Beelzebud – Self Titled (2015-17); Mudbath – Brine Pool (2017)

BeelzebudSelf Titled (digital/tape self-released 23 October 2015; CD Cyclopean Eye Productions 13 February 2017)

 

MudbathBrine Pool (Saka Čost / Troffea Records / GPS Prod / Grains of Sand Records / Third-I-Rex, 02 May 2017)

 

Since we missed publishing anything new yesterday (sorry, but about half of the company I work for decided to take the day off, it seems, leaving the rest of us to pick up all of the slack…), today as an extra treat I’ve got two things to share with you. First will be the self-titled album by Singaporean noise-doom duo Beelzebud, which was released without much fanfare in 2015 but later discovered by the owner of India’s Cyclopean Eye who immediately decided the album needed to be re-released. And secondly, the latest release from avignonnais sludge-doom quartet Mudbath (their second album). Both of these are available to download for free from the respective bands’ Bandcamp pages, but physical copies can be purchased from the various labels associated with these two releases. Enjoy!

 
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The Fifth Alliance – Death Poems (2015)

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The Fifth AllianceDeath Poems (digital, CD [Consouling Sounds], cassette [Breathe Plastic Records, Diorama Records] 30 October 2015 / vinyl [Wooaaargh, Dingleberry Records, Grains of Sand Records, Monomentum Collective, Smithsfoodgroup DIY, Solitary Wolf (Vleesklak Records), Vinylaceton] 13 December 2015)

 

So here’s the part where I throw together some sort of introductory thing, greeting all the folks out there reading this, and along the way probably saying stuff like “ugh, it’s Tuesday, I’ve felt like I could fall asleep at any moment all day,” and then going off in some direction, complaining about something lame like the people surrounding me coughing and sniffling so much that it sounds like a hospital ward, or the fact that the stupid light above my desk is burnt out, or whatever. And then comes the part where I ask how your day has been, and then all of you skim through this whole paragraph and ignore my attempts at engaging a dialogue, and then you skip your way down to the important part — just below that photo down there where the discussion about music starts …

 

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