Olhava – Reborn (2022), Sacrifice (2024), Memorial (2026)

Olhava, Olhava, Olhava. That’s the theme of the day.

For those who perhaps haven’t been around that long, a quick reminder: the Saint Petersburg (RU) atmospheric-black ensemble’s 2021 album Frozen Bloom (their fourth overall) was reviewed here after Avantgarde Music handled the physical release; and it promptly floated its way into the top ten of my list of that year’s best releases.

Since that time, despite all the fucked up stuff that’s been going on in their own country and all around the world, the duo (which includes Tim Yusupov, also of Trna and various other projects, on drums, and Andrey Novozhilov, also of Trna and Remaining Warmth [discussed here] among various others, on guitars and vocals) have managed to put out three more incredible records.

These releases ranked #1 on my lists for 2022 and 2024. The most recent came out about six weeks ago; at this point, just barely more than a quarter into 2026, it’s impossible to say whether this newest record will follow its predecessors in the highest spot, but regardless you can guarantee it’ll be pretty damn close to it at the very least.

In this post we will take a quick spin through all three.

 

OlhavaReborn (digital self-released, 27 May 2022 / physical Avantgarde Music, 26 August 2022)

 

OlhavaSacrifice (Avantgarde Music, 26 January 2024)

 

OlhavaMemorial (Avantgarde Music, 27 February 2026)

 

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Devastating Light – I Have Already Failed You; Olhava – Frozen Bloom (2021)

Devastating LightI Have Already Failed You (self-released (digital), 09 January 2021 / Depressive Illusion Records (cassette/UKR), 09 January 2021 / Herrecords (CD/ARG), 25 February 2021 / Planet K Records (CD/ITA), 28 March 2021)

 

OlhavaFrozen Bloom (self-released (digital), 02 April 2021 / slowsnow records (cassette), 02 April 2021 / Avantgarde Music (CD+vinyl), 07 May 2021)

 

Hello again! Presented for your listening pleasure, I’ve got two more recordings to share with you today. One is the debut EP by the newly-created solo act of a musician from southern Finland; the other will be the fourth LP by a two-piece band who live just a few hundred km away across the Russian border (or even closer, if one were inclined to travel directly through the Gulf of Finland).

Enjoy!

 

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Now Available for Free: Svartby – Elemental Tales


 

SvartbyElemental Tales (17 February 2012, Trollzorn Records)

 
Svartby are an extreme folk metal band from Saint Petersburg, Russia, which was formed back in 2003 by a keyboardist/composer/lyricist named Giftsvamp. Actually, “extreme folk metal” is a phrase they sometimes use to describe themselves, but they actually prefer the term “Svartcore” because the unique sound they create just doesn’t quite fit with what you’d normally consider “folk” music, or “extreme metal” or even “metal” music. They blend elements of all of these, but essentially “Svartcore” is centered around the band leader’s orchestral creations, which are then augmented by heavy metal guitars, drums, and death-metal-style vocals.

“Svartby” itself is the name of a fictional “black village” which is inhabited by mythical creatures — mostly either mischevious or malevolent ones (such as witches, gnomes, and imps) — and these form the main basis for the band’s lyrical content. Despite the band’s Russian origin, at first their lyrics were written entirely in Swedish, although over time, they began adding many songs in English as well.

The latest of these releases, Elemental Tales, first saw the light of day in February of this year, on CD via German label Trollzorn Records. However, the band is of the opinion that music ought to be freely available to all listeners: they have been quietly encouraging the album to be shared on the internet since the time of its release, and now they have established a Bandcamp page for themselves, where all their albums can officially and legitimately be downloaded for free. Bear in mind, though, you also have the opportunity to pay any price you choose — which would be highly appreciated by the musicians, who say they had never earned any money from their own music before now (explaining that, instead, everything has always gone to the record labels to offset expenses). (Read more about the band’s decision to give their music away for free here.)

So without any further ado, let’s discuss this recent album, and then I’ll give you the opportunity to listen to it and grab a copy of it…

 

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