, please visit http://throatruinerrecords.tumblr.com/ and pick some stuff, we need it; and if you think we don’t deserve any $, be kind, share this album with five of your friends!
Sorry for your ears.
I’ve discovered a lot of great new music through this label, one example of which I’d like to share with you today.