NEWS: Obituary Announce European Tour Dates, New Video

 
Floridian death metal titans Obituary have announced a month-long European headlining tour, beginning on 3rd March in Cologne DE and ending 1st April in Schijndel NL at Paaspop Festival. A full list of tour dates is available below.

Obituary commented on the tour:

We are super excited to be back on a headlining tour in Europe. We have had great opportunities as direct support these past few years for Carcass, Cannibal Corpse, and Kreator but it’s time to get back to that final slot and the full power of a headlining tour. 45-50 min spots are just not enough for Obituary to cover all albums from the past three decades and our fans expect and deserve to see more… and more is what they will get from us on these dates.

We can’t wait to bring our full production and full-length concert to Europe. We will be performing many songs from the self-titled and Inked in Blood releases along with showcasing all the classics that everyone loves and is eager to hear.

We are working on the set list right now and want to hear from our fans which songs they want to hear so we encourage you to give us your ideas, thoughts and suggestions. Hang on to your asses because shit’s about to get real….Real Heavy!!!

 
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Six Feet Under – Crypt of the Devil (2015), Graveyard Classics IV (2016)

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Six Feet UnderCrypt of the Devil (Metal Blade Records, 05 May 2015)

 

Six Feet Under - Graveyard Classics IV

Six Feet UnderGraveyard Classics IV: The Number of the Priest (Metal Blade Records, 27 May 2016)

 

Okay, here’s my story. About fifteen or sixteen years ago, the file-sharing software Napster had hit its prime. The MP3 file format had been around for a few years, and it was a revolutionary new way to store and transfer digital audio due to the way it compressed data, which meant that over a relatively decent dial-up connection, it became possible to download a song in a matter of several minutes rather than hours. But coinciding with the rise of the Napster service, cable or DSL internet services were becoming increasingly widespread among household users — and while these broadband connections couldn’t compare with the direct lines found in larger businesses or colleges (or even with the high-speed options available in homes today), this increased upload and download speeds exponentially: now (depending on the speed of the specific peer-to-peer connection), that same MP3 file could usually be downloaded in less time than it would take you to listen to the song it contained. There was still plenty of technological advances yet to come, to the point where you can now go to Bandcamp and download an entire album in about thirty seconds or less, but compared with the way things had been for years prior, this was a pretty amazing development.

At that time, I was just into my early twenties, and very eager to learn about all the music that was out there for me to discover. No longer limited to what was available on the radio or MTV, there was a whole new world now accessible with just a few keystrokes and mouse clicks. And so I set out to fill my ears with everything I possibly could. Wikipedia was still in its infancy then, and the Encyclopaedia Metallum had not yet been launched, but I remember finding an invaluable source of information at the now-defunct CDNow.com — which, at the time, was basically the music store equivalent of Amazon.com, who was still primarily involved in selling only books. CDNow had fairly extensive biographical information for most of the artists whose music they sold, and also had an excellent system of recommendations — a series of rabbit holes through which I spend many, many hours wandering. Between all of that online research, and sometimes just stumbling upon random things in the course of conducting Napster searches, I had started to amass quite a sizable library of music, in an ever-broadening range of styles.

The point of all this is that at some time — I guess it was probably around early 2001 — I happened upon a death metal version of Dead Kennedys‘ “California Über Alles” by a band called Six Feet Under, which I thought was well-done, in a somewhat amusing, tongue-in-cheek kind of way. As it turns out, just before this (specifically, in October 2000), the band had released an album called Graveyard Classics which was entirely made up of cover versions of old-school rock, punk, and metal songs — so naturally when I tried searching for more of their material, these were the songs that popped up most often: “Sweet Leaf,” “In League with Satan,” and so on. At the time I didn’t know anything about Six Feet Under, although I did learn that it had first launched as a side project of Chris Barnes who had been the vocalist for Cannibal Corpse. Now that was a band I was at least somewhat familiar with, as a high school classmate had introduced me to their highly disturbing brand of extreme metal back in the early- or mid-90s. Anyway, given that limited amount of information, and the selection of songs I had been finding available for download (for what it’s worth, I later did end up buying a copy of Graveyard Classics), the natural conclusion I drew at that time was that apparently Six Feet Under was essentially the Me First and the Gimme Gimmes of death metal …

I don’t remember exactly when, but eventually I learned the full story behind the band — that they do have original material as well, and that Barnes had decided to shift all his energy here after being expelled from Cannibal Corpse following their first few albums (and not long after forming this side project), for reasons that vary depending on which version of the story you hear, but which may have included being more interested in marijuana than in being seriously committed to the band. Whether there’s any truth to that could be debated endlessly, but I’ve always found it a bit peculiar that there might have been an issue with someone’s seriousness when it comes to membership in a band whose lyrics and titles were so offensive that it was almost cartoonish, and whose artwork was so absurdly graphic that their albums were normally sold mostly (or even entirely) covered with a plain cardboard sleeve. But anyway, none of that is really relevant here — we’re here to discuss Six Feet Under, who have always seemed to (at least at some level) embrace the inherent silliness of the extreme death metal genre — especially when it comes to tackling cover songs that are often, as I noted earlier, clearly intended to be at least somewhat tongue-in-cheek.

