Chrch – Light Will Consume Us All (Neurot Recordings, 11 May 2018)
Fister – No Spirit Within (Listenable Records, 18 May 2018)
Hey! Remember that incredible split of DOOOOOOM between California’s Chrch and Missouri’s Fister, that came out last November? We just wrote about it at the beginning of this year. Well, both of those bands recently wrapped up a joint European tour, and coincidentally they are both beginning a series of U.S. tour dates TONIGHT (although those will all be separate shows). Also, they both signed to new labels in the recent past (Neurot and Listenable respectively), and both bands have just released their first album on those labels within the past month.
In this article we’re going to talk about both of those albums, and then at the end will be a list of upcoming performances for each band. Prepare yourselves.
It’s Monday and I’m tired and crabby and I don’t really want to be here and I just want to punch everything and everyone right in the damn face. It probably wouldn’t be advisable to do so, because there’s a good chance I’d end up losing my job — and despite what you might think based on how much bitching and complaining I do, that would probably not be a good thing. So as per usual, I’m stuck keeping all that annoyance and rage bottled up inside, with no real outlet through which to channel it. The best I can do is try to calm my nerves by grabbing a pair of headphones and blocking the whole world out with something loud and angry and particularly ugly. In fact, looking ahead at the schedule for the rest of this week, #SpoilerAlert, there’s going to be a lot of angry and ugly going on. So stay tuned for that.
To start off the week, we’re going to visit with St. Louis ultra-doom trio Fister. It’s been nearly three years since I wrote about their Gemini album on the day they were coming here to Pittsburgh with their friends and neighbors The Lion’s Daughter. At that time I had mentioned that there was quite a bit of stuff in the Fister discography, including a split record with The Lion’s Daughter, and that I had chosen to listen to Gemini (and share it with you folks) simply because it had been their most recent release at the time. Well those guys have continued to be pretty active since then, both touring and recording, and I figured it’s about time we checked back with them.
In particular, I thought we could take some time to check out a couple more records that have come out over the past two months. (There’s much more out there on Bandcamp, if you’re curious, but for practical reasons I had to limit myself to two releases to discuss today.) The first will be a split 7″ with Teeth from California, and the other is a split with Dopethrone from Montréal.
The Lion’s Daughter & Indian Blanket – A Black Sea (Good Die Young Music, 12 November 2013)
Hello out there, hope you all are having a good afternoon! If you caught the article I wrote yesterday, you would have been treated to an unsettling combination of folksy Americana (Bask) and grimy, noisy metal (American Heritage). Writing about those two bands together reminded me of another incredible album — one which actually combines an American folk band with a heavy, sludgy metal band (Indian Blanket and The Lion’s Daughter, respectively), both of whom are from Saint Louis. This album was released nearly two years ago, and I’ve been in love with it ever since, but somehow never got around to writing about it.
I was actually excited about this album from the first time I heard that it was being made — before I ever heard any of the music on it — because I was already familiar with one of the bands involved. The Lion’s Daughter had been on tour with another band from St. Louis, the amazing Fister, when I wrote about that band’s album Gemini on the day that they both came here to Pittsburgh — which, by some remarkable coincidence, was exactly two years ago today! It may have been because I’d listened to Fister a lot prior to the show but hadn’t really known anything about their tourmates at the time, so I didn’t really have any particular expectations before seeing them, but The Lion’s Daughter completely blew me away that evening. I feel like both bands managed to bring equal amounts of intensity and sheer volume (and for those of you who’ve seen Fister, you’ll know that is no easy task!)
Anyway, several months later a collaborative effort with their friendly neighborhood folk band came to fruition, and it was every bit as cool as I had hoped for — in fact, it has seemed to grow on me even more with repeated listens, to the point where I ended up including it among my favorite albums of 2013. Check out A Black Sea for yourself, and I think you’ll see why.