 

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Two New Splits From Tankcrimes!

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Cannabis Corpse / GhoulSplatterhash (7 January 2014, Tankcrimes Records)

 

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Exhumed / Iron ReaganSplit 12″ (7 January 2014, Tankcrimes Records)

 

*******

 

Tankcrimes Records has been known to put out some fairly unique and sought-after releases over the past few years. (For instance, who could forget 2012’s hugely successful Toxic Waste split featuring Toxic Holocaust and Municipal Waste?) Well yesterday, just barely a week into 2014, we find the label has issued not one but TWO more excellent split records to add to that impressive repertory.

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Person or Persons Unknown: Six Questions with Grisly Amputation/Vulture Guitarist Gene Fikhman

  
Person or Persons Unknown

 

Six Questions with Grisly Amputation/Vulture Guitarist Gene Fikhman

by Asya Yanyo

 
 
My second Person or Persons Unknown is with Gene Fikhman, guitarist for Grisly Amputation and Vulture (one of my personal favorite bands EVER), horror and gore movie enthusiast, and all around cool and collected kind of guy. I must admit that I don’t know Gene very well, but in my personal interactions with him it has always seemed like he was the type of person who knew lots of information once you scratched the surface. I’ve had a lot of men in my life that are like this — in fact, I am married to one — and it’s been my personal experience that you are never disappointed when you get to know these kinds of guys. They are usually extremely intelligent, full of useless knowledge, helpful in all kinds of situations and hell to play trivia against. This is what made me want to interview him, not about just GrisAmp or Vulture, but about him personally so I could see if I was correct and I think you’ll see from this interview that I wasn’t disappointed. I hope you won’t be, either.

 
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Innervenus Music: Two New CDs Coming Next Month!

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Hello, friends. Regular visitors to this website have surely noticed that recently the volume of writing I am putting out there has significantly decreased. I apologize for that. But it hasn’t been the result of laziness, I assure you. I’ve been getting myself involved with a few other things — as I keep alluding to in several new posts over the past few weeks — and finally I want to let you know about one of those.

So, I have been asked to join the Pittsburgh-based record label The Innervenus Music Collective to help out with their PR and publicity. It’s a pretty exciting opportunty for me — first of all, as a writer I’ve been working with a variety of PR people and representatives from other labels, so I understand what’s involved, and it’s cool to be getting some experience from the other direction now. But even more than that, now I get to work directly with a group of people who do so much to support our local music scene — between planning shows and giving away the Iron Atrocity compilations, not to mention releasing albums from some really talented bands (Vulture, Invader, Fist Fight in the Parking Lot — just to name a few examples that I had written about last year)!

And so this new position has been using up a lot of my free time recently, mostly because we’re gearing up to put out two CDs in February: the debut full-length by grindcore/death dealers Grisly Amputation, and a self-titled EP by death-thrash-groove-sludge-core band Lycosa. I’ve been sending out promo materials to a whole slew of websites and magazines, so we should start seeing some reviews trickle in shortly, but I figure I wouldn’t really be doing my job (EITHER job – as a writer OR a publicist!) if I didn’t also inform you about the releases here on Valley of Steel!

 
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Coming Soon: The Faceless Reveal Details for New Album

 
Well. The last time we talked about those darlings of progressive death from California, The Faceless, it was way back in January when they had announced — and then dropped out of — a co-headlining tour with Dying Fetus. Around that time, and ever since then, there have been whispers about the band working on a new album. Now, thanks to Hold Tight! PR, I’m happy to announce that some details (including the official release date and a video trailer) have emerged…

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Now Available for FREE: Basement Torture Killings – The First Cumming


 

Basement Torture KillingsThe First Cumming (Self-released, Summer 2008)

 
London-based deathgrind/goregrind band Basement Torture Killings are also sometimes referred to by the acronym BTK — not coincidentally, the same initials used by serial killer Dennis Rader (in which case the letters stood for “Bind, Torture, Kill”). With this sort of pedigree, and with song titles such as “Drill Bit Erotica,” “Cut, Drained and Disposed,” and “Necrophiled and Cannibalised,” your first reaction might be — as mine was — to expect them to be one of those super-extreme-brutal-death-wacko bands. You know, where the whole thing sounds so muddled and the guitars and bass are both equalized so low that you can’t distinguish between them? And usually the vocals sound more like a handful of crickets tossed into a bunch of stomach acid inside a blender set to “puree”? I don’t know how people listen to that sort of thing, to be honest, and if you’re with me on that, then you’re in for a pleasant surprise just as I was when I first heard BTK’s music.
 
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